This account of one man’s experience flying the much-maligned medium bomber of WW II, the Martin B-26 Marauder, embraces about half the total time span of the war but only a fraction of the area involved - the American and European Theaters of Operation.

From #1 New York Times bestselling author P. C. Cast comes INTO THE MIST, the first book in a pulse-pounding dystopian duology for our times. Practical Magic meets Station Eleven in this gripping take on female power and the inevitable, destructive path of violent patriarchies. As men fall to the mist, the age of womankind begins to rise. The world as we know it ends when an attack on the U.S. unleashes bombs that deliver fire and biological destruction. Along with sonic detonations and devastating earthquakes, the bombs have also brought the green mist. If breathed in, it is deadly to all men—but alters the body chemistry of many women, imbuing them with superhuman abilities. A group of high school teachers heading home from a conference experiences firsthand the strength of these new powers. Mercury Rhodes is the Warrior, possessing heightened physical powers. Stella Carver is the Seer, with a sixth sense about the future. Imani Andrews is the Watcher, with a rare connection to the earth. Karen Gay is the Priestess, demonstrating a special connection with Spirits. And Gemma Jenkins is the Healer, a sixteen-year-old student who joins the group after losing her parents. As they cross the Pacific Northwest, trying to find a safe place to ride out the apocalypse, the women soon learn they can't trust anyone, and with fresh danger around every corner, it will take all their powers to save themselves—and possibly the world. With timely commentary on power and community, Into the Mist delivers a thrilling and fantastical future that is equal parts a feminist commentary and an amazing, witty adventure filled with wine and women– as only P.C. Cast’s brilliant storytelling can bring to life.

Delve into the world of UFO abduction as you follow the story of a man tortured by serial abductions who is suddenly thrust into a world beyond his comprehension. Old style sci-fi action mixes with gritty adult drama in this tale that incorporates actual historical events and science fiction into one possible reality. See the fierce battles that ensue when human beings retaliate in a secret war against the invaders. Join the Marauders of the Synchronetic Line as they travel those avenues hidden from the rest of us, fight back against a tyranny only few believe in or understand, and seek justice in a universe that shows no mercy.

New ideas of security spelled the end of piracy on the Mediterranean Sea during the nineteenth century. As European states ended their military conflicts and privateering wars against one another, they turned their attention to the 'Barbary pirates' of Algiers, Tunis and Tripoli. Naval commanders, diplomats, merchant lobbies and activists cooperated for the first time against this shared threat. Together, they installed a new order of security at sea. Drawing on European and Ottoman archival records - from diplomatic correspondence and naval journals to songs, poems and pamphlets - Erik de Lange explores how security was used in the nineteenth century to legitimise the repression of piracy. This repression brought European imperial expansionism and colonial rule to North Africa. By highlighting the crucial role of security within international relations, Menacing Tides demonstrates how European cooperation against shared threats remade the Mediterranean and unleashed a new form of collaborative imperialism.

Featuring scripts for well known classical fantasy stories, as well as more current entries into the genre, Wings of Fancy addresses subgenres such as: Fairies and Enchanted Creatures; Fantastic Beasts and Talking Animals. Each script offers a summary of the story with background information on the author and story, plus suggested further readings. Staging and presentation directions are included, as is a glossary of new and unfamiliar terms. Unlike most other books of this type, lesson plans and project ideas are also included for each story. Grades 4-8 The Readers Theatre series presents original scripts written for the purpose of teaching a specific literary genre. Each book is composed of 24-28 scripts, keyed to published books, plays, poems or stories in that genre, encouraging students to read the originals to accomplish the correlated project. Staging and presentation directions are included. Two-leveled (lower and higher level) projects with all needed lesson plans, forms and discussion are also provided for each script.

Enter the world of Azra with The Azrian Anthology: Volume #1. Explore the depths of sacred forests, witness horrors of both monsters and man, and follow uncertain and unhinged figures as they navigate the tough Azrian landscape. The Azrian Anthology: Volume #1 features examples of both high and low fantasy, perfect for all fans of the genre. Looking for tales of magic and mythical creatures? There is something here for you. Prefer a story wrapped in character detail and internal struggle? Then you're in luck!

This book would have been completed earlier but for events that disrupted millions of lives across India, including those of journalists: the demolition of the Babri Masjid at Ayodhya, by a Hindu mob on 6 December 1992 and the communal riots that followed across the country. In January 1993, the selective massacres of Muslims at Bombay and the devastating revenge bomb blasts there two months later led to extensive travelling and reporting for the New York Times. In addition, there was 'normal reporting': the Punjab, environmental, economic and political issues such as the billion dollar scam.

Because of its powerful socializing effects, the school has always been a site of cultural, political, and academic conflict. In an age where terms such as 'hard-to-teach,' and 'at-risk' beset our pedagogical discourses, where students have grown up in systems plagued by anti-immigrant, anti-welfare, 'zero-tolerance' rhetoric, how we frame and understand the dynamics of classrooms has serious ethical implications and powerful consequences. Using theatre and drama education as a special window into school life in four urban secondary schools in Toronto and New York City, The Theatre of Urban examines the ways in which these schools reflect the cultural and political shifts in big city North American schooling policies, politics, and practices of the early twenty-first century. pResisting facile comparisons of Canadian and American schooling systems, Kathleen Gallagher opts instead for a rigorous analysis of the context-specific features, both the differences and similarities, between urban cultures and urban schools in the two countries. Gallagher re-examines familiar 'urban issues' facing these schools, such as racism, classism, (hetero)sexism, and religious fundamentalism in light of the theatre performances of diverse young people and their reflections upon their own creative work together. By using theatre as a sociological lens, emThe Theatre of Urban