Comprehensive presentation of the six traditional Maori arts - tattoo, rafter painting, weaving, plaiting of baskets and mats, lattice-work panels and carving.

The arts of the Maori are among the most alluring and sophisticated of the Pacific peoples. They developed their skills through centuries of endeavour and craft experimentation, expressing religious and artistic ideas in wood, stone, bone, shell and other materials. In particular, their carving and weaving are universally admired; Maori themselves proudly preserve their artistic traditions and honour the great historic art works. In this introduction to the subject, Terence Barrow (1923-2001) explains in simple terms the significance of the design motifs used by the Maori in their works of art, and discusses the material used, their construction and everyday uses. Highly illustrated, this book will answer the questions most commonly asked about Maori art and will give the reader a deeper understanding of the symbolic and spiritual significance of a variety of works and art forms.

From the 1870s to the early twentieth century, the Bohemian immigrant artist Gottfried Lindauer travelled to marae and rural towns around New Zealand and - commissioned by Maori and Pakeha - captured in paint the images of key Maori figures. For Maori then and now, the faces of tupuna are full of mana and life. Now this definitive book on Lindauer's portraits of the ancestors collects that work for New Zealanders. The book presents 67 major portraits and 8 genre paintings alongside detailed accounts of the subject and work, followed by essays by leading scholars that take us inside Lindauer and his world: from his artistic training in Bohemia to his travels around New Zealand as Maori and Pakeha commissioned him to paint portraits; his artistic techniques and deep relationship with photography; Henry Partridge's gallery of Lindauer works on Queen Street in Auckland where Maori visited to see their ancestors; and the afterlife of the paintings in marae and memory. Published in association with Auckland Art Gallery Toi o Tamaki.

This collection of 15 projects offers children aged 7 and over a range of unique Maori art experiences. Practical skills cover sculpture, photography, design, paint, mixed media, collage and more. Easy-to-follow instructions include illustrations of the steps involved, using everyday craft materials, recycled and found objects. Examples of taonga (treasures) created by leading contemporary artists are shown alongside each project with a brief explanation of the object, its purpose and use in the past and present. While teaching as a museum/art gallery educator, the author had numerous requests from parents, teachers and educators over the years for ideas on how they could teach art and Maori culture to their children. These projects have been compiled in response to those requests, along with research and observation about how children connect with art. By engaging in these projects children will recognise that art takes many forms and can be enjoyed by everyone. This book will appeal to anyone looking for art activities that focus on Maori art and culture, and will suit both girls and boys. An emphasis on upcycling means that the ideas are accessible to the budget conscious without compromising on quality.

Up until now books on Maori art have described the work as either traditional (carving, weaving, painting) or contemporary, work produced post-1950s. This book presents a unique focus on Maori art by exploring the connection between the traditional and contemporary, and the place of Maori art within an international context. Maori Art provides a framework for looking at Maori art in a new way and fills a gap in Maori art history - while there are myriad surveys of Maori art there is currently very little critical writing on Maori art and artists. The book is extensively illustrated with over 400 art works, landscapes and meeting houses, many never published before, including 100 specially commissioned photographs from renowned New Zealand photographers Mark Adams and Haruhiko Sameshima.