The fascinating life story of collector Manuela Alexejew Berlin-based collector Manuela Alexejew is known for her distinguished art collection, with works by Dix, Piene, Condo and Kusama. This book documents her collection and glamorous life as a former flight attendant and guest of Sophia Loren at Studio 54.

Hanakam & Schuller are tricksters. As artists and researchers, they remodel the rules of fine art, creating idiosyncratic orders and new world designs incorporated in videos and objects. The artefacts of the two artists from Vienna are "Gestalt-changers"; they change their outer shape and re-appear in a number of different contexts. The trickster art book illustrates the oeuvre and provides an insight into its making using multi-page photo spreads from video stills, and production photographs. The Arkadikon essay captures readers and leads them to contemporary hypothetical landscapes, deconstructing them as modern surrogates of an increasingly virtual world. The artists discuss ideal, pop, aura and abduction with Angela Stief, Anselm Franke, Uta Grosenick, Annette Hünnekens, Wolfgang Ullrich, Lois Weinberger, Stephanie Weber und Oliver Zybok.

The Unfolding Center is a collaboration between visual artist Susan York and poet Arthur Sze. For this project, York has created 11 diptychs comprised of 22 densely layered graphite drawings, which are interleaved with Sze's extended polyvocal poem.

From 2008 to 2010, AA Bronson and Peter Hobbs collaborated to convene small groups of men in various locations throughout Canada and the United States in a secret group ritual known as "Invocation of the Queer Spirits." Invoking the queer and marginalized histories of each site in celebrations of sexuality and memorialisation, the groups performed something that Bronson has characterized as "a hybrid between group therapy, ceremonial magic, a séance and a quilting bee." Queer Spirits explores all five performances in five chapters of photographic essays together with a brilliant and frequently humorous reflection on queer animals, forest rangers, shamanism and alfresco sex by Peter Hobbs.

Rhymes from Mother Goose and other classic sources inspired these 85 imaginative illustrations. Humorous and bizarre, they add a new depth and resonance to the familiar verses. Contains mature content.

"What is presented here is a selection from hundreds of photos. Our respective authorship is not specific, particularly since, in individual cases, we can no longer figure out which one of us clicked the shutter"--Page [5].

An almanac to the world of Gilles Peress' Whatever You Say, Say Nothing, delineating the decades of conflict in Northern Ireland In Annals of the North, New York-based photographer Gilles Peress (born 1946) and writer and lawyer Chris Klatell combine essays, stories, photographs, documents and testimonies to open up for the reader the complicated and contradictory storylines that emerged from the conflict in the North of Ireland. Weighed down by 800 years of colonization but only the size of Connecticut (with half its population), Northern Ireland provides a remarkably intimate stage set. Interweaving text and image, Annals of the Northexamines the multifaceted struggle between Irish Republicans and Nationalists, Protestant Unionists and Loyalists, and the imperial British, to explore broader themes of empire, retribution and betrayal, as well as the tense dialectic between the ordinary demands of everyday life and periodic explosions of violence. The book is at once wide-ranging yet deeply personal and political, alternately dense and humorous, legal and literary.

Text by Michael Darling.

How American architecture can address systemic anti-Black racism: a creative challenge in 10 case studies Reconstructions: Architecture and Blackness in Americais an urgent call for architects to accept the challenge of reconceiving and reconstructing our built environment rather than continue giving shape to buildings, infrastructure and urban plans that have, for generations, embodied and sustained anti-Black racism in the United States. The architects, designers, artists and writers who were invited to contribute to this book--and to the exhibition at the Museum of Modern Art for which it serves as a "field guide"--reimagine the legacies of race-based dispossession in 10 American cities (Atlanta; Brooklyn, New York; Kinloch, Missouri; Los Angeles; Miami; Nashville; New Orleans; Oakland; Pittsburgh; and Syracuse) and celebrate the ways individuals and communities across the country have mobilized Black cultural spaces, forms and practices as sites of imagination, liberation, resistance, care and refusal. A broad range of essays by the curators and prominent scholars from diverse fields, as well as a portfolio of new photographs by the artist David Hartt, complement this volume's richly illustrated presentations of the architectural projects at the heart of MoMA's groundbreaking exhibition.