This volume consists of two sections, written by the two authors. The first section contains a study by Manfred Heuser on The Manichaean Myth According to Coptic Sources. This is the first systematic presentation of the basic myth as reflected in Coptic material. The second part is a collection of essays on Manichaeism by Hans-Joachim Klimkeit. The essays are concerned, inter alia, with Manichaean art and symbolism, including newly found examples of Manichaean art from Central Asia.

This 2004 book is a single-volume collection of sources for Manichaeism, a world religion founded by Mani, the Syrian visionary.

Good and evil, light and darkness; for the first time in English, a potent survey of Manichaeism

Manichaeism emerged from Sasanian Persia in the third century CE and flourished in Persia, the Roman Empire, Central Asia and beyond until succumbing to persecution from rival faiths in the eighth to ninth century. Its founder, Mani, claimed to be the final embodiment of a series of prophets sent over time to expound divine wisdom. This monograph explores the constructions of gender embedded in Mani's colourful dualist cosmological narrative, in which a series of gendered divinities are in conflict with the demonic beings of the Kingdom of Darkness. The Jewish and Gnostic roots of Mani's literary constructions of gender are examined in parallel with Sasanian societal expectations. Reconstructions of gender in subsequent Manichaean literature reflect the changing circumstances of the Manichaean community. As the first major study of gender in Manichaean literature, this monograph draws upon established approaches to the study of gender in late antique religious literature, to present a portrait of a historically maligned and persecuted religious community.

Makarios's Family: Manichaeans at Home in the Oasis -- Pamour's Connections: Religion beyond a Conflict Model -- Orion's Language: Manichaean Self-Designation in the Kellis Papyri -- Tehat's Gifts: Everyday Community Boundaries -- The Deacon's Practice: Manichaean Gatherings with Prayer and Psalm Singing --

Introduction: Mani's Church and Social Life -- Life in Kellis: Society and Religion in an Oasis Town -- The Pamour Family: Familial and Economic Networks -- Village Networks: The Small World of Fourth-Century Kellis -- Manichaean Cues: Religious Identity in Everyday Life -- Manichaean Networks: The Social Networks of the Laity at Kellis -- Manichaean Books: Textual Practices, Community, and the Literary Texts -- Manichaean Rituals: Elect and Laity at Kellis -- The Manichaean Church: Elect Organisation -- Conclusion: A Church in the World.

This is the first major work devoted entirely to the Aramaic-Syriac roots of Manichaeism containing inter alia editiones principes of hitherto unknown Syriac-Manichaean texts as well as other editions, studies of the palaeography and origin of the earliest specimens of Manichaean script, interpretation of the texts in the context of Enochic Jewish literature and early Syriac literature, an art-historical study of the Mani seal, as well as photo plates of all the manuscripts edited in the volume.

Based on several newly discovered texts, Augustine and Manichaean Christianity provides groundbreaking discussions of the relationship between the most influential church father of the West and the religion of his formative years. Augustine’s connection with Manichaean Christians was not only intense, but also enduring. This book unearths the essential background of writings such as Augustine’s Confessiones, De ordine and De vera religione, and discloses many a hidden Manichaean source of his powerful concepts of memory and the vision of God. Contributions by, among others, Iain Gardner, Therese Fuhrer, Jason BeDuhn, Majella Franzmann, Josef Lössl, Annemaré Kotzé and Nils Arne Pedersen.

The founder of Manichaeism, Mani (216-274/277 CE), not only wrote down his teachings to prevent their adulteration, but also created a set of paintings—the Book of Pictures—to be used in the context of oral instruction. That pictorial handscroll and its later editions became canonical art for Mani's followers for a millennium afterwards. This richly illustrated study systematically explores the artistic culture of religious instruction of the Manichaeans based on textual and artistic evidence. It discusses the doctrinal themes (soteriology, prophetology, theology, and cosmology) depicted in Mani’s canonical pictures. Moreover, it identifies 10th-century fragments of canonical picture books, as well as select didactic images adapted to other, non-canonical art objects (murals, hanging scrolls, mortuary banners, and illuminated liturgical manuscripts) in Uygur Central Asia and Tang-Ming China.