The second edition of Contemporary Archaeology in Theory: The New Pragmatism, has been thoroughly updated and revised, and features top scholars who redefine the theoretical and political agendas of the field, and challenge the usual distinctions between time, space, processes, and people. Defines the relevance of archaeology and the social sciences more generally to the modern world Challenges the traditional boundaries between prehistoric and historical archaeologies Discusses how archaeology articulates such contemporary topics and issues as landscape and natures; agency, meaning and practice; sexuality, embodiment and personhood; race, class, and ethnicity; materiality, memory, and historical silence; colonialism, nationalism, and empire; heritage, patrimony, and social justice; media, museums, and publics Examines the influence of American pragmatism on archaeology Offers 32 new chapters by leading archaeologists and cultural anthropologists

This accessible, state-of-the-art review of Mayan hieroglyphics and cosmology also serves as a tribute to one of the field's most noted pioneers. The core of this book focuses on the current study of Mayan hieroglyphics as inspired by the recently deceased Mayanist Linda Schele. As author or coauthor of more than 200 books or articles on the Maya, Schele served as the chief disseminator of knowledge to the general public about this ancient Mesoamerican culture, similar to the way in which Margaret Mead introduced anthropology and the people of Borneo to the English-speaking world. Twenty-five contributors offer scholarly writings on subjects ranging from the ritual function of public space at the Olmec site and the gardens of the Great Goddess at Teotihuacan to the understanding of Jupiter in Maya astronomy and the meaning of the water throne of Quirigua Zoomorph P. The workshops on Maya history and writing that Schele conducted in Guatemala and Mexico for the highland people, modern descendants of the Mayan civilization, are thoroughly addressed as is the phenomenon termed "Maya mania"—the explosive growth of interest in Maya epigraphy, iconography, astronomy, and cosmology that Schele stimulated. An appendix provides a bibliography of Schele's publications and a collection of Scheleana, written memories of "the Rabbit Woman" by some of her colleagues and students. Of interest to professionals as well as generalists, this collection will stand as a marker of the state of Mayan studies at the turn of the 21st century and as a tribute to the remarkable personality who guided a large part of that archaeological research for more than two decades.

This new journal, fast becoming a staple in the architectural community, aims to revitalize, reform, and rebuild the profession by showcasing the work of promising students, young designers, and innovative educational institutions. Each volume addresses a pressing architectural issue and offers diverse, cross-disciplinary solutions in the form of projects, ideas, buildings, and other media. 306090 07: Landscape within Architecture, edited by David L. Hays, is intended as a foray into landscape architecture and a catalyst for exchange between students, faculty, and administrators interested in understanding and expanding the presence of landscape within the pedagogy and practice of architecture. This volume includes essays by Frederick Steiner, Alessandra Ponte, James Wines, Kimberly Hill, and others, as well as student projects by Kristin Akkerman Schuster, Elena Wiersma, and Hillary Sample.

The book is concerned principally with geobotanical mapping. Geobotany is a broad science that deals with the study of species and of vegetation communities in relation to the environment; it includes other, perhaps more familiar sciences, such as plant geography, plant ecology, and chorology, and phytosociology (plant sociology). Geobotanical cartography is a field of thematic cartography that deals with the interpretation and representation, in the form of maps, of those spatial and temporal phenomena that pertain to flora, vegetation, vegetated landscapes, vegetation zones, and phytogeographical units. The production of a geobotanical map represents the last stage in a cognitive process that begins with observations in the field and continues with the collection of sample data, interpretation of the phenomena observed, and their appropriate cartographic representation; geobotanical cartography is closely tied to the concepts and scope of geobotany in general