The people of Pie Time are suffering from God’s Finger, a mysterious plague that leaves its victims dead with a big hole through their chests. In each hole is a random consumer product. Mano Medium, a sensitive, young cigarette-factory worker in love, does his part by quitting the factory to work double-time as Pie Time’s replacement barber and butcher, and by holding the things found in the holes of the newly dead. However, the more people die, the bigger Mano becomes. XO, the power-hungry corporation bent on overtaking Pie Time, and Father Mothers, the bumbling priest, have their own ideas about how to capitalize on God’s Finger. By contrast, and powered by honoring his own lost loves, Mano fights to resist this exploitation by teaching death to those who can’t afford to survive it. As Pie Time and Mano both grow irrevocably, Mano must make a decision about how he can best fit into his own life. With a large cast of unusual characters, each struggling with their own complex and tangled relationships to death, money, and love, Mammother is a fabulist's tale of how we hold on and how we let go in a rapidly growing world.

Contemporary Irish Plays showcases the new drama that has emerged since 2008. Featuring a blend of established and emerging writers, the anthology shows how Irish writers are embracing new methods of theatre-making to explore exciting new themes – while also finding new ways to come to terms with the legacies of the Troubles and the Celtic Tiger. Freefall is a sharp, humorous and exhilarating look at the fragility of a human life, blending impressionistic beauty, poignancy and comedy. Forgotten features the interconnecting stories of four elderly people living in retirement homes and care facilities around Ireland, who range in age from 80 to 100 years old. Drum Belly is a fascinating play about the Irish mafia in late 1960s' New York. It premiered at the Abbey Theatre in 2012. Previously unpublished, Planet Belfast by Rosemary Jenkinson is about a woman named Alice – Stormont's only Green MLA who must toe a delicate line between large, sectarian power bases in order to promote an environmental agenda in Northern Ireland. Desolate Heaven is a story about two young girls hoping to find freedom from home in the trappings of love. It was first performed at Theatre 503, London, in 2013 Written for the 2012 Dublin Theatre Festival, and previously unpublished, The Boys of Foley Street by Louise Lowe is a piece of site-specific theatre which led audience members on a tour of the backstreets of inner-city Dublin. Edited by the leading scholar on Irish theatre, Patrick Lonergan, Contemporary Irish Plays is a timely reminder of the long-held tradition and strength of Irish theatre which blossoms even in its new-found circumstances.

In What Money Can't Buy, renowned political philosopher Michael J. Sandel rethinks the role that markets and money should play in our society. Should we pay children to read books or to get good grades? Should we put a price on human life to decide how much pollution to allow? Is it ethical to pay people to test risky new drugs or to donate their organs? What about hiring mercenaries to fight our wars, outsourcing inmates to for-profit prisons, auctioning admission to elite universities, or selling citizenship to immigrants willing to pay? In his New York Times bestseller What Money Can't Buy, Michael J. Sandel takes up one of the biggest ethical questions of our time: Isn't there something wrong with a world in which everything is for sale? If so, how can we prevent market values from reaching into spheres of life where they don't belong? What are the moral limits of markets? Over recent decades, market values have crowded out nonmarket norms in almost every aspect of life. Without quite realizing it, Sandel argues, we have drifted from having a market economy to being a market society. In Justice, an international bestseller, Sandel showed himself to be a master at illuminating, with clarity and verve, the hard moral questions we confront in our everyday lives. Now, in What Money Can't Buy, he provokes a debate that's been missing in our market-driven age: What is the proper role of markets in a democratic society, and how can we protect the moral and civic goods that markets do not honor and money cannot buy?

"She's goin' back there. I can tell. She's breakin' her promise. She's breakin' my heart. She said she never would." Sive and Orlaith are twelve and thirteen. Yet despite their age, they are each responsible for the care of their respective parents. When the girls meet on a social day for carers, they forge a relationship that takes them on an epic journey through the twisting backroads of small towns, friendship and love. Desolate Heaven is a story of two young girls burdened with unnatural responsibilities. It is a story of falling in love for the first time and a story about running away. It is a story about growing up too soon and about why love can sometimes be dangerous.

What did Protestants in America think about capitalism when capitalism was first something to be thought about? The Bible told antebellum Christians that they could not serve both God and mammon, but in the midst of the market revolution most of them simultaneously held on to their faith while working furiously to make a place for themselves in ...

Poetry. SCARY, NO SCARY, the follow-up to Zachary Schomburg's acclaimed first collection of poems THE MAN SUIT, is a book of skeleton gloves and skeleton keys at once dark and playful. With loneliness and levity Schomburg takes the reader on a tour through a liminal world of dream-logic, informed by its own myth and folklore. Here there are new kinds of trees and new ways of naming the ages; jaguars and an abandoned hotel on the horizon. This book will crawl inside your chest and pump lava through your blood."

The Encyclopedia of Indo-European Culture is a major new reference work that provides full, inclusive coverage of the major Indo-European language stocks, their origins, and the range of the reconstructed Proto-Indo-European language. The Encyclopedia also includes numerous entries on archaeological cultures having some relationship to the origin and dispersal of Indo-European groups -- as well as entries on some of the major issues in Indo-European cultural studies.There are two kinds of entries in the Encyclopedia of Indo-European Culture: a) those that are devoted to archaeology, culture, or the various Indo -European languages; and b) those that are devoted to the reconstruction of Proto-Indo-European words.Entries may be accessed either via the General Index or the List of Topics: Entries by Category where all individual reconstructed head-forms can also be found. Reference may also be made to the Language Indices.In order to make the book as accessible as possible to the non-specialist, the Editors have provided a list of Abbreviations and Definitions, which includes a number of definitions of specialist terms (primarily linguistic) with which readers may not be acquainted. As the writing systems of many Indo-European groups vary considerably in terms of phonological representation, there is also included a list of Phonetic Definitions.With more than 700 entries, written by specialists from around the world, the Encyclopedia of Indo-European Culture has become an essential reference text in this field.

When witches kidnap her dad, Mup is swept up in a wild tide of magic that carries her to another world. Can she reunite her family and find her way back? On the night that Aunty dies, the raggedy witches come for Mup’s family. Pale, cold, and relentless, the witches will do anything for the tyrannical queen who has outlawed most magic and enforces her laws with terror and cruelty — and who happens to be Mup’s grandmother. When witches carry off her dad, Mup and her mam leave the mundane world to rescue him. But everything is odd in the strange, glittering Witches Borough, even Mam. Even Mup herself. In a world of rhyming crows, talking cats, and golden forests, it’s all Mup can do to keep her wits about her. And even if she can save her dad, Mup’s not sure if anything will ever be the same again. First in a new trilogy by Irish author Celine Kiernan, this tale of family and forbidden magic charts a fresh path through the landscape of beloved fantasy tradition — and promises to bewitch any reader in search of stories to love.