Indebted to Gaia Vince's New Scientist article 'Surviving in a Warmer World', Paul di Filippo's story depicts the life of Aurbindo Bandjalang in the climate change-ravaged planet of the Anthropocene Age. A member of the Reboot Civilisation, 'AB' is part of a new configuration of humanity, nine billion people crowded together in densely populated, high-rise areas on the quarter of the Earth's present-day land mass that remains above water. Di Filippo imagines a world in which the Earth's resources are pushed to their very limits and the human race, while dependent on the all-powerful Sun for its survival, is also subject to its devastating effect on Earth's climate.

In a time beyond the apocalypse, when the remnants of society are trying to restore life to the way it once was, three young circus children go exploring in the town where the circus is camped. As they wander the empty streets they stumble upon a building they will never forget, in which floor after floor is crammed with an abundance of books. This library is heaven for these child survivors of the apocalypse, but they may not be the only ones who feel this way.

This story is not part of the Revelation Space series. It was developed from notes for an unwritten novel and maybe one day that novel will be completed, for we need to know the fate of the Earth. This story presents one of the more unusual apocalyptic ideas.

Astronomer Harry Malibert is at an airport when nuclear war breaks out. Having been recognised by a fan, he is offered a seat on a plane to Iceland. Though most of Reykjavík has been destroyed by a thermonuclear weapon, the rest of the Iceland has been left untouched. Malibert and the remaining survivors must take advantage of Iceland's geology in preparing for the nuclear winter ahead of them, all the while calculating their chances of survival and contemplating the Fermi paradox: given the size and age of the universe, there ought to be many extraterrestrial civilisations, yet none has so far been found. Will Malibert and his group survive, and will they or their successors live to see proof of extraterrestrial civilisation?

Reminiscent of both "Damnation Alley" by Roger Zelazny and "The Postman" by David Brin, "And the Deep Blue Sea" offers almost three stories for the price of one.

Life typically becomes an object of reflection when it is seen to be under threat. In particular, humans have a tendency to engage in thinking about life (instead of just continuing to live it) when being confronted with the prospect of death: be it the death of individuals due to illness, accident or old age; the death of whole ethnic or national groups in wars and other forms of armed conflict; but also of whole populations, be they human or nonhuman. Even though Minimal Ethics for the Anthropocene is first and foremost concerned with life-understood as both a biological and social phenomenon-it is the narrative about the impending death of the human population (i.e., about the extinction of the human species), that provides a context for its argument. "Anthropocene" names a geo-historical period in which humans are said to have become the biggest threat to life on earth. However, rather than as a scientific descriptor, the term serves here primarily as an ethical injunction to think critically about human and nonhuman agency in the universe. Restrained in tone yet ambitious in scope, the book takes some steps towards outlining a minimal ethics thought on a universal scale. The task of such minimal ethics is to consider how humans can assume responsibility for various occurrences in the universe, across different scales, and how they can respond to the tangled mesh of connections and relations unfolding in it. Its goal is not so much to tell us how to live but rather to allow us to rethink "life" and what we can do with it, in whatever time we have left. The book embraces a speculative mode of thinking that is more akin to the artist's method; it also includes a photographic project by the author. This work was published by Saint Philip Street Press pursuant to a Creative Commons license permitting commercial use. All rights not granted by the work's license are retained by the author or authors.

Until about 13,000 years ago, North America was home to a menagerie of massive mammals. Mammoths, camels, and lions walked the ground that has become Wilshire Boulevard in Los Angeles and foraged on the marsh land now buried beneath Chicago's streets. Then, just as the first humans reached the Americas, these Ice Age giants vanished forever. In Once and Future Giants, science writer Sharon Levy digs through the evidence surrounding Pleistocene large animal ("megafauna") extinction events worldwide, showing that understanding this history--and our part in it--is crucial for protecting the elephants, polar bears, and other great creatures at risk today. These surviving relatives of the Ice Age beasts now face the threat of another great die-off, as our species usurps the planet's last wild places while driving a warming trend more extreme than any in mammalian history. Deftly navigating competing theories and emerging evidence, Once and Future Giants examines the extent of human influence on megafauna extinctions past and present, and explores innovative conservation efforts around the globe. The key to modern-day conservation, Levy suggests, may lie fossilized right under our feet.

We are currently facing the sixth mass extinction of species in the history of life on Earth, biologists claim—the first one caused by humans. Heise argues that understanding these stories and symbols is indispensable for any effective advocacy on behalf of endangered species. More than that, she shows how biodiversity conservation, even and especially in its scientific and legal dimensions, is shaped by cultural assumptions about what is valuable in nature and what is not.

A fascinating journey around the world of extinct animals, combining cartoons with naturalist drawings, and mythology with science.