In the teens and twenties, New York was home to a rich variety of literary subcultures. Within these intermingled worlds, gender lines and other boundaries were crossed in ways that were hardly imaginable in previous decades. Among the bohemians of Greenwich Village, the sophisticates of the Algonquin Round Table, and the literati of the Harlem Renaissance, certain women found fresh, powerful voices through which to speak and write. Enda St. Vincent Millay and Dorothy Parker are now best remembered for their colorful lives; Genevieve Taggard, Gwendolyn Bennett, and Helene Johnson are hardly remembered at all. Yet each made a serious literary contribution to the meaning of modern femininity, relationship, and selfhood. Making Love Modern uncovers the deep historical sensitivity and interest in these women's love poetry. Placing their work in the context of subcultures nested within national culture, Nina Miller explores the tensions that make this literature so rewarding for contemporary readers. A poetry of intimate expression, it also functioned powerfully as public assertion. The writers themselves were high-profile embodiments of femininity, the local representatives of New Womanhood within their male-centered subcultural worlds. This book captures the literary lives of these woman as well as the complex subcultures they inhabited--Harlem, the Village, and glamorous midtown Manhattan.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In the tradition of Post Secret and Other People’s Love Letters, a crowdsourced compilation of letters, stories, and art work about the modern state of love and relationships, edited by rising filmmaker and beloved YouTube vlogger Will Darbyshire. “What would you say to your ex, without judgment?” This is the question filmmaker and vlogger Will Darbyshire posed to hundreds of thousands of his closest friends on YouTube. Seeking closure after a tough break-up, Will was driven to strike up an intimate conversation with his online audience, and to get at the heart of one of life’s unknowable yet universal mysteries: love. Over a period of six months, Will posed a series of questions to his audience and asked them to reveal their innermost feelings about their own romantic experiences in the form of hand-written letters, poems, photographs, and emails. The result is a curated collection of responses that are, at turns, funny, dark, confessional, awkward, comforting, and uplifting. This Modern Love is a compelling portrait of individual desires, fantasies, resentments, and fears that reminds us that, whether we’re in or out of love, we’re not alone.

We are currently knee-deep in a Romance Apocalypse. There are more single adults than ever before, yet people are not connecting and forming real relationships. The US birth rate is at the lowest point in history, traditional values are under attack, and any sense of courtship behaviors and chivalry has all but died at this point. In Making Love Great Again, DeAnna explains who killed romance, and why many men are boycotting marriages with women and no longer interested in committing beyond a fling. She boldly explains the forces that have created a generation of adult men hooked on video games & pornography, and single women who unknowingly repel great men away, yet are lonely, over-worked, and much less happy than women of 50 years ago. She paints a frightening future of what's in-store for us in the next five years if no changes are made - including relationships with robots, a completely gender-neutral society, and the elimination of intimacy and marriage. She then lays out her Making Love Great Again plan to this ship around, revive romance, and start WINNING again in your relationships. You'll find out what your opposite sex really wants & needs right now and what s been missing in order to better understand them, connect with them, and attract them. This book is a wakeup call to every man and woman, but also a practical action plan for making love great again for yourself - and the world - that will leave you winning in dating and love!

The contemporary novel does more than revise our conception of love—it explodes it, queers it, and makes it unrecognizable. Rather than providing union, connection, and completion, love in contemporary fiction destroys the possibility of unity, harbors negativity, and foregrounds difference. Comparing contemporary and modernist depictions of love to delineate critical continuities and innovations, Unmaking Love locates queerness in the novelistic strategies of Ian McEwan, Zadie Smith, Hanif Kureshi, Alan Hollinghurst, and Hari Kunzru. In their work, "queer love" becomes more than shorthand for sexual identity. It comes to embody thwarted expectations, disarticulated organization, and unnerving multiplicity. In queer love, social forms are deformed, affective bonds do not bind, and social structures threaten to come undone. Unmaking Love draws on psychoanalysis and gender and sexuality studies to read love's role in contemporary literature and its relation to queer negativity.

"This is a facsimile edition of Modern Love, which was originally published by Standard Editions in 1977. An earlier version of the text appeared in serial form as Books I-V of the Complete Works of Constance De Jong, published by TVRT and Mirror Press from 1975-1976" --Colophon.

“A beautifully written and well-researched cultural criticism as well as an honest memoir” (Los Angeles Review of Books) from the author of the popular New York Times essay, “To Fall in Love with Anyone, Do This,” explores the romantic myths we create and explains how they limit our ability to achieve and sustain intimacy. What really makes love last? Does love ever work the way we say it does in movies and books and Facebook posts? Or does obsessing over those love stories hurt our real-life relationships? When her parents divorced after a twenty-eight year marriage and her own ten-year relationship ended, those were the questions that Mandy Len Catron wanted to answer. In a series of candid, vulnerable, and wise essays that takes a closer look at what it means to love someone, be loved, and how we present our love to the world, “Catron melds science and emotion beautifully into a thoughtful and thought-provoking meditation” (Bookpage). She delves back to 1944, when her grandparents met in a coal mining town in Appalachia, to her own dating life as a professor in Vancouver. She uses biologists’ research into dopamine triggers to ask whether the need to love is an innate human drive. She uses literary theory to show why we prefer certain kinds of love stories. She urges us to question the unwritten scripts we follow in relationships and looks into where those scripts come from. And she tells the story of how she decided to test an experiment that she’d read about—where the goal was to create intimacy between strangers using a list of thirty-six questions—and ended up in the surreal situation of having millions of people following her brand-new relationship. “Perfect fodder for the romantic and the cynic in all of us” (Booklist), How to Fall in Love with Anyone flips the script on love. “Clear-eyed and full of heart, it is mandatory reading for anyone coping with—or curious about—the challenges of contemporary courtship” (The Toronto Star).

Declutter Your Love Life and Go From Falling to Not Failing in Love Why is love so elusive? Why can it be there one day and gone the next? Why does everything change for some people as soon as they move in together, get married, or have children? Why do people who seem so right for each other fall out of love without warning? Or is there a warning? Is there a science, an art behind all of this? How do couples that stay madly in love for decades, truly until death does part them, do it? Figuring this out has been my mission ever since I was a young boy, given that my parents had a very unstable relationship with more yelling than your average death metal concert. Nevertheless, I didn

This book of exquisite photographs arises from the premise that unless we love nature, we will not work to save it from exploitation and eventual destruction. The rich mixture of photographs, Zen poems and essays presented on these pages is intended to open our hearts to the wild and the wilderness, and to direct us to the ways in which we can heal the earth. The author is an award-winning photographer and videographer and his art and wildlife photography from the core of a unique teaching programme that integrates art and wilderness training and cultivates an experiential appreciation of the relationship of Zen spirituality to our natural environment.

"These days sexual sin is far less about sex and far more about the misuse of power and exploitation of vulnerability. It's time to redraw the ethical map. But how should a contemporary Christian ethic of sexuality be formulated? Marvin Ellison, a pioneer in contemporary Christian rethinking of sexuality and sexual ethics, uses a series of provocative questions to increase readers' skills and confidence for engaging in ethical deliberation about sexuality. Students and all adults will welcome this book for enabling their personal clarity, approach to relationships, and mindful participation in respectful moral debate." -- Publisher description.