A detailed analysis of Aristotelian and Kantian ethics together, remaining faithful to the texts and responsive to contemporary debates.

The author is a prominent linguistics scholar. The study of sociolinguistics of the English language in Nigeria has assumed great importance in Nigerian universities. Against the background of key works from 1971 to 1991, and the growing debate over an optimal language policy for Nigeria, he looks at the perspectives of an individual writer, to provide an overview of the language since its earliest contacts with what is now known as Nigeria. One important gap which he identifies is the paucity of illustrative data even from the three main Nigerian languages.

As children, we learn life is unfair: bad things happen to good people and good things happen to bad people. So, it is natural to ask, "Why play fairly in an unfair world? If being immoral will get you what you want and you know you can't get caught, why not do it?" The answers, as argued herein, begin by rejecting the idea that morality and happiness are at odds with one another. From this point of view, we can see how immorality undermines its perpetrator's happiness: self-respect is necessary for happiness, and immorality undermines self-respect. As we see how our self-respect is conditional upon how we respect others, we learn to evaluate and value ourselves, and others, appropriately. The central thesis is the result of combining the ancient Greek conception of happiness (eudaimonia) with a modern conception of self-respect. We become happy, we life the best life we can, only by becoming virtuous: by being as courageous, just, temperate, and wise as can be. These are the virtues of happiness. This book explains why it is bad to be bad and good to be good, and what happens to people's values as their practical rationality develops.

Lisa Tessman's Burdened Virtues is a deeply original and provocative work that engages questions central to feminist theory and practice, from the perspective of Aristotelian ethics. Focused primarily on selves who endure and resist oppression, she addresses the ways in which devastating conditions confronted by these selves both limit and burden their moral goodness, and affect their possibilities of flourishing. She describes two different forms of "moral trouble" prevalent under oppression. The first is that the oppressed self may be morally damaged, prevented from developing or exercising some of the virtues; the second is that the very conditions of oppression require the oppressed to develop a set of virtues that carry a moral cost to those who practice them--traits that Tessman refers to as "burdened virtues." These virtues have the unusual feature of being disjoined from their bearer's own well being. Tessman's work focuses on issues that have been missed by many feminist moral theories, and her use of the virtue ethics framework brings feminist concerns more closely into contact with mainstream ethical theory. This book will appeal to feminist theorists in philosophy and women's studies, but also more broadly, ethicists and social theorists.

"The author explores four themes relating to international relations in the modern era: Reasons of State, the Balance of Power, the Balance of Trade, and Geopolitics. He contrasts realist ideas with universalist alternatives, both religious and secular, which were based on a more optimistic view of the nature of man or the nature of society. Realist thought never attained consistent predominance, Haslam demonstrates, and the struggle with universalist thought has remained an unresolved tension that can be traced throughout the evolution of international relations theory in the twentieth century."--BOOK JACKET.

"Virtue ethics has attracted a lot of attention and there has been considerable interest in virtue epistemology as an alternative to traditional approaches in that field. This book fills a gap in the literature for a text that brings virtue epistemologists and virtue ethicists together."-- Back cover.

Socrates was not a moral philosopher. Instead he was a theorist who showed how human desire and human knowledge complement one another in the pursuit of human happiness. His theory allowed him to demonstrate that actions and objects have no value other than that which they derive from their employment by individuals who, inevitably, desire their own happiness and have the knowledge to use actions and objects as a means for its attainment. The result is a naturalised, practical, and demystified account of good and bad, and right and wrong. Professor Reshotko presents a freshly envisioned Socratic theory residing at the intersection of the philosophy of mind and ethics. It makes an important contribution to the study of the Platonic dialogues and will also interest all scholars of ethics and moral psychology.

Intelligent Virtue presents a distinctive new account of virtue and happiness as central ethical ideas. Annas argues that exercising a virtue involves practical reasoning of a kind which can illuminatingly be compared to the kind of reasoning we find in someone exercising a practical skill. Rather than asking at the start how virtues relate to rules, principles, maximizing, or a final end, we should look at the way in which the acquisition and exercise of virtue can be seen to be in many ways like the acquisition and exercise of more mundane activities, such as farming, building or playing the piano. This helps us to see virtue as part of an agent's happiness or flourishing, and as constituting (wholly, or in part) that happiness. We are offered a better understanding of the relation between virtue as an ideal and virtue in everyday life, and the relation between being virtuous and doing the right thing.

Professor Minnis argues that the paganism in Troilus and Criseyde and The Knight's Taleis not simply a backdrop but must be central to our understanding of the texts. Chaucer's two great pagan poems, Troilus and Criseyde and The Knight's Tale, belong to the literary genre known as the `romance of antiquity' (which first appeard in the mid 12th century), in which the ancient pagan world is shown on its own terms, without the blatant Christian bias against paganism characteristic of works like the Chanson de Roland, where the writer is concerned with present-day rather than classical forms of paganism. Chaucer's attitudes to antiquity were influenced, but not determined, by those found in the compilations, commentaries, mythographies and history books which we know that he knew. These sources illuminate the manner in which he transformed Boccaccio. Much modern criticism has concentrated on the medieval veneer of manners and fashions which are ascribed to the heathen protagonists of Troilus and The Knight's Tale; Dr Minnis examines the other side of the coin, Chaucer's historical interest in cultures very different from his own. The paganism in these poems is not mere background and setting, but an essential part of their overall meaning.