Bachelor Surprise! Upon learning a casual fling had resulted in a bundle of joy, Greg Chandler felt compelled to go under cover and find the kid—just to make sure it was well cared for. But that was before he saw Mikelle Bennet, the sexy widow who had adopted "Jamie." Before he'd held his son in his arms. Before his fatherly fate was sealed… Mikelle was suspicious of the newest guest at her Nantucket inn. The only local color he seemed interested in was baby blue! And why was a confirmed bachelor suddenly fascinated by warm bottles and baby booties? Greg's charm and sheer masculinity stole her heart. But was it also his intention to steal her son?

Using fathers' first-hand accounts from letters, journals, and personal interviews along with hospital records and medical literature, Judith Walzer Leavitt offers a new perspective on the changing role of expectant fathers from the 1940s to the 1980s. She shows how, as men moved first from the hospital waiting room to the labor room in the 1960s, and then on to the delivery and birthing rooms in the 1970s and 1980s, they became progressively more involved in the birth experience and their influence over events expanded. With careful attention to power and privilege, Leavitt charts not only the increasing involvement of fathers, but also medical inequalities, the impact of race and class, and the evolution of hospital policies. Illustrated with more than seventy images from TV, films, and magazines, this book provides important new insights into childbirth in modern America, even as it reminds readers of their own experiences.

The late Danny Thomas recounts his fantastic life and career in this touching memoir. From his poverty-stricken boyhood to his incredible rise to fame, from his friendships with the giants of the entertainment world to his unselfish work for the St. Jude's Children's Research Hospital, here is a warmhearted look at one of the world's great storytellers.--Associated Press. 16 pages of photographs.

"Growing Up Laughing: My Story and the Story of Funny is a book that only Marlo Thomas could write -- a smart and gracious, witty and confident autobiographical journey. For as long as Marlo Thomas can remember, she's lived with laughter. Born to comedy royalty--TV and nightclub star Danny Thomas--she grew up among legendary funny men, carved much of her career in comedy and, to this day, surrounds herself with people who love and live to make others laugh. In this long-awaited memoir, Thomas takes us on a funny and heartwarming adventure, from her Beverly Hills childhood, to her groundbreaking creation of That Girl and Free to Be . . . You and Me, to her rise as one of America's most beloved actress-comediennes, to her marriage to talk-show king Phil Donahue. Her youth was star-studded--Milton Berle performed magic tricks (badly) at her backyard birthday parties. George Burns, Bob Hope, Sid Caesar, Bob Newhart and other great comics passed countless hours gathered around her family's dinner table. And behind it all was the rich laughter nurtured by a close and loving family. Growing Up Laughing is not just the story of an iconic entertainer, but also the story of comedy. In a voice that is curious, generous and often gleeful, Thomas not only opens the doors on the funny in her own life, but also explores the comic roots of today's most celebrated comedians, in personal interviews with: Alan Alda, Joy Behar, Stephen Colbert, Billy Crystal, Tina Fey, Whoopi Goldberg, Kathy Griffin, Jay Leno, George Lopez, Elaine May, Conan O'Brien, Don Rickles, Joan Rivers, Chris Rock, Jerry Seinfeld, Jon Stewart, Ben and Jerry Stiller, Lily Tomlin, Robin Williams and Steven Wright.

Between 1948 and 1955, nearly two-thirds of all American families bought a television set—and a revolution in social life and popular culture was launched. In this fascinating book, Lynn Spigel chronicles the enormous impact of television in the formative years of the new medium: how, over the course of a single decade, television became an intimate part of everyday life. What did Americans expect from it? What effects did the new daily ritual of watching television have on children? Was television welcomed as an unprecedented "window on the world," or as a "one-eyed monster" that would disrupt households and corrupt children? Drawing on an ambitious array of unconventional sources, from sitcom scripts to articles and advertisements in women's magazines, Spigel offers the fullest available account of the popular response to television in the postwar years. She chronicles the role of television as a focus for evolving debates on issues ranging from the ideal of the perfect family and changes in women's role within the household to new uses of domestic space. The arrival of television did more than turn the living room into a private theater: it offered a national stage on which to play out and resolve conflicts about the way Americans should live. Spigel chronicles this lively and contentious debate as it took place in the popular media. Of particular interest is her treatment of the way in which the phenomenon of television itself was constantly deliberated—from how programs should be watched to where the set was placed to whether Mom, Dad, or kids should control the dial. Make Room for TV combines a powerful analysis of the growth of electronic culture with a nuanced social history of family life in postwar America, offering a provocative glimpse of the way television became the mirror of so many of America's hopes and fears and dreams.

Daddy picks up Corey from the daycare center, goes to the store with him and has dinner cooked by the time Mom arrives home from work.

From 1950 to 2001, Lovie Beard Shelton practiced midwifery in eastern North Carolina homes, delivering some 4,000 babies to black, white, Mennonite, and hippie women; to those too poor to afford a hospital birth; and to a few rich enough to have any kind of delivery they pleased. Her life, which was about giving life, was conspicuously marked by loss, including the untimely death of her husband and the murder of her son. Lovie is a provocative chronicle of Shelton's life and work, which spanned enormous changes in midwifery and in the ways women give birth. In this artful exploration of documentary fieldwork, Lisa Yarger confronts the choices involved in producing an authentic portrait of a woman who is at once loner and self-styled folk hero. Fully embracing the difficulties of telling a true story, Yarger is able to get at the story of telling the story. As Lovie describes her calling, we meet a woman who sees herself working in partnership with God and who must wrestle with the question of what happens when a woman who has devoted her life to service, to doing God's work, ages out of usefulness. When I'm no longer a midwife, who am I? Facing retirement and a host of health issues, Lovie attempts to fit together the jagged pieces of her life as she prepares for one final home birth.

Moviegoers know her as the housekeeper in White Christmas, the nurse in Now, Voyager, and the crotchety choir director in Sister Act. This book, filled with never-published behind-the-scenes stories from Broadway and Hollywood, chronicles the life of a complicated woman who brought an assortment of unforgettable nurses, nuns, and housekeepers to life on screen and stage. Wickes (1910–1995) was part of some of the most significant moments in film, television, theatre, and radio history. On that frightening night in 1938 when Orson Welles recorded his earth-shattering “War of the Worlds” radio broadcast, Wickes was waiting on another soundstage for him for a rehearsal of Danton's Death, oblivious to the havoc taking place outside. When silent film star Gloria Swanson decided to host a live talk show on this new thing called television, Wickes was one of her first guests. When Lucille Ball made one of her first TV appearances, Wickes appeared with her—and became Lucy's closest friend for more than thirty years. Wickes was the original Mary Poppins, long before an umbrella carried Julie Andrews across the rooftops of London. And when Disney began creating 101 Dalmatians, Wickes was asked to pose for animators trying to capture the evil of Cruella De Vil. The pinched-face actress who cracked wise by day became a confidante to some of the day's biggest stars by night, including Bette Davis and Doris Day. Bolstered by interviews with almost three hundred people, and by private correspondence from Ball, Davis, Day, and others, Mary Wickes: I Know I've Seen That Face Before includes scores of never-before-shared anecdotes about Hollywood and Broadway. In the process, it introduces readers to a complex woman who sustained a remarkable career for sixty years.

NEW YORK TIMES BESTSELLER • “Dapper Dan is a legend, an icon, a beacon of inspiration to many in the Black community. His story isn’t just about fashion. It’s about tenacity, curiosity, artistry, hustle, love, and a singular determination to live our dreams out loud.”—Ava DuVernay, director of Selma, 13th, and A Wrinkle in Time NAMED ONE OF THE BEST BOOKS OF THE YEAR BY VANITY FAIR • DAPPER DAN NAMED ONE OF TIME’S 100 MOST INFLUENTIAL PEOPLE IN THE WORLD With his now-legendary store on 125th Street in Harlem, Dapper Dan pioneered high-end streetwear in the 1980s, remixing classic luxury-brand logos into his own innovative, glamorous designs. But before he reinvented haute couture, he was a hungry boy with holes in his shoes, a teen who daringly gambled drug dealers out of their money, and a young man in a prison cell who found nourishment in books. In this remarkable memoir, he tells his full story for the first time. Decade after decade, Dapper Dan discovered creative ways to flourish in a country designed to privilege certain Americans over others. He witnessed, profited from, and despised the rise of two drug epidemics. He invented stunningly bold credit card frauds that took him around the world. He paid neighborhood kids to jog with him in an effort to keep them out of the drug game. And when he turned his attention to fashion, he did so with the energy and curiosity with which he approaches all things: learning how to treat fur himself when no one would sell finished fur coats to a Black man; finding the best dressed hustler in the neighborhood and converting him into a customer; staying open twenty-four hours a day for nine years straight to meet demand; and, finally, emerging as a world-famous designer whose looks went on to define an era, dressing cultural icons including Eric B. and Rakim, Salt-N-Pepa, Big Daddy Kane, Mike Tyson, Alpo Martinez, LL Cool J, Jam Master Jay, Diddy, Naomi Campbell, and Jay-Z. By turns playful, poignant, thrilling, and inspiring, Dapper Dan: Made in Harlem is a high-stakes coming-of-age story spanning more than seventy years and set against the backdrop of an America where, as in the life of its narrator, the only constant is change. Praise for Dapper Dan: Made in Harlem “Dapper Dan is a true one of a kind, self-made, self-liberated, and the sharpest man you will ever see. He is couture himself.”—Marcus Samuelsson, New York Times bestselling author of Yes, Chef “What James Baldwin is to American literature, Dapper Dan is to American fashion. He is the ultimate success saga, an iconic fashion hero to multiple generations, fusing street with high sartorial elegance. He is pure American style.”—André Leon Talley, Vogue contributing editor and author

LOST (AND FOUND) IN SPACE2: BLAST OFF INTO THE EXPANDED EDITION - Revised and Expanded Pictorial Memoir by Angela Cartwright and Bill Mumy (TV siblings Penny and Will Robinson from the original Lost in Space science fiction adventure series). The new "BLAST OFF" Edition is 352 pages filled with over 925 photos, including 160 brand new pages and more than 600 new images. This high-quality collectible book features a vast selection of never-before-seen photos from the Irwin Allen archives and from Bill and Angela's own personal collections. All photographs have been hand selected by the authors, with a primary focus on the 1965-68 three season run, plus bonus nostalgic reunions and adventures from the past 50+ years. Loaded with personal stories and memories from the authors, this edition is the ultimate keepsake for those who love the original 1960s TV show. Danger Will Robinson! - With 352 pages and over 925 photographs, this Brand New, Expanded pictorial memoir is almost twice the size, with three times the photos of the original, out-of-print book. - Loaded with personal stories and memories from the authors. - For the first time, never-before-shared secrets are revealed. - Expanded to include 600+ newly added series & post-series photos from the past 50+ years - Includes special bonus treasures from Bill & Angela's personal collections and brand new surprises too.