From USA Today bestselling author Leslie Langtry comes a former CIA agent turned Girl Scout troop leader and a laugh-out-loud mystery! Merry Wrath’s summer plans didn’t originally include an unexpected visit from her old friend, Hilly—a quirky CIA assassin who’s been forced by HR to take her first vacation in…forever. The fact that Hilly chose a small town in Iowa for vacation doesn’t bother Merry or her scout troop (especially since Hilly’s teaching them how to kill a man with one punch), but her former handler, Riley, believes something sinister is afoot. After all Lana, Merry’s arch-nemesis, is sighted all over town, and when a Chinese operative ends up murdered in her backyard, Merry starts to wonder if Riley is right and Hilly is secretly on the job. It doesn’t help that a group of cosplaying teenage druids have targeted Merry for a misguided ritual sacrifice, or that Medea Jones, cub reporter, constantly harasses Merry, seeing the former spy as her Pulitzer Prize winning vehicle out of Who’s There, Iowa. Merry wonders if her strange friend really is on vacation, or if she's after another target? Is it Lana? Was it the Chinese operative? Or is it Merry Wrath? Merry Wrath Mysteries: Merit Badge Murder – book #1 Mint Cookie Murder – book #2 Scout Camp Mystery – short story in the "Killer Beach Reads" collection Marshmallow S'More Murder – book #3 Movie Night Murder – book #4 Mud Run Murder – book #5 Fishing Badge Murder – short story in the "Pushing Up Daisies" collection Motto for Murder – book #6 Map Skills Murder – book #7 Mean Girl Murder – book #8 Marriage Vow Murder – book #9 Mystery Night Murder – book #10 Meerkats and Murder– book #11 Make Believe Murder – book #12 Maltese Vulture Murder – book #13 What critics are saying about Leslie Langtry's books: "I laughed so hard I cried on multiple occasions while reading MARSHMALLOW S'MORE MURDER! Girl Scouts, the CIA, and the Yakuza... what could possibly go wrong?" ~ Fresh Fiction "Darkly funny and wildly over the top, this mystery answers the burning question, 'Do assassin skills and Girl Scout merit badges mix…" ~ RT BOOKreviews "Mixing a deadly sense of humor and plenty of sexy sizzle, Leslie Langtry creates a brilliantly original, laughter-rich mix of contemporary romance and suspense." ~ Chicago Tribune "Langtry gets the fun started from page one with a myriad of clever details." ~ Publisher's Weekly

Children choose their heroes more carefully than we think. From Pokemon to the rapper Eminem, pop-culture icons are not simply commercial pied pipers who practice mass hypnosis on our youth. Indeed, argues the author of this lively and persuasive paean to the power of popular culture, even violent and trashy entertainment gives children something they need, something that can help both boys and girls develop in a healthy way. Drawing on a wealth of true stories, many gleaned from the fascinating workshops he conducts, and basing his claims on extensive research, including interviews with psychologists and educators, Gerard Jones explains why validating our children's fantasies teaches them to trust their own emotions, helps them build stronger selves, leaves them less at the mercy of the pop-culture industry, and strengthens parent-child bonds. Jones has written for the Spider-Man, Superman, and X-Men comic books and created the Haunted Man series for the Web. He has also explored the cultural meanings of comic books and sitcoms in two well-received books. In Killing Monsters he presents a fresh look at children's fantasies, the entertainment industry, and violence in the modern imagination. This reassuring book, as entertaining as it is provocative, offers all of us-parents, teachers, policymakers, media critics-new ways to understand the challenges and rewards of explosive material. News From Killing Monsters: Packing a toy gun can be good for your son-or daughter. Contrary to public opinion, research shows that make-believe violence actually helps kids cope with fears. Explosive entertainment should be a family affair. Scary TV shows can have a bad effect when children have no chance to discuss them openly with adults. It's crucial to trust kids' desires. What excites them is usually a sign of what they need emotionally. Violent fantasy is one of the best ways for kids to deal with the violence they see in real life.

A week-long house party in the country--why not? Lady Adelaide has nothing else to do, now that her year of mourning for her unfaithful husband is up and her plans to rekindle her romantic life have backfired. But when her hostess is found dead on the conservatory floor, Addie knows just who to call--Detective Inspector Devenand Hunter of Scotland Yard. Dev may not want to kiss Addie again, but he's anxious to solve the crime. Who would want to kill Pamela, the beautiful wife of one of Britain's greatest Great War heroes? Certainly not her devoted and wheelchair-bound husband, Sir Hugh Fernald. The other guests seem equally innocent and improbable. But despite all appearances, something is very wrong at Fernald Hall--there's a body buried in the garden, and the governess has fallen down the stairs to her death. Who's next? Addie and Dev must work together to stop another murder, and they have some help thanks to Rupert, Addie's late and unlamented husband. Rupert needs to make amends for his louche life on earth, and what better way to earn his celestial wings than catch a killer?

Derrick Jensen takes no prisoners in The Culture of Make Believe, his brilliant and eagerly awaited follow-up to his powerful and lyrical A Language Older Than Words. What begins as an exploration of the lines of thought and experience that run between the massive lynchings in early twentieth-century America to today's death squads in South America soon explodes into an examination of the very heart of our civilization. The Culture of Make Believe is a book that is as impeccably researched as it is moving, with conclusions as far-reaching as they are shocking.

You're invited to the murder mystery party of the year! Fans of the hit series A Good Girl’s Guide to Murder will love Pip’s final detective case in this mystery novella from #1 New York Times bestselling author Holly Jackson. Six suspects. Three hours. One murder… Pip is not in the mood for her friend’s murder mystery party. Especially one that involves 1920’s fancy dress and pretending that their town is an island called Joy. But when the game begins, Pip finds herself drawn into the make-believe world of intrigue, deception and murder. But as Pip plays detective, teasing out the identity of the killer clue-by-clue, the murder of the fictional Reginald Remy isn’t the only case on her mind …

"A vivid, atmospheric mystery about 1951 Hollywood...this is a winner." —David Morrell, New York Times bestselling author In June 1951, Edna Ferber heads to Hollywood to support her friend Max Jeffries who has found himself blacklisted after the McCarthy hearings in Washington rattled Hollywood with allegations of Communist-leaning sympathies. Edna first met Max when he worked on the 1927 Broadway production of Show Boat, and now he's brought his magic to a new production starring Ava Gardner. Walked off the Metro lot, shunned by friends, Max is "uncredited" on the film because of his political leanings. Edna's visit is one of friendship—nothing more. But all that changes when Max is murdered. Edna begins socializing with Ava Gardner, currently scandalizing Hollywood with her affair with Frank Sinatra. Edna finds the hard-as-nails temptress a vulnerable, insecure woman whom she comes to like. Max was killed right after a public brawl with Sinatra, and Ava fears her lover will be arrested. Edna plays sleuth quietly, uncovering dark layers of greed, envy, and desire. Against the backdrop of the new Show Boat is the tawdry romance of dream-street Hollywood itself—both parts of the world of "Make Believe."

Derrick Jensen takes no prisoners in The Culture of Make Believe, his brilliant and eagerly awaited follow-up to his powerful and lyrical A Language Older Than Words. What begins as an exploration of the lines of thought and experience that run between the massive lynchings in early twentieth-century America to today's death squads in South America soon explodes into an examination of the very heart of our civilization. The Culture of Make Believe is a book that is as impeccably researched as it is moving, with conclusions as far-reaching as they are shocking.

James Patterson’s BookShots. Short, fast-paced, high-impact entertainment. Make believe I love you... Both survivors of the divorce wars, Christy and Martin don’t believe in love at first sight and certainly not on a first date. But from the instant they lock eyes, life becomes a sexy, romantic dream come true. That is, until they start playing a strangely intense game of make-believe – a game that’s about to go too far.

In Make Believe, Diana Athill, acclaimed author of Instead of a Letter and Stet, remembers her turbulent friendship with Hakim Jamal, a young black convert to the teachings of Malcolm X, whom she met in London in the late 1960s. Despite a desperately troubled youth, he became an eloquent spokesman for the black underclass, was Jean Seberg's lover and published a book about Malcolm X, before descending into a mania that had him believing he was God. A witness to his struggles, Diana Athill writes with her characteristic honesty about her entanglement with Jamal, Jamal's relationship with the daughter of a British MP, Gail Benson, and Jamal's, and separately Gail's, eventual murders.

Shakespeare’s plays abound with kings and leaders who crave a public stage and seize every opportunity to make their lives a performance: Antony, Cleopatra, Richard III, Othello, and many others. Such self-dramatizing characters appear in the work of other playwrights of the era as well, Marlowe’s Edward II and Tamburlaine among them. But Elizabethan playwrights were not alone in realizing that a sense of theater was essential to the exercise of power. Real rulers knew it, too, and none better than Queen Elizabeth. In this fascinating study of political stagecraft in the Elizabethan era, Garry Wills explores a period of vast cultural and political change during which the power of make-believe to make power real was not just a theory but an essential truth. Wills examines English culture as Catholic Christianity’s rituals were being overturned and a Protestant queen took the throne. New iconographies of power were necessary for the new Renaissance liturgy to displace the medieval church-state. The author illuminates the extensive imaginative constructions that went into Elizabeth’s reign and the explosion of great Tudor and Stuart drama that provided the imaginative power to support her long and successful rule.