Best known for his illustrations from Andrew Lang's 12-volume series of "Color" fairy books, H. J. Ford also depicted historical figures from the Middle Ages through the 18th century. This collection features his most compelling images from works of fact and fancy. Half of the images are printed in their rare original full-color format.

Dragons, winged dogs, demons, lions, griffins, a bull, unicorn, eagle, various other grotesques from The Book of Kells, medieval architecture, other sources. Detailed black-and-white illustrations of 45 mythical animals. Captions.

Adapted from the lengthier "Oh My Gods" and specially tailored to a younger audience, these irresistible stories of philandering gods, flawed heroes, and tragic lovers portray the fundamental aspects of humanity and are filled with entertaining drama

This full-color collection focuses on the artist's early and most popular illustrations, featuring more than 100 images from The Mysterious Stranger, Robin Hood, Robinson Crusoe, The Boy's King Arthur, and other classics.

Drawn from the ancient art and artifacts of an international array of museum collections, this spectacular volume offers a unique selection of unusual animal motifs from Prussia, Egypt, Persia, China, Germany, Sweden, and other areas. The edgy designs possess a timeless appeal that makes them especially attractive to contemporary designers, tattoo artists, crafters, and others.

Featuring 236 drawings by more than 100 artists, this survey of America's most beloved illustrators includes contributions from Edwin Austin Abbey, Maxfield Parrish, Charles Dana Gibson, and Rockwell Kent.

The great 18th-century artist discusses and illustrates the expression of beauty with serpentine lines. Hogarth defines graceful imagery's underlying qualities and dramatizes their effective combination in more than 30 black-and-white plates.

Complete with an Introduction by James Gurney, the author of Dinotopia, this guide introduces not only the techniques of oil painting but also the underlying principles of figure drawing. A series of images by the Old Masters includes 32 pages in full color, featuring paintings from the Italian, Dutch, Spanish, French, and British schools. "A masterly exposition." — Liverpool Daily Post.

Literate persons world over are more or less familiar with the names of ancient Greek heroes, monsters, gods and goddesses, but many of them may not be well-informed about them. This book is an attempt to supply information about them in a pleasant manner. While enjoying the adventures of these heroes and their confrontation with different monsters, the reader may get such facts right as would enable him or her to understand and appreciate western literatures better and mention their names in their writings and conversation with greater confidence.The hero and the monster stand for opposite poles:The first represents Order,the second,the Chaos.This book narrates the story of ten noted monsters and as many heroes equal to their powers.

The human mind needs monsters. In every culture and in every epoch in human history, from ancient Egypt to modern Hollywood, imaginary beings have haunted dreams and fantasies, provoking in young and old shivers of delight, thrills of terror, and endless fascination. All known folklores brim with visions of looming and ferocious monsters, often in the role as adversaries to great heroes. But while heroes have been closely studied by mythologists, monsters have been neglected, even though they are equally important as pan-human symbols and reveal similar insights into ways the mind works. In Monsters: Evil Beings, Mythical Beasts, and All Manner of Imaginary Terrors, anthropologist David D. Gilmore explores what human traits monsters represent and why they are so ubiquitous in people's imaginations and share so many features across different cultures. Using colorful and absorbing evidence from virtually all times and places, Monsters is the first attempt by an anthropologist to delve into the mysterious, frightful abyss of mythical beasts and to interpret their role in the psyche and in society. After many hair-raising descriptions of monstrous beings in art, folktales, fantasy, literature, and community ritual, including such avatars as Dracula and Frankenstein, Hollywood ghouls, and extraterrestrials, Gilmore identifies many common denominators and proposes some novel interpretations. Monsters, according to Gilmore, are always enormous, man-eating, gratuitously violent, aggressive, sexually sadistic, and superhuman in power, combining our worst nightmares and our most urgent fantasies. We both abhor and worship our monsters: they are our gods as well as our demons. Gilmore argues that the immortal monster of the mind is a complex creation embodying virtually all of the inner conflicts that make us human. Far from being something alien, nonhuman, and outside us, our monsters are our deepest selves.