Welcome to another kind of terror as Peter Straub leads us into the outer reaches of the psyche. Here the master of the macabre is at his absolute best in seven exquisite tales of living, dying, and the terror that lies in between. . . . AshputtleIsn’t It Romantic? “CHILLING.”“SKILLFULLY CONSTRUCTED.” –The New York Times–Kirkus Reviews (starred review) The Ghost VillageBunny Is Good Bread Winner of a World Fantasy Award“TERRIFYING.” “VERY, VERY SCARY.”–The Washington Post Book World –The Philadelphia Inquirer Porkpie HatHunger, An Introduction “DARK TWISTS AND“BRILLIANTLY SUBVERSIVE.” DARKER HUMOR.”–Locus –USA Today Mr. Clubb and Mr. Cuff Winner of a Bram Stoker Award “[A] TOUR-DE-FORCE . . . [THAT] WILL HAUNT READERS LONG AFTER THEY’VE CLOSED THE COVERS.” –The Denver Post “PETER STRAUB IS AN EXCELLENT WRITER. . . . HE MAKES US FEEL THE TERROR.” –The Philadelphia Inquirer

"Welcome to another kind of terror as Peter Straub leads us into the outer reaches of the psyche. Here the master of the macabre is at his absolute best in seven exquisite tales of living, dying, and the terror that lies in between. . . . "AshputtleIsn't It Romantic? "CHILLING.""SKILLFULLY CONSTRUCTED." "-The New York Times-Kirkus Reviews (starred review) "The Ghost VillageBunny Is Good Bread Winner of a World Fantasy Award"TERRIFYING." "VERY, VERY SCARY."-"The Washington Post Book "World -"The Philadelphia Inquirer Porkpie HatHunger, An Introduction "DARK TWISTS AND"BRILLIANTLY SUBVERSIVE." DARKER HUMOR."-"Locus "-USA Today "Mr. Clubb and Mr. Cuff Winner of a Bram Stoker Award "[A] TOUR-DE-FORCE . . . [THAT] WILL HAUNT READERS LONG AFTER THEY'VE CLOSED THE COVERS." "-The Denver Post "PETER STRAUB IS AN EXCELLENT WRITER. . . . HE MAKES US FEEL THE TERROR." -"The Philadelphia Inquirer

This book examines reason and unreason in the legal and political responses to terrorism. Terrorism is often perceived as sheer madness, unreasonable use of extreme violence and senseless, futile political action. These assertions are challenged by this book. Combining ‘traditional’ thought (by Kaplan) on reason and unreason in terrorism with empirical explorations of post-modern terrorism and its use of communication platforms (by Weimann) the work uses interdisciplinary and cross disciplinary dimensions to provide a multidimensional picture of critical issues in current politics and a deeper examination of their implications than previously available. The book looks at various aspects of modern politics, from terrorism to protest, from decision-making to political discourse, applying the perspective of philosophical thought. To do so, political issues and actions are examined by using concepts such as reason, emotions, madness, magic, morality, absolutism, extremism, psychopathology, rationality and others. The analysis is rooted in theories and concepts derived from history, philosophy, religion, art, sociology, psychology, and political science. This book, which was mostly written by the late Abraham Kaplan, an American philosopher, and edited and updated by Gabriel Weimann, will be of much interest to students of political violence/terrorism, philosophy, war and conflict studies and political science in general.

NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD WINNER • From one of America’s iconic writers, a stunning book of electric honesty and passion that explores an intensely personal yet universal experience: a portrait of a marriage—and a life, in good times and bad—that will speak to anyone who has ever loved a husband or wife or child. Several days before Christmas 2003, John Gregory Dunne and Joan Didion saw their only daughter, Quintana, fall ill with what seemed at first flu, then pneumonia, then complete septic shock. She was put into an induced coma and placed on life support. Days later—the night before New Year’s Eve—the Dunnes were just sitting down to dinner after visiting the hospital when John Gregory Dunne suffered a massive and fatal coronary. In a second, this close, symbiotic partnership of forty years was over. Four weeks later, their daughter pulled through. Two months after that, arriving at LAX, she collapsed and underwent six hours of brain surgery at UCLA Medical Center to relieve a massive hematoma. This powerful book is Didion’ s attempt to make sense of the “weeks and then months that cut loose any fixed idea I ever had about death, about illness ... about marriage and children and memory ... about the shallowness of sanity, about life itself.

Horror Takes Its Time Looking for a thoughtful fright? Or perhaps a frightful thought? Packed with stories selected by one of today’s leading esoteric scholars, this book will do more than make your toes curl and your skin crawl. These tales reveal hidden truths, inspire forbidden pursuits, and divulge the secrets of magical initiation in the guise of fiction. Covering topics from rituals to hauntings to Satanism, this one-of-a-kind volume includes selections from: Aleister CrowleyAmbrose BierceArthur MachenEdgar Allan PoeRobert W. ChambersRalph Adams CramH.P. LovecraftDion FortuneSir Edward George Bulwer-LyttonBram Stoker As DuQuette writes in his introduction, horror takes its time. It creeps in, seeps in, and lingers. These stories will take you hours to read, but they will stay with you, biting at your heels from the shadows, eternally. Don’t say we didn’t warn you...

Terror and Taboo is about the mythology of terrorism; it is an exploration of the ways we talk about terrorism. It offers incontestable evidence to support the idea that we give power to terrorism by the way we write and talk about it. According to Zulaika and Douglass, we make terrorism worse by the way we represent it in the media and in everyday conversation. Through their examination of terrorism, they propose to remove the taboos surrounding terrorism. Terror and Taboo is full of examples to ground the authors premise, ranging from specific examples, such as tendency to talk more about where Timothy McVeigh shopped for weapons than about the international traffic in arms by legitimate nations, to more theoretical interpretations that will be familiar to readers of cultural studies books.