They’re only badass by accident... Vola might be new to this whole adventuring thing, but she’s pretty sure this isn’t how you’re supposed to save the day. No one at her academy wanted an orc as a paladin, so they’ve sent her to the back end of a swamp, hoping she’ll never find a quest good enough to earn her shield. Well, screw that. Vola’s got divine help, and even a laughingstock of a goddess can do some righteous smiting. Armed with a new mission to find some missing orphans, Vola just needs a team to help her track them down. Beggars can’t be choosers but couldn’t her goddess have sent her at least one competent fighter? Now she’s stuck with a hyperactive halfling, a klutzy spell caster, and a cloaked mystery who’s a little too good with their knives. Can a half-orc paladin keep her new party alive in a swamp that’s determined to eat them, or are all the naysayers right and Orcs really can’t be heroes?

"Originally published in paperback in Great Britain by Orchard Books ... London, in 2010"--T.p. verso.

Does true love break curses or begin them? The dark sorceress of “Sleeping Beauty” reclaims her story in this sequel to Malice. “Fans of reimagined fairy tales and LGBTQ+ themes will be delighted with the conclusion of this fantasy duology.”—Booklist (starred review) The Dark Grace is dead. Feared and despised for the sinister power in her veins, Alyce wreaks her revenge on the kingdom that made her an outcast. Once a realm of decadence and beauty, Briar is now wholly Alyce’s wicked domain. And no one will escape the consequences of her wrath. Not even the one person who holds her heart. Princess Aurora saw through Alyce’s thorny facade, earning a love that promised the dawn of a new age. But it is a love that came with a heavy price: Aurora now sleeps under a curse that even Alyce’s vast power cannot seem to break. And the dream of the world they would have built together is nothing but ash. Alyce vows to do anything to wake the woman she loves, even if it means turning into the monster Briar believes her to be. But could Aurora love the villain Alyce has become? Or is true love only for fairy tales? Book Two of the Malice Duology

Hell hath no fury… One of my men has been taken, and I will stop at nothing to find him. And when I do, our troubles won’t be over. An army has been formed, and me and my men are the only ones standing between it and the destruction of the magical world. I was brought to the Raven Academy to find my inner witch. But finding her is no longer the problem. Controlling her is. While a prophecy says I may be the savior of the world, I might also be its destroyer. And when I discover what hides inside of me, I no longer know just what side I’m fighting for… MAGIC MISRULE is the third and final book in The Raven Academy trilogy. It’s a reverse harem romance with a university-age heroine having all the fun. Get this book if you like kick-ass heroines, steamy heroes, and smexy scenes so hot they’ll steam up your e-reader,. All characters are 18+.

A detailed study of the Horned God in the traditions of Britain and Europe, concentrating on the natural and mystical facets of this most compelling and enduring of archetypes.--From publisher description.

This book marks twenty years since the publication of Professor Ronald Hutton’s The Triumph of the Moon, a major contribution to the historical study of Wicca. Building on and celebrating Hutton’s pioneering work, the chapters in this volume explore a range of modern magical, occult, and Pagan groups active in Western nations. Each contributor is a specialist in the study of modern Paganism and occultism, although differ in their embrace of historical, anthropological, and psychological perspectives. Chapters examine not only the history of Wicca, the largest and best-known form of modern Paganism, but also modern Pagan environmentalist and anti-nuclear activism, the Pagan interpretation of fairy folklore, and the contemporary ‘Traditional Witchcraft’ phenomenon.

Three Paranormal Academy Romances to heat up your night. I never knew magic existed and now I'm expected to attend a witch academy and save the world from some doomsday prophecy. As a former cage fighter, I'm used to getting knocked around, and it's a good thing, because the Raven Academy is kicking my butt. Luckily, there are three hot guys eager to help me lick my wounds. If my guys and I can't pummel my magic into shape, we're all going to be in a world of hurt. Because there's someone out there who wants to destroy all witchkind, and this Big Bad isn't planning on letting a newbie witch like me get in his way. Download this complete 3 book series today, because this combination of heat, humor, and suspense can't be beat. This reverse harem box set includes: MAGIC MISFIT, MAGIC MISFIRE, and MAGIC MISRULE.

Magical Transformations on the Early Modern Stage furthers the debate about the cultural work performed by representations of magic on the early modern English stage. It considers the ways in which performances of magic reflect and feed into a sense of national identity, both in the form of magic contests and in its recurrent linkage to national defence; the extent to which magic can trope other concerns, and what these might be; and how magic is staged and what the representational strategies and techniques might mean. The essays range widely over both canonical plays-Macbeth, The Tempest, The Winter’s Tale, The Merry Wives of Windsor, Doctor Faustus, Bartholomew Fair-and notably less canonical ones such as The Birth of Merlin, Fedele and Fortunio, The Merry Devil of Edmonton, The Devil is an Ass, The Late Lancashire Witches and The Witch of Edmonton, putting the two groups into dialogue with each other and also exploring ways in which they can be profitably related to contemporary cases or accusations of witchcraft. Attending to the representational strategies and self-conscious intertextuality of the plays as well as to their treatment of their subject matter, the essays reveal the plays they discuss as actively intervening in contemporary debates about witchcraft and magic in ways which themselves effect transformation rather than simply discussing it. At the heart of all the essays lies an interest in the transformative power of magic, but collectively they show that the idea of transformation applies not only to the objects or even to the subjects of magic, but that the plays themselves can be seen as working to bring about change in the ways that they challenge contemporary assumptions and stereotypes.

Scientific approach to esoteric and mystical themes.