The Key of Necromancy is a two-volume work that attests to the continuity and changes that underwent the German magical literature through the late 17th to mid-18th century. It stands as an example of the unique techniques and spirit lists that circulated around the Holy Roman Empire that would later consolidate in what today is known as the Faustian Tradition.This text is composed of three different, previously untranslated, texts, sharing key similarities and at the same time each unique in their own way. The Nigromantisches Kunst-Buch, a text related to the Ars Goetia in technique and attributed to King Solomon, details the conjuration and entrapment of spirits into a bottle; The Experimentir Buch, a magical manual containing instructions on consecrating the Liber Spirituum.or Book of Spirits, the creation of ritual implements and pentacles; and finally Der Schlü ssel von dem Zwange der Hölle, a book pseudo-epigraphically attributed to Dr. Johannes Faust consisting on conjurations, a spirit list and unique experiments. This first volume contains an introduction which analyses the influence of alchemical literature on the Faustian grimoires and the role of the spirits in these texts. It also contains two appendices, one dealing with the mysterious Martagon of Solomon and the change of this plant's meaning and use in the magical texts; and the other with the subject of the Bond, Imprisonment of Spirits and the Triangle of Art as they relate to the present text.

The Praxis Magica Faustiana consists of 14 full-color lithographs that date to the mid-19th century. These were faithfully copied from an earlier manuscript of the same name attributed to Dr. Johannes Faust. This book includes a conjuration to Paymon, an appeal to Lucifer, and the character of Mephistopheles. In this edition, the reader will find an accurate translation of the contents, unlike earlier editions, a well-researched analysis of the contents, and one of the cyphered conjurations decoded. This book is a classic of the grimoire genre. It is both suited for the collector's library as an exquisite example of Faustian aesthetics, as well as for the occult researchers interested in German magic.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Key of Necromancy is a two-volume work that attests to the continuity and changes that underwent the German magical literature through the late 17th to mid-18th century. It stands as an example of the unique techniques and spirit lists that circulated around the Holy Roman Empire that would later consolidate in what today is known as the Faustian Tradition.This text is composed of three different, previously untranslated, texts, sharing key similarities and at the same time each unique in their own way. The Nigromantisches Kunst-Buch, a text related to the Ars Goetia in technique and attributed to King Solomon, details the conjuration and entrapment of spirits into a bottle; The Experimentir Buch, a magical manual containing instructions on consecrating the Liber Spirituum.or Book of Spirits, the creation of ritual implements and pentacles; and finally Der Schlü ssel von dem Zwange der Hölle, a book pseudo-epigraphically attributed to Dr. Johannes Faust consisting on conjurations, a spirit list and unique experiments.As part of the second volume one can find the famous knife and conjuration of the spirit Waran, the Art Nerony, a discourse dealing with the subject of finding mines and protecting them against other miners as well as an interesting addition to the literature on the Olympic Spirits, among many other subjects. This volume also contains experiments related to conjurations found in Reginald's Scot's Discovery of Witchcraft and commentary on the subject which will be of interest to those who study the transmission of magical texts.

This book presents the story of a unique collection of 140 manuscripts of ‘learned magic’ that was sold for a fantastic sum within the clandestine channels of the German book trade in the early eighteenth century. The book will interpret this collection from two angles – as an artefact of the early modern book market as well as the longue-durée tradition of Western learned magic –, thus taking a new stance towards scribal texts that are often regarded as eccentric, peripheral, or marginal. The study is structured by the apparent exceptionality, scarcity, and illegality of the collection, and provides chapters on clandestine activities in European book markets, questions of censorship regimes and efficiency, the use of manuscripts in an age of print, and the history of learned magic in early modern Europe. As the collection has survived till this day in Leipzig University Library, the book provides a critical edition of the 1710 selling catalogue, which includes a brief content analysis of all extant manuscripts. The study will be of interest to scholars and students from a variety of fields, such as early modern book history, the history of magic, cultural history, the sociology of religion, or the study of Western esotericism.

This Is A New Release Of The Original 1920 Edition.