Madness as Methodology begins with the following quotation from Deleuze and Guattari, ‘Madness need not be all breakdown. It may also be breakthrough.’ This quotation firmly expresses the book’s intention to provide readers with radical and innovative approaches to methodology and research in the arts, humanities and education practices. It conceptualises madness, not as a condition of an individual or particular being, but rather as a process that does things differently in terms of creativity and world making. Through a posthuman theorising as practice, the book emphasises forms of becoming and differentiation that sees all bodies, human and nonhuman, as acting in constant, fluid, relational play. The book offers a means of breaking through and challenging the constraints and limitations of Positivist approaches to established research practice. Therefore, experimentation, concept making as event and a going off the rails are offered as necessary means of inquiry into worlds that are considered to be always not yet known. Rather than using a linear chapter structure, the book is constructed around Deleuze and Guattari’s use of an assemblage of plateaus, providing the reader with a freedom of movement via multiple entry and exit points to the text. These plateaus are processually interconnected providing a focal emphasis upon topics apposite to this madness as methodology. Therefore, as well as offering a challenge to the constraining rigours of conventional research practices, these plateaus engage with topics to do with posthuman thinking, relationality, affect theory, collaboration, subjectivity, friendship, performance and the use of writing as a method of inquiry.

In the past five years Israel has mounted three major assaults on the 1.8 million Palestinians trapped behind its blockade of the Gaza Strip. Taken together, Operation Cast Lead (2008-9), Operation Pillar of Defense (2012), and Operation Protective Edge (2014), have resulted in the deaths of some 3,700 Palestinians. Meanwhile, a total of 90 Israelis were killed in the invasions. On the face of it, this succession of vastly disproportionate attacks has often seemed frenzied and pathological. Senior Israeli politicians have not discouraged such perceptions, indeed they have actively encouraged them. After the 2008-9 assault Israel’s then-foreign minister, Tzipi Livni, boasted, “Israel demonstrated real hooliganism during the course of the recent operation, which I demanded.” However, as Norman G. Finkelstein sets out in this concise, paradigm-shifting new book, a closer examination of Israel’s motives reveals a state whose repeated recourse to savage war is far from irrational. Rather, Israel’s attacks have been designed to sabotage the possibility of a compromise peace with the Palestinians, even on terms that are favorable to it. Looking also at machinations around the 2009 UN sponsored Goldstone report and Turkey’s forlorn attempt to seek redress in the UN for the killing of its citizens in the 2010 attack on the Gaza freedom flotilla, Finkelstein documents how Israel has repeatedly eluded accountability for what are now widely recognized as war crimes. Further, he shows that, though neither side can claim clear victory in these conflicts, the ensuing stalemate remains much more tolerable for Israelis than for the beleaguered citizens of Gaza. A strategy of mass non-violent protest might, he contends, hold more promise for a Palestinian victory than military resistance, however brave.

Adorable Zach Sullivan is the perfect man to mend Emily Ramsey's grief over the death of her sister and the disappearance of her fiancé. But Zach's ex-girlfriend will stop at nothing to sabotage Zach and Emily's romance and when someone is brutally murdered, Emily is not only suspected of being the killer--she is most likely the next victim.

From the old days of mobsters in smoky barrooms plotting to gun down their rivals, to the new age of ordinary people hiring contract killers through the Dark Web, this book depicts the history of assassins and how they work. While movies portray assassins as glamorous, wealthy and full of mystery, the sober truth is often quite different. The number of homicides credited to contract killers each year is staggering, and on the rise: business people killing their rivals, organized gang war kills, honor killings and even cold-blooded kills between spouses. In Blood Money: The Method and Madness of Assassins, RJ Parker documents over a dozen infamous cases of professional assassins including Richard Kuklinski (The Ice Man), Charles Harrelson (Natural Born Killer) and Vincent Coll (Mad Dog). Included is also a riveting foreword written by Dr. Scott Bonn providing his reasoning why an assassin is not considered a serial killer in the professional community.

In clinical neuropsychiatry, case studies provide invaluable demonstrations of the range and types of unusual psychological states that can occur after brain damage. In the pursuit of objectivity and scientific respectability, however, many academic reports of neuropsychiatric disorders appear cold, contrived and impersonal. The essence and character of the patient's experience and behaviour is easily obscured or even lost - a fact that cannot help researchers, therapists and other practitioners to relate their conceptual knowledge to the flesh-and-blood people they meet in their professional lives. In practice, much of the actual discourse of such patients has been ignored as unworthy of scientific interest. This book describes real patients in a clear and jargon-free way. These cases should serve to reduce the discrepancy between the formal representations of psychiatric illness in the mainstream literature and the reality of people struggling to make sense of their own predicament in everyday life.

"The language of the fantastic left its mark upon many different thinkers in 19th-century Europe. Marx's comparison of consumer goods to fetish objects, works by Villiers de l'Isle-Adam or other novelists about machines that assume lives of their own, or the diagnoses of psychological illness offered by doctors in Maupassant's tales all blur the lines between scientific description and beliefs in the magical. Building upon a wealth of critical studies devoted to the fantastic and upon Freud's theory of the unconscious, Jutta Fortin proposes that many classic stories of the fantastic undermine basic psychological mechanisms that are designed to help their users cope with shocking or disturbing events. By defining five of these defence mechanisms, and analyzing stories by eight writers that both illustrate and subvert such mechanisms, Dr. Fortin offers reasons why fantastic stories appealed to those readers who wished to better understand human motivations."--BOOK JACKET.

Method to My Madness captures in simple but powerful words the desire of God for all His children to reach full potential and achieve great things wherever they are found. Riding on the truth of Gods undiluted Word, Method to My Madness seeks to challenge all Christian youth to attempt great things and set the pace in every field, industry, and endeavor, chasing after their dreams and doing big things to the glory of God! The book seeks to stir every sincere heart and motivate every true seeker to another level, energizing the readers spirit to a point of action that will bring Gods desire to manifestation on the Earth.

According to the author, there is an alarming inclination for people to succumb to delusional thinking. Contrary to popular opinion, such thought processes are not limited to the mentally ill. Instead, there is growing evidence to show that large segments of the public harbor a wide variety of delusions, none of which are innocent, and many of which are pushing our societies to the brink of war. This book aims to understand the nature of delusions and how they are generated. By providing a deeper understanding of delusions, the author challenges the assumption that a whole community cannot be deluded, concluding that even very large groups of people can be considered collectively mad. Reznek offers case studies of madness both in individuals and in society throughout the book, relieving the reader of requiring a first-hand experience of psychosis, and revealing the nature of delusions as they affect us all.