Myrninerest', a stunning new monograph on the visionary English outsider artist Madge Gill, is published in conjunction with an exhibition of her work at the William Morris Gallery in London. With selections from a seemingly endless body of work, it explores the natural creativity Gill possessed. She often attributed her inspiration for the thousands of intricate ink drawings and embroideries to her ethereal guide, after which this book is named. Gill was obsessed with spiritualism, and this unseen force gave her a new outlook and energy which shaped her work, guiding her hand and allowing her to find the strength and inspiration to take control over the many hardships in her life.

I am going to write every single day and tell you about my life here in Spitalfields at the heart of London... Drawing comparisons with Pepys, Mayhew and Dickens, the gentle author of Spitalfields Life has gained an extraordinary following in recent years, by writing hundreds of lively pen portraits of the infinite variety of people who live and work in the East End of London.

It's 1977. Youth unemployment is at an all-time high and the pound is at an all-time low. Paul, Jan and Louis are bored, broke and demoralized by the hand that they've been dealt. How will these young lads fair with the odds stacked against them? How will they cope? Cut off from society with no-where to turn, the play resonates with a modern audience who will no doubt recognize the disaffected youth of 1970s Britain. Barrie Keeffe's tragically dark play crackles with tension throughout, building to a twisted and dramatic end. This programme text edition was published to coincide with the revival of the play by Tooting Arts Club on 3rd October 2015, staged at the former Central St Martins School of Art on the Charing Cross Road, London.

One girl, one painting a day...can she do it? Linda Patricia Cleary decided to challenge herself with a year long project starting on January 1, 2014. Choose an artist a day and create a piece in tribute to them. It was a fun, challenging, stressful and psychological experience. She learned about technique, art history, different materials and embracing failure. Here are all 365 pieces. Enjoy!

Jack Worthing gets antsy living at his country estate. As an excuse, he spins tales of his rowdy brother Earnest living in London. When Jack rushes to the city to confront his "brother," he's free to become Earnest and live a different lifestyle. In London, his best friend, Algernon, begins to suspect Earnest is leading a double life. Earnest confesses that his real name is Jack and admits the ruse has become tricky as two women have become enchanted with the idea of marrying Earnest. On a whim, Algernon also pretends to be Earnest and encounters the two women as they meet at the estate. With two Earnests who aren't really earnest and two women in love with little more than a name, this play is a classic comedy of errors. This is an unabridged version of Oscar Wilde's English play, first published in 1899.

The remarkable true document that is The Mistress Contract opens with a piece of paper that was signed in 1981 by a woman and her wealthy lover. The contract establishes an exchange that she thinks fair: If he will provide an adequate and separate home for her and cover her expenses, she will provide him with "mistress services": "All sexual acts as requested, with suspension of historical, emotional, psychological disclaimers." For the duration of the agreement, she will become his sexual property. Then -- on a small recorder that fit in her purse -- this extraordinary and unconventional couple began to tape their conversations about their relationship, conversations that took place while travelling, over dinner at home and in restaurants, on the phone, even in bed. This book is based on those tapes. It is a candid record of what they had to say to each other privately about the arrangement and its power relations, their physical relationship and the sexual forces that shaped it. As private and intimate as it is, though, the book also turns an unblinking light on a period of intense upheaval between men and women. Looking back now, thirty years later, this extraordinary couple -- who are still together -- are willing to reveal their most private moments to our scrutiny. What they capture in The Mistress Contract is an unapologetic revelation and a bold provocation.

At its heart, 'Come Clean' is about a girl's inability to deal with her grief and her family's ignorance of her pain. Justine is trying to cope with the desperate loneliness she feels now her twin brother no longer lives at home. After experimenting with alcohol she is sent to a rehabilitation centre by her parents.

Amber and Tom, finding their way as freshmen at Princeton, spend a night together that alters the course of their lives. They agree on the drinking, they agree on the attraction, but consent is foggy, and if unspoken, can it be called consent? With lyricism and wit, ACTUALLY investigates gender and race politics, our crippling desire to fit in, and the three sides to every story.

The classic work on the music of Afrofuturism, from jazz to jungle More Brilliant than the Sun: Adventures in Sonic Fiction is one of the most extraordinary books on music ever written. Part manifesto for a militant posthumanism, part journey through the unacknowledged traditions of diasporic science fiction, this book finds the future shock in Afrofuturist sounds from jazz, dub and techno to funk, hip hop and jungle. By exploring the music of such musical luminaries as Sun Ra, Alice Coltrane, Lee Perry, Dr Octagon, Parliament and Underground Resistance, theorist and artist Kodwo Eshun mobilises their concepts in order to open the possibilities of sonic fiction: the hitherto unexplored intersections between science fiction and organised sound. Situated between electronic music history, media theory, science fiction and Afrodiasporic studies, More Brilliant than the Sun is one of the key works to stake a claim for the generative possibilities of Afrofuturism. Much referenced since its original publication in 1998, but long unavailable, this new edition includes an introduction by Kodwo Eshun as well as texts by filmmaker John Akomfrah and producer Steve Goodman aka kode9.