Based equally in the archives of firms such as Louis Vuitton, Boucheron, Chaumet and Hermès, and in palace and private collections, this book explores the role of maharajas in an age of high spending and fashion. It brings together original designs with surviving objects, exploring for the first time the creative dialogue between Indian princes and the skilled tradesmen who produced wonders for their delectation. Married to the objects themselves are the absorbing and often humourous accounts of how maharajas indulged their tastes with unparalleled extravagance and aplomb.

The word 'maharaja' - literally 'great king' - conjures up a vision of splendour and magnificence. This book examines the real and perceived worlds of the maharaja from the early eighteenth century to 1947, when the Indian Princes ceded their territories into the modern states of India and Pakistan.

Dining with the Maharajas brings the invaluable culinary legacy of the Indian Royals and gives a glimpse into their lavish lifestyles in stunning palaces.

Cecil Tyndale-Biscoe polarised opinion in early 20th India by his unconventional methods of educating Kashmiris and, through them, changing the social order of a society steeped in old superstitions. He was a man of contradictions: a Christian and a boxer, a missionary who made very few converts, a staunch supporter of British imperialism and a friend of Kashmir's political reformers. He made enemies of the Hindu Establishment, who described him as 'exceedingly a bad man and one too much fond of cricket,' but earned the respect of two successive Hindu Maharajas, as well as the Muslim leader, who succeeded them. He was 27 when he became the Principal of the Church Missionary Society's school in Kashmir in 1890 and he left as India gained independence in 1947. His vision was of a school in action, vigorously involved in the affairs and problems of the city of Srinagar, to support the weak and to fight corruption wherever it occurred. Under his leadership the masters and boys were engaged in fighting fires in the city, saving people from drowning, taking hospital patients for outings on the lakes, helping women and removing the ban on the remarriage of young widows. His avowed purpose was to make his students into honest, fearless leaders, who would serve their beloved country of Kashmir. The book begins with the medieval condition of Kashmir in the nineteenth century; describes the development of his unusual approach to education; explores the many challenges he had to overcome, including his chronic bad health, his difficulties with the CMS and the opposition of the Hindu establishment and State Government; and contrasts this with the speedy and enthusiastic acceptance by his young Kashmiri teachers and students of what he was offering and how together they transformed their society and prepared Kashmir for independence.

On the life and works of Mahipatram, 1829-1891, Gujarati author and educationist.

With the volume's global perspective and comparative framework, this collection contributes to the ongoing scholarly examination of consumption by taking the topic of women, material culture, and consumption into new arenas. The essays explore the connections between consumption and subjectivity; they build upon and complicate the idea that consumption, as a form of meaning making, is key to the construction of gendered, classed, and national identities. Providing a cross-cultural perspective on consumption, the essays are historically specific case studies. While some essays examine women's consumption in a range of Anglophone and Francophone locations, primarily in Britain, France, Australia, Canada, and the US, other essays on Chinese, Senegalese, Indian, and Mexican women's consumption, particularly as it relates to fashion and design, provide a comparative framework that will recalibrate ongoing discussions about consumption and domesticity, dress and identity, and desire and subjectivity. In addition to its focus on gender and consumption, this volume addresses gender and collecting, exploring the tensions between accumulation and systematic collecting. Also examined is the way in which the display of collected objects?in Impressionists' paintings, in mass-produced illustrations, in the glass cases of museums and department stores?participates in the construction of particular identities as well as serving as a kind of value-producing material practice.

Conquering the maharajas demonstrates that the political and military clashes between the Indian and Pakistani governments and the princely states, a legacy of the layered sovereignty of British indirect rule in India, was a product of the competing ideas of state sovereignty leading up to and following the transfer of power in 1947.

India's rich heritage of jeweled artistry is expressed in extravagant and opulent creations that range from ornaments for every part of the body to ceremonial court objects such as boxes, daggers, and thrones. Treasures from India presents more than sixty iconic works from the renowned Al-Thani collection, including pieces created for the imperial Mughals in the seventeenth century, others made for the nizams of Hyderabad and the maharajas of the Rajput courts from the eighteenth to the twentieth century, Indian-inspired jewelry fashioned by Cartier and other Western firms, and contemporary designs. The lucid text discusses the significance of these objects within the history of Indian jeweled arts, demonstrating how they stand among the highest expressions of Indian culture.

Monte Carlo is abuzz with news that Ram Varindha—young, hot and royal—is without a co-driver for the biggest rally event of the year. Though it's been years since she last saw him, Mia leaps at the chance to get up close with the maharaja! With time to spare before he takes on more serious royal duties, bedding this beauty is top of Ram's list. But Mia has long known Ram's reputation. Is she just in for the hottest few nights of her life, or could her dream of finally taming Ram's playboy ways become reality?