On hearing that Jackser, her childhood abuser, is seriously ill, Martha is elated, thinking that finally she will be able to watch him suffer. But in the hospital she sees a frightened, lonely old man and realises with a shock that he seems to regret his earlier actions. During her vigil, she is joined by Charlie, her little brother, then her ma and some of her other siblings. But as she sits with Jackser during his dying days, other memories come back to Martha - fleeting moments of concern and kindness, and a sense of closeness as he recalls his own tormented past in one of Ireland's industrial schools.

The next installment of the Ma books—all bestsellers in Ireland and the UK—brings readers on the journey of Martha's first months of freedom in Dublin after leaving the convent where she spent her early adolescence. In the latest chapter of Martha Long's autobiographical series, Martha is for the first time on her own: discharged from the convent, she's finally 16, the age she'd long dreamed of as the doorway to her freedom from the whims of cruel adults. "Life is a bowl of cherries!" she reasons as she sets out to blend in with the middle classes and find love, acceptance, and respect therein. But this is also Dublin in the 1960s, where class aspirations ain't so easy for the likes of Martha. As one job and bedsit is found (and lost), another soon comes along with its own foibles and dangers . . . but with her signature spirit and true grit, Martha makes the best of every situation and manages to offer compassion even to the most downtrodden of characters who cross her path. Chance meetings with old friends from the convent and a fortuitous (yet brief) reunion with two of her brothers remind Martha of all she has experienced (and survived) and serves as the impetus for her to keep going . . . even when homelessness is all but certain. As with her previous books, Ma, It's a Cold Aul Night an I'm Lookin for a Bed has us cheering for Martha. This time she doesn't have any nuns or abusive stepfathers preventing her from making progress . . . but life does still get in the way, and that bowl of cherries sometimes proves to be a bit more sour than Martha would hope.

After a failed suicide attempt and recovery in the mad house, Martha is heading for France to be reunited with the one true love of her life. Father Ralph Fitzgerald rescued her from the streets when she was sixteen and was the first person to show Martha true love and affection. But their relationship threatened his vocation and he eventually fled to Africa to take up missionary work. Martha never got over losing him and now, after nearly twenty years, he has made contact again. She sets off on a mission to find him and uncover his motives for getting in touch. Does he still love her? Has he left the priesthood? Is he now free to marry her? She needs to know what the future is going to hold.

Martha is now in her thirties. She has long shaken off the shackles of Jackser and her mother. Following a shotgun wedding at 18, she was separated and a single mother by 22. Now her daughter has left home to continue her studies in England and Martha is alone, in bad health, lonely and vulnerable.

Sixteen-year-old Martha's luck is finally changing. Taken in by a kind young priest, Father Ralph Fitzgerald, and his wealthy mother, she gets a taste of "how the other half lives" and resolves to make a better life for herself once and for all. Soon she's off to school to become a secretary: her ticket to a respectable middle-class existence. But even as her fortune improves--she has a roof over her head, food in her belly, and the freedom to do as she pleases--the love and community she has sought since she was a child continue to elude her. Her friendship with Father Ralph, the first person to make her feel truly special, may hold the key to her happiness. However, as their friendship becomes something more, Martha discovers that love can heal--but it can also hurt, deeply. In Ma, Now I'm Goin Up in the World, Martha navigates 1960s Ireland with her trademark compassion, optimism, and fiery strength. But will these traits be enough to see her through the greatest challenge of her life thus far?

Lilly and Ceily Carney are only seven and twelve when their mother is cruelly taken from them, leaving them at the mercy of the Church and the authorities. This is a terrifying prospect in 1950s Dublin, where it is likely that the girls will end up in one of Ireland’s notorious Magdalen laundries – a fate they are determined to escape. When Father Flitters and the ‘Cruelty’ people arrive to take the children into care, Lilly and Ceily resist, and a riot breaks out. The girls are helped by kind Mister Mullins and his daughter Delia, but events lead to further tragedy and Lilly is left to fend for herself on the dangerous streets. Heartbroken, hungry and vulnerable, she looks like easy prey and it seems there will be no safe haven for her to find.

An unusual coincidence occurred early one morning at the most visited war memorial in the United States as a shaft of sunlight hit one of the 58,282 names on the Vietnam Veterans Memorial. The name was Larry Byford. So begins a unique personal journey to discover the story of the name on the wall. Travelling more than 30,000 miles, from east Texas to Vietnam, Mark Byford learns about the lasting impact on Larry's siblings, friends and the comrades who were there with him on the day he died in the summer of 1967. He pinpoints why that time became the turning point of America’s most divisive war of the twentieth century. A Name on a Wall is a gripping true story that focuses on duty, heroism and fate. We learn not only about the tragic loss of Larry Byford, a draftee rifleman in Vietnam, but also the contrasting war story of the author’s own father, Lawry Byford, a draftee from Yorkshire, for whom the Second World War became the springboard for a new life filled with opportunities. Forty years after the final American combat troops left Vietnam, thirty years after The Wall was built to heal a nation, and in the light of the recent controversial wars in Iraq and Afghanistan, what lessons, if any, have been learnt through the ultimate sacrifice of the name on a wall?

This celebrated collection of sketches sparkles with Stephen Leacock’s humour and shines with the warmth of his wit. The comical E.P., star of the title essay, “My Remarkable Uncle,” is a classic Leacock character. He is president of a railway with a letterhead but no rails, and he heads a bank that boasts credit but no cash whatsoever – all of which trouble E.P. not in the least. My Remarkable Uncle, a wonderful smorgasbord of mirth served up by a master of comedy, includes several essays, a short story, a political parable, and personal reflections on a dizzying array of subjects. Here, in rich abundance, are the inspired nonsense and the unerring eye for human folly that have made Stephen Leacock Canada’s most celebrated humorist.

Ambition will fuel him. Competition will drive him. But power has its price. It is the morning of the reaping that will kick off the tenth annual Hunger Games. In the Capitol, eighteen-year-old Coriolanus Snow is preparing for his one shot at glory as a mentor in the Games. The once-mighty house of Snow has fallen on hard times, its fate hanging on the slender chance that Coriolanus will be able to outcharm, outwit, and outmaneuver his fellow students to mentor the winning tribute. The odds are against him. He's been given the humiliating assignment of mentoring the female tribute from District 12, the lowest of the low. Their fates are now completely intertwined - every choice Coriolanus makes could lead to favor or failure, triumph or ruin. Inside the arena, it will be a fight to the death. Outside the arena, Coriolanus starts to feel for his doomed tribute . . . and must weigh his need to follow the rules against his desire to survive no matter what it takes.

This book traces the origins of a faith--perhaps the faith of the century. Modern revolutionaries are believers, no less committed and intense than were Christians or Muslims of an earlier era. What is new is the belief that a perfect secular order will emerge from forcible overthrow of traditional authority. This inherently implausible idea energized Europe in the nineteenth century, and became the most pronounced ideological export of the West to the rest of the world in the twentieth century. Billington is interested in revolutionaries--the innovative creators of a new tradition. His historical frame extends from the waning of the French Revolution in the late eighteenth century to the beginnings of the Russian Revolution in the early twentieth century. The theater was Europe of the industrial era; the main stage was the journalistic offices within great cities such as Paris, Berlin, London, and St. Petersburg. Billington claims with considerable evidence that revolutionary ideologies were shaped as much by the occultism and proto-romanticism of Germany as the critical rationalism of the French Enlightenment. The conversion of social theory to political practice was essentially the work of three Russian revolutions: in 1905, March 1917, and November 1917. Events in the outer rim of the European world brought discussions about revolution out of the school rooms and press rooms of Paris and Berlin into the halls of power. Despite his hard realism about the adverse practical consequences of revolutionary dogma, Billington appreciates the identity of its best sponsors, people who preached social justice transcending traditional national, ethnic, and gender boundaries. When this book originally appeared The New Republic hailed it as "remarkable, learned and lively," while The New Yorker noted that Billington "pays great attention to the lives and emotions of individuals and this makes his book absorbing." It is an invaluable work of history and contribution to our understanding of political life.