This visual and textual study of lynchings that took place in California between 1850 and 1935 shows that race-based lynching in the United States reached far beyond the South.

A history of lynching in America over the course of three centuries, from colonial Virginia to twentieth-century Texas. After observing the varying reactions to the 1998 death of James Byrd Jr. in Texas, called a lynching by some, denied by others, Ashraf Rushdy determined that to comprehend this event he needed to understand the long history of lynching in the United States. In this meticulously researched and accessibly written interpretive history, Rushdy shows how lynching in America has endured, evolved, and changed in meaning over the course of three centuries, from its origins in early Virginia to the present day. “A work of uncommon breadth, written with equally uncommon concision. Excellent.” —N. D. B. Connolly, Johns Hopkins University “Provocative but careful, opinionated but persuasive . . . Beyond synthesizing current scholarship, he offers a cogent discussion of the evolving definition of lynching, the place of lynchers in civil society, and the slow-in-coming end of lynching. This book should be the point of entry for anyone interested in the tragic and sordid history of American lynching.” —W. Fitzhugh Brundage, author of Lynching in the New South: Georgia and Virginia, 1880-1930 “A sophisticated and thought-provoking examination of the historical relationship between the American culture of lynching and the nation’s political traditions. This engaging and wide-ranging meditation on the connection between democracy, lynching, freedom, and slavery will be of interest to those in and outside of the academy.” —William Carrigan, Rowan University “In this sobering account, Rushdy makes clear that the cultural values that authorize racial violence are woven into the very essence of what it means to be American. This book helps us make sense of our past as well as our present.” —Jonathan Holloway, Yale University

Although largely ignored by historians of both baseball in general and the Negro leagues in particular, Latinos have been a significant presence in organized baseball from the beginning. In this benchmark study on Latinos and professional baseball from the 1880s to the present, Adrian Burgos tells a compelling story of the men who negotiated the color line at every turn—passing as "Spanish" in the major leagues or seeking respect and acceptance in the Negro leagues. Burgos draws on archival materials from the U.S., Cuba, and Puerto Rico, as well as Spanish- and English-language publications and interviews with Negro league and major league players. He demonstrates how the manipulation of racial distinctions that allowed management to recruit and sign Latino players provided a template for Brooklyn Dodgers’ general manager Branch Rickey when he initiated the dismantling of the color line by signing Jackie Robinson in 1947. Burgos's extensive examination of Latino participation before and after Robinson's debut documents the ways in which inclusion did not signify equality and shows how notions of racialized difference have persisted for darker-skinned Latinos like Orestes ("Minnie") Miñoso, Roberto Clemente, and Sammy Sosa.

"A lucid, smart, engaging, and accessible introduction to the impact of lynching photography on the history of race and violence in America. "—Grace Elizabeth Hale, author of Making Whiteness: The Culture of Segregation in America, 1890-1940 "With admirable courage, Dora Apel and Shawn Michelle Smith examine lynching photographs that are horrifying, shameful, and elusive; with admirable sensitivity they help us delve into the meaning and legacy of these difficult images. They show us how the images change when viewed from different perspectives, they reveal how the photographs have continued to affect popular culture and political debates, and they delineate how the pictures produce a dialectic of shame and atonement."—Ashraf H. A. Rushdy, author of Neo-Slave Narratives and Remembering Generations "This thoughtful and engaging book offers a highly accessible yet theoretically sophisticated discussion of a painful, complicated, and unavoidable subject. Apel and Smith, employing complementary (and sometimes overlapping) methodological approaches to reading these images, impress upon us how inextricable photography and lynching are, and how we cannot comprehend lynching without making sense of its photographic representations."—Leigh Raiford, co-editor of The Civil Rights Movement in American Memory "Our newspapers have recently been filled with photographs of mutilated, tortured bodies from both war fronts and domestic arenas. How do we understand such photographs? Why do people take them? Why do we look at them? The two essays by Apel and Smith address photographs of lynching, but their analysis can be applied to a broader spectrum of images presenting ritual or spectacle killings."—Frances Pohl, author of Framing America: A Social History of American Art

Mob violence in the United States is usually associated with the southern lynch mobs who terrorized African Americans during the Jim Crow era. In Forgotten Dead, William D. Carrigan and Clive Webb uncover a comparatively neglected chapter in the story of American racial violence, the lynching of persons of Mexican origin or descent. Over eight decades lynch mobs murdered hundreds of Mexicans, mostly in the American Southwest. Racial prejudice, a lack of respect for local courts, and economic competition all fueled the actions of the mob. Sometimes ordinary citizens committed these acts because of the alleged failure of the criminal justice system; other times the culprits were law enforcement officers themselves. Violence also occurred against the backdrop of continuing tensions along the border between the United States and Mexico aggravated by criminal raids, military escalation, and political revolution. Based on Spanish and English archival documents from both sides of the border, Forgotten Dead explores through detailed case studies the characteristics and causes of mob violence against Mexicans across time and place. It also relates the numerous acts of resistance by Mexicans, including armed self-defense, crusading journalism, and lobbying by diplomats who pressured the United States to honor its rhetorical commitment to democracy. Finally, it contains the first-ever inventory of Mexican victims of mob violence in the United States. Carrigan and Webb assess how Mexican lynching victims came in the minds of many Americans to be the "forgotten dead" and provide a timely account of Latinos' historical struggle for recognition of civil and human rights.

An urgent, eloquent call for the abolition of the death penalty in America, from the father and son who are leading the fight against state-sponsored execution. Photos.

Whether conveyed through newspapers, photographs, or Billie Holliday’s haunting song “Strange Fruit,” lynching has immediate and graphic connotations for all who hear the word. Images of lynching are generally unambiguous: black victims hanging from trees, often surrounded by gawking white mobs. While this picture of lynching tells a distressingly familiar story about mob violence in America, it is not the full story. Lynching in America presents the most comprehensive portrait of lynching to date, demonstrating that while lynching has always been present in American society, it has been anything but one-dimensional. Ranging from personal correspondence to courtroom transcripts to journalistic accounts, Christopher Waldrep has extensively mined an enormous quantity of documents about lynching, which he arranges chronologically with concise introductions. He reveals that lynching has been part of American history since the Revolution, but its victims, perpetrators, causes, and environments have changed over time. From the American Revolution to the expansion of the western frontier, Waldrep shows how communities defended lynching as a way to maintain law and order. Slavery, the Civil War, and especially Reconstruction marked the ascendancy of racialized lynching in the nineteenth century, which has continued to the present day, with the murder of James Byrd in Jasper, Texas, and Supreme Court Justice Clarence Thomas’s contention that he was lynched by Congress at his confirmation hearings. Since its founding, lynching has permeated American social, political, and cultural life, and no other book documents American lynching with historical texts offering firsthand accounts of lynchings, explanations, excuses, and criticism.

The true story of mob vengeance on two innocent Native American teenagers in Oklahoma

This visual and textual study of lynchings that took place in California between 1850 and 1935 shows that race-based lynching in the United States reached far beyond the South.

DIVAn exploration of the visual meaning of the color line and racial politics through the analysis of archival photographs collected by W.E.B. Du Bois and exhibited at the Paris Exposition of 1900./div