About Book: - Here by this Book we would like to show you the Lucknow's Amazing "Old-rare, Day & Night - 3D-2D Viewing" Rare & Real Heritage Photographs and Paintings to put an Idea about Indian people thoughts regarding Lucknow Culture & Heritage, Day to Day activities and most important aspect related to Lucknow Culture before & after Indian Independence from British rule. Nicknames of Lucknow City are - The City of Nawabs, Shiraz-e-Hind, The Golden City of India, and Constantinople of the East. "Respect our History - Save our Heritage - Preserve the Monuments".Aim behind this book is to show all that how was Lucknow before & after 100 years back? For general awareness to protect our valuable & priceless Photographic Heritage of India, worth to preserve National Importance Photographs & related documents. By not destroying and not writing anything on old rare Photographs, wherever they are kept and preserved, However Photographic Heritage Conservation is conducted by National Archives, many Libraries, Museums and ASI (Archaeological Survey of India - A Central Government Body - founded in 1861 & effectively starts working from 1870) who is responsible for Conservation, Restoration, Preservation & Reconstruction, but this is our Prime duty & help to protect our priceless Photographic Heritage for our New coming Generations for several years. In this modern era we are now able to see real World by the invention of World first Camera. Before invention of Camera the medium to see the real World, there was handmade Paintings & Painting Portrait, Scenery. Before invention of Camera we were able to see somehow similar real person face, Natural scene by handmade Paintings & Painting Portrait, Scenery etc.We are also now able to show new generation through this book more than 100 years old well preserved Black & White photographs taken from Box type Camera of black cloth & other updated Cameras. System of taking snap was lengthy & time taking process with the help of other persons. Photographer covers himself by black cloth of Box Camera when he starts taking snap shot standing in front of the object. Clear night photograph taking process was much difficult due to night darkness in comparison to day. To eliminate darkness there was perfect timing of snap shot by using fireworks, oil lanterns and wooden fire etc. before invention of electric bulb & electricity for Camera flash.

About Book: - Here by this Book we would like to show you the Lucknow's Amazing "Old-rare, Day & Night - 3D-2D Viewing" Rare & Real Heritage Photographs and Paintings to put an Idea about Indian people thoughts regarding Lucknow Culture & Heritage, Day to Day activities and most important aspect related to Lucknow Culture before & after Indian Independence from British rule. Nicknames of Lucknow City are - The City of Nawabs, Shiraz-e-Hind, The Golden City of India, and Constantinople of the East. "Respect our History - Save our Heritage - Preserve the Monuments".Aim behind this book is to show all that how was Lucknow before & after 100 years back? For general awareness to protect our valuable & priceless Photographic Heritage of India, worth to preserve National Importance Photographs & related documents. By not destroying and not writing anything on old rare Photographs, wherever they are kept and preserved, However Photographic Heritage Conservation is conducted by National Archives, many Libraries, Museums and ASI (Archaeological Survey of India - A Central Government Body - founded in 1861 & effectively starts working from 1870) who is responsible for Conservation, Restoration, Preservation & Reconstruction, but this is our Prime duty & help to protect our priceless Photographic Heritage for our New coming Generations for several years. In this modern era we are now able to see real World by the invention of World first Camera. Before invention of Camera the medium to see the real World, there was handmade Paintings & Painting Portrait, Scenery. Before invention of Camera we were able to see somehow similar real person face, Natural scene by handmade Paintings & Painting Portrait, Scenery etc.We are also now able to show new generation through this book more than 100 years old well preserved Black & White photographs taken from Box type Camera of black cloth & other updated Cameras. System of taking snap was lengthy & time taking process with the help of other persons. Photographer covers himself by black cloth of Box Camera when he starts taking snap shot standing in front of the object. Clear night photograph taking process was much difficult due to night darkness in comparison to day. To eliminate darkness there was perfect timing of snap shot by using fireworks, oil lanterns and wooden fire etc. before invention of electric bulb & electricity for Camera flash.

About Book: - Best Book for Indian Culture, Heritage, History, Arts, Architecture & Tourism Degree - Courses in various Universities & Management Institutes and for Tourists also. About Author: - Anurag Mathur (B.Sc., M.A. - History, PhD Level Research, Post Graduate Diploma in Hotel & Tourism Management Advance Course in Tourism from IITTM - Indian Institute of Tourism & Travel Management- Ministry of Tourism Govt. of India, New Delhi & WTO (World Tourism Organization). PGDBIM (MBA-Delhi). Ex. Lecturer of History, Hotel & Tourism Management Department at Agra University. Agra & also Numismatist (Coins Collector), Philatelist, Antiques, Rare Photographs & Paintings Collector etc, Lucknow. U.P. India. (Father of Author Anurag Mathur, Late. Shri. O.N. Mathur, Archaeological Survey of India (ASI), Govt. of India -Posted at Taj Mahal & other Historical Monuments at Agra-1975 - 89. Author Anurag Mathur's forefather was posted at Royal Imperial Court of Emperor Shaha Jahan as Finance Minister (Treasury Incharge -Shahi Khazana) as per Author's Family Tree Records & generations Chronology & rest all ancestors were educated from Kayastha family and served in Royal Mughal Court after one by one. - - Indian Culture & Heritage Information, Lucknow.

Public places are places where all citizens, irrespective of their race, age, religion, or class level (social or economic), cannot be excluded. It serves to improve the lifestyle experience of its inhabitants, as well as promote social connections. All citizens are responsible for it and are interested in it, and the intervention for change must be the responsibility of all without exception. As such, bottom-up urban planning is essential for urban environments and for transforming nightlife in public places in order to create more meaningful experiences and instill a greater sense of identity and community. Transforming Urban Nightlife and the Development of Smart Public Spaces analyzes the patterns of transformations of nightlife in public life. The book investigates urban nightlife transformations and the challenge of enhancing the sense of belonging in sensitive areas such as local communities and historical sites. The chapters present new insights to control the chaotic intervention related to the elements of traditional or digital technology, whether from citizens themselves or local authorities. The objective also is to document urban nightlife transformations that enhance the sense of belonging in historical sites. Important topics covered include urban-gamification, digital urban art, urban socio-ecosystems, and reimagining space in the urban nightlife. This book is ideal for urban planners, developers, social scientists, technologists, civil engineers, architects, policymakers, government officials, practitioners, researchers, academicians, and students who are interested in urban nightlife and nightscape and the smart technologies used for transformation.

Papers presented at the Seminar organized by Historical and Archaeological Research Centre for Avadh.

The presented book 'Indian Art & Culture' is extremely beneficial for the candidates preparing for the Preliminary and Mains Examination of Civil and State Services. The entire subject matter of the book is divided into 3 sections: Indian Art, Indian Culture and Indian Heritage. Each section has been discussed in detail in various chapters of the book. It is even more important for the aspirants because the book includes the diverse forms of Indian Art, Culture and Heritage, such as paintings and handicrafts, architecture, drama, dance, music, sculpture, architecture, inscriptions, festivals, heritage sites declared by UNESCO, language, literature, education, religion and philosophy etc. and their historical development since the time of their inception till now. This book is presented in a critical form with authentic facts and updated data keeping in view the latest developments in the field of art & culture. Four appendices have also been given at the end of the book in which examination related material pertaining to art and culture has been incorporated.

Beginning with the medieval period, this book collates and reviews first-hand scholarship on Muslims in the Middle East and South Asia, as noted down by eminent British travellers, sleuths and observers of lived Islam. The book foregrounds the pre-colonial and pre-Orientalist phase and locates the multi-disciplinarity of Britain’s relationship with Muslims over the last millennium to demonstrate a multi-layered interface. Going beyond familiar views about colonialism, travel writings and memsahibs without losing sight of the complex relations between Britain and Asian Muslims, this book will be of interest to academics working on British history, Imperial history, the study of religions, Shi’i Islam, Islamic studies, Gender and the Empire and South Asian Studies.

With a population that would make it the fifth most populated in the world if it were a country, Uttar Pradesh has undoubtedly been India's most politically important state since Independence. It sends the highest number of Lok Sabha members to Parliament and has the biggest legislature in the country. It also has to its credit the highest number of prime ministers and powerful political dynasties. Yet it has been behind several states, despite being home to bastions of some of the biggest names in Indian politics. With its clear and decisive imprint on national politics, UP also reflects some of its worst ills: from casteism and using religion as a political plank to manoeuvring for power. From Lucknow to Lutyens tells the fascinating story of UP in post-Independence India and the intertwined fortunes of the two.

This work presents imperial Lucknow's sophisticated synthesis of styles, histories and beliefs melded into its distinct artistry. It includes essays by scholars on several aspects of Lucknow's cultural heritage.