Reproduction of the original: Lucian the Dreamer by J.S Fletcher

Lucian of Samosata's True History is a fantastical tale of voyage and imagination. No editor, translator, or reader knows quite how to describe it or fit it comfortably into a familiar genre of Greek literature: 'satires' and 'dialogues' only partially describe the genre or genres he wrote in. Of all the ancient Greco-Roman writers, Lucian is without doubt one of the most inventive and witty. The Greek text in this edition of the True History is accompanied by a facing page English translation, making it an accessible and informative resource aimed at students and teachers of Greek. Whether used in the classroom or in research, readers will benefit from an introduction to Lucian and his place in imperial Greek literature, as well as a translation and commentary that bring out the wonders of his True History.

The history and literature of the Roman Empire is full of reports of dream prophecies, dream ghosts and dream gods. This volume offers a fresh approach to the study of ancient dreams by asking not what the ancients dreamed or how they experienced dreaming, but why the Romans considered dreams to be important and worthy of recording. Dream reports from historical and imaginative literature from the high point of the Roman Empire (the first two centuries AD) are analysed as objects of cultural memory, records of events of cultural significance that contribute to the formation of a group's cultural identity. The book also introduces the term 'cultural imagination', as a tool for thinking about ancient myth and religion, and avoiding the question of 'belief', which arises mainly from creed-based religions. The book's conclusion compares dream reports in the Classical world with modern attitudes towards dreams and dreaming, identifying distinctive features of both the world of the Romans and our own culture.

According to Oscar Wilde, 'the primary aim of the critic is to see the object as in itself it really is not'. Through a series of close and often unusual readings, this book endeavours to develop Wilde's remark into a detailed and creative theory of reading. It focuses on a series of neologisms from writing of the period.

This startling and original study emerged from Kenneth Rockford's wish to vindicate Aristophanes' Clouds against detractors. As a result of years of rereading and teaching Aristophanes, he realized that the Clouds could not be defended in an analysis of that play in isolation. A better approach, he decided, would be to define a comic perspective within which Aristophanes' comedies in general as well as the Clouds in particular could be appreciated. This first volume of Reckford's defense examines the comedies as a whole in a series of defining essays, each with its own dominant concern and method of approach. The author begins by exploring not the usual questions of Aristophanes' political attitudes and his place in the development of comedy, but rather the festive, celebratory, and Dionysian nature of Old Comedy. Here and throughout the book Reckford illustrates Aristophanes' form of comedy with analogies to Rabelais, Shakespeare, Charlie Chaplin, Alice in Wonderland, and The Wonderful Wizard of Oz. In the remaining essays Reckford goes beyond the usual Freudian approaches, reinterpreting the comic catharsis as a clarification of wishing and hoping. He also explores the growth of plays from comic idea to comic performance, in ways reflected in Tom Stoppard's plays today. Only then are Aristophanes' basic political loyalties described, as well as the place of his old- and-new comedy within the history of the genre. In a book that is as much about comedy generally as it is about Aristophanes specifically, some plays are treated more fully than others. Reckford discusses the Wasps at length, comparing the symbolic transformations and comic recognitions in the play with dream experience and dream interpretation. He also analyzes the Peace, the Acharians, the Birds, and the Frogs. Reckford's vindication of the Clouds will appear in the second volume of his defense, Clouds of Glory. Reckford's playful translations preserve the puns and anachronisms of Aristophanes, maintaining the playwright's comic feeling and tone. Combining traditional classical scholarship with a variety of literary, psychological, and anthropological approaches, he has written a study that will appeal to both the academic audience and the general reader who cares about comedy. Originally published in 1987. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

A creature such as me has no business loving anything, but I do. Heaven help me, I do. Isadora is everything beautiful and pure and innocent. She is like nothing I've seen in the heavens or on earth. But our love can never be. Because she's a mortal, and I...I am fallen. Despite this, I watch over her every day, guarding her from afar and longing for her touch. I will protect her from everything that would harm her. I will be her guardian angel with black wings. But as time passes, the danger surrounding my beloved mortal grows stronger. Dark forces threaten to harm her and those she holds dear. I know I must act quickly to protect her. Even if it means revealing my true nature and risking losing her forever. I navigate the treacherous world of mortals and angels alike, testing my powers to their limits as I fight to keep my love safe and preserve the balance between good and evil. And when a shocking revelation threatens to upend everything I thought I knew about my past, I am forced to confront my inner demons and make a final stand against the forces of darkness.

Originally published in 1895, a dying man instructs his son to reject their family fortune because of its evil origins and his grandfather’s unsavory past. Yet, his son is enamored by the riches and its potential for good. John Calvert was a successful engineer and heir to a large fortune. While on his deathbed, he tells his son, Dr. Lucian Calvert, the truth about their family’s money and how it was acquired. His dying wish is that Lucian never touches a dime or use it for personal gain. John fails to leave a will, which causes multiple “family members” to stake their claim on his wealth. Despite his father’s haunting words, Lucian becomes engaged in a battle for his highly-coveted estate. Beyond the Dream of Avarice is a cautionary tale about status, wealth and greed. Walter Besant provides an insightful look at the corruptive nature of money and power. Even with a clear warning, man can still fall victim to the desires of the flesh. With an eye-catching new cover, and professionally typeset manuscript, this edition of Beyond the Dream of Avarice is both modern and readable.

As John Calvert, a successful engineer is dying, he tells he son, Dr. Lucian Calvert, that the family name is Burley. Because of the evil means by which the family fortune was obtained, he, John Calvert, had changed his name and disowned his father, Lucian's grandfather who yet lived. John solicits a promise from his son never to touch a penny of the old man's fortune. The older man, near 100, eventually dies, apparently without a will, leaving a fortune of £12,000,000. Fake relatives come from near and far seeking the fortune. Lucian is torn, but eventually succumbs to the temptation, convincing himself of the good deeds he can do with the fortune. He becomes involved in the struggle for the fortune. Ultimately, a will is found and the old man left his money to a foundation for establishment of college of science.