According to medieval physicians, lovesickness was an illness of mind and body caused by sexual desire and the sight of beauty. The notorious agony of an unhappy lover was treated as an ailment closely related to melancholia and potentially fatal if not treated. In Lovesickness in the Middle Ages, Mary F. Wack uses newly discovered texts and takes a fresh look at primary sources to offer the first comprehensive analysis of the forms and meanings of the lover's malady in medieval culture. She examines its importance in medieval literature and its role in the transformation of courtly love from literary convention to social practice. Drawing extensively from the Viaticum and its commentaries, studied for centuries in medical schools, Wack also addresses wider questions about the cultural construction of illness, the conflict between medicine and Church morality, the relations between lovesickness and gender, and the lover's malady as a form of behavior in late medieval society. The second part of the book contains annotated editions and translations of six important texts on lovesickness—the Viaticum and four commentaries on it. Forty-six black-and-white illustrations provide a striking visual perspective on medieval love and medicine. Lovesickness in the Middle Ages will interest literary scholars and students as well as historians of medicine, sexuality, psychology, and women's studies.

In Lovesickness in the Middle Ages, Mary F. Wack uses newly discovered texts and takes a fresh look at primary sources to offer the first comprehensive analysis of the forms and meanings of the lover's malady in medieval culture.

Publisher description

Queer Love in the Middle Ages points out queer themes in the works of the French canon, including Perceval , the Romance of the Rose and the Roman d'Eneas . It brings out less known works that prominently feature same-sex themes: Yde and Olive , a romance with a cross-dressed heroine who marries a princess; and many others. The book combines an interest in contemporary French theory (Kristeva, Barthes, psychoanalysis) with a close reading of medieval texts. It discusses important recent publications in pre-modern queer studies in the US. It is the first major contribution to queer studies in medieval French literature.

First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

This is a set of essays from many of the leading scholars in the world of medieval studies, which addresses a wide diversity of texts and genres and their diverse perspectives on love. Attention is given to interaction between English writings and putative continental and international influences, with particular emphasis on the works of Chaucer.

This volume examines the treatment and expression of love in medieval literature and art. These nineteen essays, contributed by recognized authorities on medieval romantic expression, consider a wide variety of texts from the following cultures: French, Arabic, Latin, Hispanic, Hebrew, Provencal, and German. Teachers and students of medieval literature will find in this well-researched book cogent, contemporary analyses of written expressions of love in the Middle Ages.

First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

A crucial question throughout the Middle Ages, the relationship between body and spirit cannot be understood without an interdisciplinary approach – combining literature, philosophy and medicine. Gathering contributions by leading international scholars from these disciplines, the collected volume explores themes such as lovesickness, the five senses, the role of memory and passions, in order to shed new light on the complex nature of the medieval Self.

This study offers a typology of the go-between across key texts from antiquity and several medieval literary traditions, analyzing the role of the third party in the poetics of love. The work provides the indispensable context for the study of the significant transformations undergone by the go-between. Legal and scientific sources are taken into account alongside Latin, French, and English literary works and literature of the medieval Islamic period for the critique of differences and intertextual links which inform the conception of the go-between. The case of the Medieval Spanish go-between is given a special attention due to the figure's complex relationship with diverse traditions. The range covered in the work provides a comprehensive view of the figure's trajectory and representation in each text.