Since the introduction of psychoanalysis, radical paradigm shifts have occurred in philosophy, science, mathematics, and the arts. How we exchange information, how we interact on the global stage, and how we conceive of ourselves as citizens have also evolved. And yet, depth psychotherapy remains locked within its nineteenth-century image, poorly understood by those not intimately involved in its processes. Lover, Exorcist, Critic dives deeply into the field's history, examining the cultural and historical context from which it emerged, and explaining how it evolved into a more vitalising methodology. Alan Michael Karbelnig exposes the inner workings of depth psychotherapy using the innovative perspective of three distinct social role analogies. As Lovers, psychoanalysts create a warm, accepting environment; as Exorcists, they receive, process, and deliver back projections; and, as Critics, they analyse, confront, and educate patients about self- and other-destructive patterns. These methods come to life in the rich descriptions of how psychoanalytic processes progressed with three fictional patients. Carlos, who suffered neglect and abuse during his childhood in East Los Angeles, struggled with the emotional intensity of depth psychotherapy and took months-long breaks when he felt too vulnerable. Gilda, a Greek-American woman sexually abused in her adolescence and traumatised by a physical attack in adulthood, grappled with periods of suicidal depression and episodic psychogenic fugue states. These severe symptoms made the psychotherapy process, at various times, difficult to contain. The final patient, Penn, an orthopaedic surgeon struggling with anxiety and over-achievement which left him exhausted, demonstrates the benefit gained by a person undergoing depth psychotherapy, intermittently, for more than two decades. Bravely exploring the failures alongside the successes, Dr. Karbelnig demonstrates the myriad ways psychoanalytic processes unfold and why they remain an effective, even vibrant way to reduce pain, grow, and live a more authentic life.

Since the introduction of psychoanalysis, radical paradigm shifts have occurred in philosophy, science, mathematics, and the arts. How we exchange information, how we interact on the global stage, and how we conceive of ourselves as citizens have also evolved. And yet, depth psychotherapy remains locked within its nineteenth-century image, poorly understood by those not intimately involved in its processes. Lover, Exorcist, Critic dives deeply into the field's history, examining the cultural and historical context from which it emerged, and explaining how it evolved into a more vitalising methodology. Alan Michael Karbelnig exposes the inner workings of depth psychotherapy using the innovative perspective of three distinct social role analogies. As Lovers, psychoanalysts create a warm, accepting environment; as Exorcists, they receive, process, and deliver back projections; and, as Critics, they analyse, confront, and educate patients about self- and other-destructive patterns. These methods come to life in the rich descriptions of how psychoanalytic processes progressed with three fictional patients. Carlos, who suffered neglect and abuse during his childhood in East Los Angeles, struggled with the emotional intensity of depth psychotherapy and took months-long breaks when he felt too vulnerable. Gilda, a Greek-American woman sexually abused in her adolescence and traumatised by a physical attack in adulthood, grappled with periods of suicidal depression and episodic psychogenic fugue states. These severe symptoms made the psychotherapy process, at various times, difficult to contain. The final patient, Penn, an orthopaedic surgeon struggling with anxiety and over-achievement which left him exhausted, demonstrates the benefit gained by a person undergoing depth psychotherapy, intermittently, for more than two decades. Bravely exploring the failures alongside the successes, Dr. Karbelnig demonstrates the myriad ways psychoanalytic processes unfold and why they remain an effective, even vibrant way to reduce pain, grow, and live a more authentic life.

With contributions from Prachi Akhavi, Salman Akhtar, Cuneyt Iscan, Surreya Iscan, Alan Michael Karbelnig, Kelsey Leon, Clara Mucci, Nina Savelle-Rocklin, Asmita Sharma, Julian Stern, and Thomas Wolman. Food matters begin even before birth with the absorption of nutrients in the womb and continue through baby feeds, family meals, school dinners, barbecues with friends, and romantic meals to the growing dietary restrictions of old age. The role of food is not limited to its life-giving necessity but plays a huge role in communal bonding, cultural tradition, and self-expression. Food Matters investigates the significant role that food plays in all of our lives and is divided into three major sections: Mostly biological, Mostly psychological, and Mostly sociological. 'Mostly' because biology, psychology, and sociology are not hermetically sealed subject areas and overlaps into other fields are to be expected. Part I : Mostly biological consists of two chapters. The first pertains to food and health, the second to food and illness. At its core, Chapter One aims to undermine the notion of 'healthy choices' and demonstrate a more nuanced vision of what actually builds healthy communities. The varied case material of Chapter Two shows the myriad roles food can play in relation to illness. Part II: Mostly psychological has four chapters, which respectively address the relationship between food and sexuality, aggression, narcissism, and morality using wide-ranging theory and practical case examples. Part III: Mostly sociological has three chapters. The first pertains to money, the second to immigration, and the third to movies, again packed with relevant theory and clinical vignettes, and, in the case of the final chapter, using the movies Waitress and Babette's Feast to show the central role food plays, even in our fictional lives. This welcome smorgasbord of ideas from an international array of contributors representing the disciplines of psychiatry, psychology, psychoanalysis, anthropology, and gastroenterology will be essential reading for professionals and academics in those fields and will shed fresh light on the subject for anyone with an interest in the multifaceted meanings of food matters.

A collection of fifty-four free-verse poems revolving around the interiority of melancholia, ranging from chaotic dyads and wearisome days to gut-wrenching despair. Birds have hollow bones, continually flying and falling from highs to lows, and therein lies the inspiration behind both the title and the content. The poems touch the spectrums of stark blacks and whites, with bleak and unrelentingly graphic depictions of the pain, loneliness, and emptiness of mental illness. For those who know it, the writing will ring only too true, for those who know of it, the words are a vicarious immersion in the depths of the human psyche. This is an exposé of the intensely personal world of melancholia.

Fiction. Once upon a time that doesn't make a blind bit of sense, in a place that seems awfully familiar but definitely doesn't exist, Willem Seiler's obsession with measuring his world--with wrapping it up in his beloved string to keep the madness out--wreaks havoc on the Wakeling family. Noranbole Wakeling, living in the scrub and toil of the pantry and in the shadow of her much wooed and cosseted sister, is worshipped by the madman Seiler but overlooked by everyone else. As lives are lost to Seiler's vanity, she spots her chance to break free of the fetters that tie her to Tiny Village, and bolts. But some cords are never really cut. In her absence, the unravelling of the world she has escaped is complete, and another madness--her mother's--reaches out to entangle her newfound Big City freedom. The unpicked quilt-work of a life in ruins threatens to ruin her own, and it will be up to Noranbole to stitch it all together. Dark and funny in equal measure, LAKE OF URINE is a sui generis romp through every fairy-tale convention and literary trope you can think of, including the wicked stepmother, the fairy godmother, Pinocchio, an enchanted penis, the goose that laid the golden egg, binary code, marmalade art and alcoholic meat snacks you can drink. It is also a merciless takedown of self and self-importance, satirizing a society that exalts the inane, drowns out the sane and eschews the divine for the profane, and a lament for the dreadful weight of our own origins, for the heartbreaking impossibility of absolute reinvention, and the heartening tug of the ties that bind us.

It has often been assumed that Europeans invented and had the exclusive monopoly over courtly and romantic love, commonly considered to be the highest form of relations between men and women. This view was particularly prevalent between 1770 and the mid-twentieth century, but was challenged in the 1960s when romantic love came to be seen as a universal sentiment that can be found in all cultures in the world. However, there remains the historical problem that the Europeans used this concept of love as a fundamental part of their self-image over a long period (traces of it still remain) and it became very much caught up in the concept of marriage. This book challenges the underlying Eurocentrism of this notion while exploring in a more general sense the connection between identity and emotions.

AVAILABLE FOR THE FIRST TIME IN eBOOK! On her twelfth birthday, Sierva Maria – the only child of a decaying noble family in an eighteenth-century South American seaport – is bitten by a rabid dog. Believed to be possessed, she is brought to a convent for observation. And into her cell stumbles Father Cayetano Delaura, who has already dreamed about a girl with hair trailing after her like a bridal train. As he tends to her with holy water and sacramental oils, Delaura feels something shocking begin to occur. He has fallen in love – and it is not long until Sierva Maria joins him in his fevered misery. Unsettling and indelible, Of Love and Other Demons is an evocative, majestic tale of the most universal experiences known to woman and man.

From the bestselling, award-winning author of The Invisible Bridge comes a gripping tale of forbidden love, high-stakes adventure, and unimaginable courage filled with "suspense and tragedy, unexpected twists and deliverance” (The Seattle Times). • THE INSPIRATION FOR THE NETFLIX SERIES TRANSATLANTIC MARSEILLE, 1940. Varian Fry, a Harvard-educated journalist and editor, arrives in France. Recognizing the darkness descending over Europe, he and a group of like-minded New Yorkers formed the Emergency Rescue Committee, helping artists and writers escape from the Nazis and immigrate to the United States. Amid the chaos of World War II, and in defiance of restrictive U.S. immigration policies, Fry must procure false passports, secure visas, seek out escape routes through the Pyrenees and by sea, and make impossible decisions about who should be saved, all while under profound pressure—and in a state of irrevocable personal change. In this dazzling work of historical fiction—one that illuminates previously unexplored elements of Fry’s story, and has, since its publication, brought us new insight into his life.

This title provides a group portrait of some of the greatest musicians of the 20th century, including Bruce Springsteen, Patti Smith, Grandmaster Flash and Bob Dylan.

Soon to be a major motion picture. This ENHANCED DIGITAL EDITION features TONS of TOTALLY AWESOME ’80s bonus materials—including Satanic Panic educational pamphlets, a do-it-yourself exorcism cheat sheet, a Spotify playlist of awesome ’80s tunes, animated cover artwork, and much more! From the New York Times best-selling author of The Southern Book Club's Guide to Slaying Vampires, this unholy hybrid of Beaches and The Exorcist blends teen angst and unspeakable horrors into a pulse-pounding supernatural thriller. The year is 1988. High school sophomores Abby and Gretchen have been best friends since fourth grade. But after an evening of skinny-dipping goes disastrously wrong, Gretchen begins to act…different. She’s moody. She’s irritable. And bizarre incidents keep happening whenever she’s nearby. Abby’s investigation leads her to some startling discoveries—and by the time their story reaches its terrifying conclusion, the fate of Abby and Gretchen will be determined by a single question: Is their friendship powerful enough to beat the devil?