For over 2,000 years women have been writing love poetry. Here is the first anthology of love poems written only by women. Poets from all ages and all parts of the world, expressing love not only for their male and female lovers, but for parents, children, friends, for art, God, nature, and homeland, are collected here, and include the works of: Sappho, Emily Dickenson, Ono no Komachi, Shadab Vajdi, Alice Walker, Sor Juana Ines de la Cruz, and many more.

For centuries women have written about love with passion, humour, frustration and despair; but never before have their voices come together as in this exhilarating and timeless compendium. Here are love poems in all their true, subversive drama, delicately arranged according to a balance of moods and modes: of argument and lyric, joke and passionate utterance, rejection, rage and ecstacy. Poets, well-known and obscure, ancient and modern - from Sappho to Akhamotova,Patti Smith to Selima Hill, Sylvia Plath to Alice Walker - all challenge the traditional perception of women as muse and object of desire, and magnificently transcend it.

The work of women poets is often overlooked in anthologies, and collections of love poetry are no exception. This delightful and highly original collection shows that on the subject of romantic and sexual love, women can be just as eloquent as men -- if not more so. Here, the bitter and the sweet mingle as women from the last five hundred years write about jealousy, fickleness, exhilaration, the pain of parting, and the transience of love. Revealed is poetry which has been largely invisible since the fifteenth century; surprises from women better known for other things, like Elizabeth I and E. Nesbit; classics old and new from names including Margaret Atwood, Wendy Cope, Anne Sexton, Carol Ann Duffy, Erica Jong, Amy Lowell, Stevie Smith, Emily Dickinson, Christina Rossetti, Emily Bronte, Elizabeth Barrett Browning, Edith Wharton, Adrienne Rich, Katherine Mansfield, George Eliot, and Dorothy Parker.

Wendy Cope's first book of poems and parodies, Making Cocoa for Kingsley Amis, went straight into the bestseller lists. Its successor, Serious Concerns has proved even more popular, addressing such topics as 'Bloody Men', 'Men and Their Boring Arguments', 'Two Cures for Love', 'Kindness to Animals' and 'Tumps' (Typically Useless Male Poets).

'The New Faber Book of Love Poems' presents some of the most emotive and memorable lyric poems produced in the English language from the Renaissance to the present.

With poems in English by over one hundred female poets -- American, English, Scottish, Canadian, South African, Indian, Irish, and Australian -- this is an extraordinary collection that pays homage to four centuries of women's desires, friendships, and expressions of love. The collection is testimony to the rich tradition of female verse and the timelessness of love and creativity.

Poetry can be daunting and hard to understand, but it doesn't have to be. I feel a poet has an obligation to write in a way that everyone can understand. Poems should flow softly through a poet's words, their meanings gently caressing the heart and mind of its reader. If a poem comes from the heart, it will reach other hearts, and this is what I've tried to do with the poetry in "Anatomy of a Poet." CJ Heck "Like a rose with many petals and sharing its sweet aroma, this is how I see and feel about the love of my life, CJ Heck. She is my electric blue-eyed girl. She can be both a little girl, or a strong woman, whenever and wherever the situation calls for it. She is both sensuous and exciting, and soft and affectionate. Tragedy struck her life early with the death of her husband in Vietnam. This experience laid open the very core of her heart and soul and opened the channel to a well of compassion and sensitivity that waited deep within. Her pain was the fertilizer that helped her bloom as a writer. CJ's poetry is not a surface observation, but a soulful interpretation of the events and people that inspired her. She writes both eloquently and simply of things that touch her heart, things she wants to share. She is gifted at painting a picture with words on the heart and imagination of others, thereby communicating not just an image, but a life experience. I feel very honored to have been asked to write this introduction and share my feelings about CJ Heck. She is the water for my soil, the sunlight for my petals and the nurturer of my growth. Sit back, open your heart and enjoy the journey as revealed through her words, images and emotions. You are blessed by this opportunity to know her in words, as I know her in life." Robert S. Cosmar, Author "This is my kind of poetry. Direct, beautifully expressed and without a hint of pretension." Allison Cassidy "CJ is predominately viewed as a writer of works for children, but CJ now carries over her approach to more adult themes. In doing so, she presents a profound world that is deeply sad, incredibly humorous and sometimes very intimate." Joseph Daly "I love learning new words, especially when they are explained with such diaphanous clarity. Whether she talks of love, children, life, or any other subject, CJ's words are always clear and harmonious. She makes us forget that easy to read is hard to write." Marc Mimouni (London, United Kingdom) "CJ Heck is a very talented author. Her words are enlightening and charismatic to people of all ages. It is a privilege and honor to read her prolific pen." Janet Caldwell (Managing Editor, Inner Child Magazine

Translated by Jesse Lee Kercheval Eight years before Sylvia Plath published Ariel, the Uruguayan poet Idea Vilariño released Poemas de Amor, a collection of confessional, passionate poetry dedicated to the novelist Juan Carlos Onetti. Both of her own merit and as part of the Uruguayan writers group the Generation of ’45—which included Onetti, Mario Benedetti, Amanda Berenguer, and Ida Vitale—Vilariño is an essential South American poet, and part of a long tradition of Uruguayan women poets. Vilariño and Onetti’s love affair is one of the most famous in South American literature. Poemas de Amor is an intense book, full of poems about sexuality and what it means to be a woman, and stands as a testament to both the necessity and the impossibility of love. This translation brings these highly personal poems to English speaking audiences for the first time side-by-side with the original Spanish language versions.

How do Bengali women love in times of social transition and political upheaval? These poems look at how Bengali women tell their truths of the heart and mind through their struggles for equality, opportunity, and recognition in a changing society. The poems follow a subtle trajectory through the stages of love: first love; marriage; separation; aging and death; and ultimate supreme, universal love, of which romantic love is an imperfect reflection. Carolyne Wright spent four years collecting and translating Bengali women's poetry. Wright is a poet herself, and her most recent collection is A Change of Maps.