Auguste Comte's doctrine of positivism was both a philosophy of science and a political philosophy designed to organize a new, secular, stable society based on positive or scientific, ideas, rather than the theological dogmas and metaphysical speculations associated with the ancien regime. This volume offers the most comprehensive English-language overview of Auguste Comte's philosophy, the relation of his work to the sciences of his day, and the extensive, continuing impact of his thinking on philosophy and especially secular political movements in Europe, Latin America, and Asia. Contributors consider Comte’s reasons for establishing a Religion of Humanity as well as his views on domestic life and the arts in his positivist utopia. The volume further details Comte's attempt to apply his "positive method," first to social science and then to politics and morality, thereby defending the continuity of his career while also critically examining the limits of his approach.

Eleven stunning stories that explore the most intimate and transforming moments of existence, from Nobel Prize–winning author Alice Munro, “one of the foremost practitioners of the short story” (Michiko Kakutani, The New York Times). “Throughout this remarkable collection moments of insight flash from the pages like lightning, not necessarily providing answers—more like showing the way to new questions.”—The Philadelphia Inquirer A divorced woman returns to her childhood home where she confronts the memory of her parents’ confounding yet deep bond. The accidental near-drowning of a child exposes to the shaken mother the fragility between children and parents. A young man, remembering a terrifying childhood incident, wrestles with the responsibility he has always felt for his hapless younger brother. A man brings his lover on a visit to his ex-wife, only to feel unexpectedly closer to his estranged partner. In these and other stories, Alice Munro proves once again a sensitive and compassionate chronicler of our times. Drawing us into the most intimate corners of ordinary lives, she reveals much about ourselves, our choices, and our experiences of love.

Published in conjunction with the exhibitions held at the Menil Collection, Houston, Dec. 2, 2012-March 17, 2013, the Centre for Contemporary Art, Lagos, Oct. 13, 2012-Jan. 27, 2013, and the Pulitzer Foundation for the Arts, St. Louis, Nov. 16, 2012-April 20, 2013.

Every day brings evidence of dramatic change upon the landscape. It's called progress. Melissa Holbrook Pierson, with unalloyed insight, elucidates how it feels to lose that landscape of home.

Reveals the intriguing story behind the commission, rejection, and rehousing of masterpiece The Progress of Love.

The renowned French philosopher’s “ode to love’s power to unite in the face of eternity, and its optimism in the face of pain” (Publishers Weekly). In a world rife with consumerism, where online dating promises risk-free romance and love is all too often seen as a mere variant of desire and hedonism, Alain Badiou believes that love is under threat. Taking to heart Rimbaud’s famous line “love needs reinventing,” In Praise of Love is the celebrated French intellectual’s passionate treatise in defense of love. For Badiou, love is an existential project, a constantly unfolding quest for truth. This quest begins with the chance encounter, an event that forever changes two individuals, challenging them “to see the world from the point of view of two rather than one.” This, Badiou believes, is love’s most essential transforming power. Through thought-provoking dialogue edited from a conversation between Badiou and Truong, a vibrant cast of thinkers are invoked: Kierkegaard, Plato, de Beauvoir, Proust, and more, create a new narrative of love in the face of twenty-first-century modernity. Moving, zealous, and wise, Badiou’s “paean to the anticapitalist, antiessentialist, unifying power of love” urges us not to fear it but to see it as a magnificent undertaking that compels us to explore others and to move away from an obsession with ourselves (Publishers Weekly). “Finally, the cure for the pornographic, utilitarian exchange of favors to which love has been reduced in America. Alain Badiou is our philosopher of love.” —Simon Critchley, author of The Faith of the Faithless

Beginning in the summer of 2004, Scott Nadelson’s life fell apart. His fiancée left him a month before their planned wedding for another woman who made her living performing as a drag king. He moved into a drafty attic. His car’s brakes went out. He learned that his cat was dying. Over the next two years, he’d struggle, with equivocal and sometimes humiliating results, to get back on his feet, in the process re-examining his past to understand his present circumstances. The Next Scott Nadelson: A Life in Progress is a literary self-portrait that revolves around the dissolution of a relationship but encompasses the long process of a young man’s halting self-discovery. Exploring episodes from the life of its author/narrator marked by failure, suffering, and hope, as well as literary and cultural influence, the book weighs the things that make us want to give up against the things that keep us going. Though many of the pieces are comic and self-deprecating—some self-lacerating—they are above all meditations on the nature of the self and the way it can be constructed through memory, desire, and the imagination. Together they form a larger narrative, a search for fulfillment and identity in a life often governed by fear. With humor and unflinching honesty, Scott Nadelson scrutinizes his life to discover who he is and finds just how elusive such a discovery can be. To read the resulting book is to join him on a personal journey that is thoughtful, surprising, occasionally hilarious, and unapologetically human.