The young Lucian Freud was described by his friend Stephen Spender as totally alive, like something not entirely human, a leprechaun, a changeling child, or, if there is a male opposite, a witch. All that magnetism and brilliance is displayed in the letters assembled here, many published for the first time. From schoolboy messages to his parents, though letters to friends, lovers, and confidants, to correspondence with patrons and associates as he became established as a professional painter, they are peppered with wit, affection and irreverence. Collectively, they provide a powerful insight into his early life and art. Co-authored by David Dawson, Freuds longstanding personal assistant and now Director of the Lucian Freud Archive, and Martin Gayford, author, critic, and friend of the artist, this is the first published collection of Freuds correspondence. Reproduced in facsimile alongside reproductions of Freuds artwork, the letters are linked by a narrative that weaves them into the story of his life and relationships through his formative first three decades.

The first biography of the epic life of one of the most important, enigmatic and private artists of the 20th century. Drawn from almost 40 years of conversations with the artist, letters and papers, it is a major work written by a well-known British art critic. Lucian Freud (1922-2011) is one of the most influential figurative painters of the 20th century. His paintings are in every major museum and many private collections here and abroad. William Feaver's daily calls from 1973 until Freud died in 2011, as well as interviews with family and friends were crucial sources for this book. Freud had ferocious energy, worked day and night but his circle was broad including not just other well-known artists but writers, bluebloods, royals in England and Europe, drag queens, fashion models gamblers, bookies and gangsters like the Kray twins. Fierce, rebellious, charismatic, extremely guarded about his life, he was witty, mischievous and a womanizer. This brilliantly researched book begins with the Freuds' life in Berlin, the rise of Hitler and the family's escape to London in 1933 when Lucian was 10. Sigmund Freud was his grandfather and Ernst, his father was an architect. In London in his twenties, his first solo show was in 1944 at the Lefevre Gallery. Around this time, Stephen Spender introduced him to Virginia Woolf; at night he was taking Pauline Tennant to the Gargoyle Club, owned by her father and frequented by Dylan Thomas; he was also meeting Sonia Orwell, Cecil Beaton, Auden, Patrick Leigh-Fermor and the Aly Khan, and his muse was a married femme fatale, 13 years older, Lorna Wishart. But it was Francis Bacon who would become his most important influence and the painters Frank Auerbach and David Hockney, close friends. This is an extremely intimate, lively and rich portrait of the artist, full of gossip and stories recounted by Freud to Feaver about people, encounters, and work. Freud's art was his life—"my work is purely autobiographical"—and he usually painted only family, friends, lovers, children, though there were exceptions like the famous small portrait of the Queen. With his later portraits, the subjects were often nude, names were never given and sittings could take up to 16 months, each session lasting five hours but subjects were rarely bored as Freud was a great raconteur and mimic. This book is a major achievement, a tour de force that reveals the details of the life and innermost thoughts of the greatest portrait painter of our time. Volume I has 41 black and white integrated images, and 2 eight-page color inserts.

“An extraordinary record of a great artist in his studio, it also describes what it feels like to be transformed into a work of art.” —ARTnews Lucian Freud (1922-2011), widely regarded as the greatest figurative painter of our time, spent seven months painting a portrait of the art critic Martin Gayford. The daily narrative of their encounters takes the reader into that most private place, the artist’s studio, and to the heart of the working methods of this modern master—both technical and subtly psychological. From this emerges an understanding of what a portrait is, but something else is also created: a portrait, in words, of Freud himself. This is not a biography, but a series of close-ups: the artist at work and in conversation at restaurants, in taxis, and in his studio. It takes one into the company of the painter for whom Picasso, Giacometti, and Francis Bacon were friends and contemporaries, as were writers such as George Orwell and W. H. Auden. The book is illustrated with many of Lucian Freud’s other works, telling photographs taken by David Dawson of Freud in his studio, and images by such great artists of the past as van Gogh and Titian who are discussed by Freud and Gayford. Full of wry observations, the book reveals the inside story of how it feels to pose for a remarkable artist and become a work of art.

Chosen as the best new musical of the year by the Dallas Morning News, this adaptation of Shaw's burlesque masterpiece employs the sprightly style of a Gilbert and Sullivan operetta. The antics of the agile butler to derail the romance between his aristocratic mistress and a prizefighter unfold with wit and verbal dexterity while rendering Shaw's blank verse in dashing prose that is more natural to modern audiences. -- Publisher's description

This volume, with more than 400 reproductions, will be the most comprehensive publication to date on Lucian Freud, covering a span of seventy years and including many works not previously reproduced. The result is a corpus of great works that reveal him to be the premier heir today of Rembrandt, Courbet, and Cézanne. The book includes not only Freud’s paintings but also his sketches, woodcuts, and powerful etchings. While the bulk of his paintings are female nudes, his cityscapes, plant studies, and interiors, executed in his distinctive muted palette and visible brushwork, are all included. Freud, who has lived in London ever since his family left Berlin in 1933 when he was ten, has achieved preeminence through his ruthless perception of the human form. His importance has long been recognized in England, but his present super-celebrity status dates from a retrospective at the Hirshhorn in Washington, D.C., in 1987. William Feaver, painter and for many years art critic for The Observer, provides a unique account of Freud’s preoccupations and achievement. Startling, moving, profoundly entertaining, the book lives up to Freud’s advice to students when getting them to paint self-portraits: “To try and make it the most revealing, telling, and believable object. Something really shameless, you know.”

The first English-language monograph about religion and Lucian of Samosata

Id never really thought about whether or not vampires are real and if someone had told me that Id not only discover the truth about them but that Id fall completely and undeniably in love with one, Id have told them that they were crazy. Vampires are some myth that you read about in books but Lucian is everything that I could want or need and more. Unfortunately, he carries with him a deep, dark secret that hes been keeping for years; a secret that would put me and my friends in more danger than I ever couldve imagined. Now, I can only hope that Lucian can find and save me before my captor has a chance to replace my life with one filled with darkness and blood. I dont know if Ill survive this or if Im doomed to a life that will no longer include friends, school, and love. Follow my story and see who will survive the events that unfold in Vampire Promises ---- a story of what happens when a vampire with a secret past falls in love with a human who has everything to live for.

Although little known today, the English novelist J. S. Fletcher was one of the highest selling writers of the early twentieth century. He wrote more than 230 books covering a range of genres and subjects, including social dramas, exciting thrillers and celebrated historical novels. It is as a pioneering writer of detective fiction that he is being reappraised in the twenty-first century, recognising his important contribution to the development of the genre. Gripping novels like ‘The Middle Temple Murder’ and ‘The Charing Cross Mystery’ are renowned for their complicated, intelligently structured plots, colourful characterisation and unputdownable events. This comprehensive collection presents J. S. Fletcher's collected works, with numerous illustrations, many rare texts, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Fletcher’s life and works * Concise introductions to the major novels * 30 novels, with individual contents tables * Features rare novels appearing for the first time in digital publishing, including his almost lost first two novels, ‘Frank Carisbroke’s Stratagem’ and ‘Andrewlina’ * Fletcher's very rare and compelling historical novel 'When Charles the First Was King', appearing here for the first time in digital publishing * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * Rare story collections * Includes Fletcher’s rare poetry collections – available in no other collection * Ordering of texts into chronological order and genres Please visit www.delphiclassics.com to browse through our range of titles CONTENTS: The Novels Frank Carisbroke’s Stratagem (1888) Andrewlina (1889) Mr. Spivey’s Clerk (1890) When Charles the First Was King (1892) In the Days of Drake (1895) Where Highways Cross (1895) Mistress Spitfire (1896) Baden Powell of Mafeking (1900) Lucian the Dreamer (1903) Perris of the Cherry-Trees (1913) The King versus Wargrave (1915) The Rayner-Slade Amalgamation (1917) Paul Campenhaye (1918) The Chestermarke Instinct (1918) The Borough Treasurer (1919) The Middle Temple Murder (1919) The Talleyrand Maxim (1919) Scarhaven Keep (1920) The Herapath Property (1920) The Lost Mr. Linthwaite (1920) The Orange-Yellow Diamond (1920) The Markenmore Mystery (1921) The Root of All Evil (1921) Wrychester Paradise (1921) In the Mayor’s Parlour (1922) Ravensdene Court (1922) The Middle of Things (1922) The Charing Cross Mystery (1923) The Kang-He Vase (1924) The Safety Pin (1924) The Shorter Fiction Mr. Poskitt’s Nightcaps (1910) The Secret of the Barbican and Other Stories (1924) Miscellaneous Stories The Poetry Collections The Juvenile Poems of Joseph S. Fletcher (1879) Early Poems by Joseph Smith Fletcher (1882) Anima Christi (1884) Please visit www.delphiclassics.com to browse through our range of titles or to purchase this eBook as a Parts Edition of individual eBooks

Although little known today, the English novelist J. S. Fletcher was one of the highest selling writers of the early twentieth century. He wrote more than 230 books covering a range of genres and subjects, including social dramas, exciting thrillers and celebrated historical novels. It is as a pioneering writer of detective fiction that he is being reappraised in the twenty-first century, recognising his important contribution to the development of the genre. Gripping novels like ‘The Middle Temple Murder’ and ‘The Charing Cross Mystery’ are renowned for their complicated, intelligently structured plots, colourful characterisation and unputdownable events. Offering the largest collection of J. S. Fletcher’s novels ever compiled, this eBook presents his collected works, with numerous illustrations, many rare texts, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Fletcher’s life and works * Concise introductions to the major novels * 30 novels, with individual contents tables * Features rare novels appearing for the first time in digital publishing, including his almost lost first two novels, ‘Frank Carisbroke’s Stratagem’ and ‘Andrewlina’ * Fletcher's very rare and compelling historical novel 'When Charles the First Was King', appearing here for the first time in digital publishing * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * Rare story collections * Includes Fletcher’s rare poetry collections – available in no other collection * Ordering of texts into chronological order and genres Please note: due to US copyright laws, post 1924 novels cannot appear in this volume. Please visit www.delphiclassics.com to browse through our range of titles CONTENTS: The Novels Frank Carisbroke’s Stratagem (1888) Andrewlina (1889) Mr. Spivey’s Clerk (1890) When Charles the First Was King (1892) In the Days of Drake (1895) Where Highways Cross (1895) Mistress Spitfire (1896) Baden Powell of Mafeking (1900) Lucian the Dreamer (1903) Perris of the Cherry-Trees (1913) The King versus Wargrave (1915) The Rayner-Slade Amalgamation (1917) Paul Campenhaye (1918) The Chestermarke Instinct (1918) The Borough Treasurer (1919) The Middle Temple Murder (1919) The Talleyrand Maxim (1919) Scarhaven Keep (1920) The Herapath Property (1920) The Lost Mr. Linthwaite (1920) The Orange-Yellow Diamond (1920) The Markenmore Mystery (1921) The Root of All Evil (1921) Wrychester Paradise (1921) In the Mayor’s Parlour (1922) Ravensdene Court (1922) The Middle of Things (1922) The Charing Cross Mystery (1923) The Kang-He Vase (1924) The Safety Pin (1924) Sea Fog (1925) The Bedford Row Mystery (1925) The Cartwright Gardens Murder (1925) The Mill of Many Windows (1925) Dead Men’s Money (1928) Murder at Wrides Park (1931) Murder in Four Degrees (1931) Murder of the Ninth Baronet (1932) The Borgia Cabinet (1932) The Solution of a Mystery (1932) Todmanhawe Grange (1937) The Shorter Fiction Mr. Poskitt’s Nightcaps (1910) The Secret of the Barbican and Other Stories (1924) Miscellaneous Stories (1907) The Poetry Collections The Juvenile Poems of Joseph S. Fletcher (1879) Early Poems by Joseph Smith Fletcher (1882) Anima Christi (1884) Please visit www.delphiclassics.com to browse through our range of titles or to purchase this eBook as a Parts Edition of individual eBooks