In April 2011 militant hate groups affiliated with Hungary's Neo-Nazi Jobbik party attempted to ethnically cleanse the northern Hungarian town of Gyöngyöspata of its Roma inhabitants. They were thwarted by the Good Friday evacuation of 267 Roma women and children by the Hungarian Red Cross and the ensuing international uproar which left the center-right Fidesz government little choice but to ban the very "uniformed criminals" it had allowed to terrorize Roma communities for over a year. Seeking to deflect criticism from itself, the Fidesz government accused American businessman, philanthropist and Red Cross volunteer, Richard Field, of "staging a mock evacuation" for the purpose of "harming Hungary's image abroad." This is Field's story told through articles he wrote for The Budapest Times, open letters to public officials, letters to editors, and speeches.

The dark story of the shocking resurgence of white supremacist and nationalist groups, and their path to political power Six years ago, Vegas Tenold embedded himself among the members of three of America's most ideologically extreme white nationalist groups-the KKK, the National Socialist Movement, and the Traditionalist Workers Party. At the time, these groups were part of a disorganized counterculture that felt far from the mainstream. But since then, all that has changed. Racially-motivated violence has been on open display at rallies in Charlottesville, Berkeley, Pikesville, Phoenix, and Boston. Membership in white nationalist organizations is rising, and national politicians, including the president, are validating their perceived grievances. Everything You Love Will Burn offers a terrifying, sobering inside look at these newly empowered movements, from their conventions to backroom meetings with Republican operatives. Tenold introduces us to neo-Nazis in Brooklyn; a millennial Klanswoman in Tennessee; and a rising star in the movement, nicknamed the "Little Fü by the Southern Poverty Law Center, who understands political power and is organizing a grand coalition of far-right groups to bring them into the mainstream. Everything You Love Will Burn takes readers to the dark, paranoid underbelly of America, a world in which the white race is under threat and the enemy is everywhere.

A new wave of aspiring neo-Nazi terrorists has arisen—including the infamous Atomwaffen Division. And they have a bible: James Mason’s Siege, which praises terrorism, serial killers, and Charles Manson. Neo-Nazi Terrorism and Countercultural Fascism, based on years of archival work and interviews, documents for the first time the origins of Siege. First, it shows how Mason’s vision arose from debates by 1970s neo-Nazis who splintered off the American Nazi Party/National Socialist White People's Party and spun off a terrorist faction. Second, it unveils how four 1980s countercultural figures—musicians Boyd Rice and Michael Moynihan, Feral House publisher Adam Parfrey, and Satanist Nikolas Schreck—discovered, promoted, and published Mason. Neo-Nazi Terrorism and Countercultural Fascism explores a previously overlooked period and unearths the hidden connections between a countercultural clique and violent neo-Nazis—which together have set the template for today’s Neo-nazi terrorist underground. It is obligatory reading for those interested in contemporary terrorism, postwar countercultures, and the history of the U.S. Far Right and neo-Nazism.

In a political moment when social panics over literature are at their peak, Dangerous Fictions is a mind-expanding treatise on the nature of fictional stories as cultural battlegrounds for power. Fictional stories have long held an uncanny power over hearts and minds, especially those of young people. In Dangerous Fictions, Lyta Gold traces arguments both historical and contemporary that have labeled fiction as dark, immoral, frightening, or poisonous. Within each she asks: How “dangerous” is fiction, really? And what about it provokes waves of moral panic and even censorship? Gold argues that any panic about art is largely a disguised panic about power. There have been versions of these same fights over fiction for centuries. By exposing fiction as a social danger and a battleground of immediate public concern, we can see what each side really wants—the right to shape the future of a world deeply in flux and a distraction from more pressing material concerns about money, access, and the hard work of politics. From novels about people driven insane by reading novels to “copaganda” TV shows that influence how viewers regard the police, Gold uses her signature wit, research, and fearless commentary to point readers toward a more substantial question: Fiction may be dangerous to us, but aren’t we also dangerous to it?

The Devil's Historians offers a passionate corrective to common - and very dangerous - myths about the medieval world.

THE LETTERS FROM THE SUITCASE by Rosheen and Cal Finnigan reveals the detailed and poignant wartime romance between David and Mary Francis. For readers of Sheila Hancock's MISS CARTER'S WAR or Helen Simonson's MAJOR PETTIGREW'S LAST STAND 'I still have that recurring fear of something happening to me before I see you again, and before I can tell you myself just how much and how often I've realised during the last few months that I love you completely and to the exclusion of all others. Remember that, because if there wasn't you, my darling Mary, the world would seem very empty and meaningless.' Mary and David Francis were only twenty-one and nineteen when they met in 1938. They fell in love instantly, and against the wishes of David's parents, they lived together and married, in secret. These poignant letters reveal their intelligence and thoughtfulness, their passion, the everyday details of their lives working as a secretary at Bletchley Park and as a young officer in action on the other side of the world, and Mary's experience of bringing up a small baby alone in London. David was to die in India, five years after their first encounter, though his letters continued to reach Mary long after the event. At heart, this is the story of a young couple who were utterly devoted to one another. It is also the story of a father that Rosheen Finnigan never knew but came to love.

Sadomasochism, Popular Culture and Revolt: A Pornography of Violence explores powerful connections between violent pornography and current gender wars, generational conflicts, political struggles, and racial and ethnic unrest. Long before these conflicts dominated headlines worldwide, they become embedded and contextualized in popular culture. Tracing the history of today’s popular porn genres, including torture porn, revenge porn, war porn, and fascist porn, Tom Pollard reveals a "sadomasochistic trope" of fictional and real sexual violence and sexual justice that had largely remained hidden and suppressed. Today it has exploded into public awareness by mass movements like #MeToo demanding justice for sexual assault victims. This movement joins other recent social movements, including Black Lives Matter and advocates of safety from gun violence, which, along with #MeToo, constitute a "revolt of submissives" no longer willing to endure unwanted violence. This thoughtful examination of the history and content of violent pornography reveals portentous patterns and developing trends. By examining pornography’s violent content, Pollard forces us to confront wider social and cultural violence. Sadomasochism, Popular Culture and Revolt will be of great interest to scholars of gay and lesbian studies and queer studies, while being a vital text for undergraduate and graduate instructors of social movement studies in sociology, political science, American Studies, and history.

Set against a glorious Greek background, the spellbinding new Alex Mavros mystery Hired by a Hollywood film company to trace a missing employee in Crete, private investigator Alex Mavros is plunged into a vortex of hatred. The company is shooting a movie about the invasion of Crete by the Germans in 1941 – and their activities are stirring up old resentments among the islanders. The bitterness of the past bursts into the present when one of the film’s consultants is found dead, hanged by the neck. Suicide – or murder? Mavros investigates and is drawn into an ever-widening conspiracy.

Ed Shane here traces a change in the American pervasive mass media that once disseminated information quickly and stimulated mass cultural response, to a de-massified individual media that incubate a new electronic narcissicism, producing an inwardly-focused society.