2023 Feathered Quill Book Awards Gold Medal Winner 2022 Independent Publisher Book Awards (IPPY) Gold Medal Winner 2022 Over the Rainbow Short List 2021 Goodreads Choice Awards - Best Poetry Book Finalist 2021 Bookshop's Indie Press Highlights You Better Be Lightning by Andrea Gibson is a queer, political, and feminist collection guided by self-reflection. The poems range from close examination of the deeply personal to the vastness of the world, exploring the expansiveness of the human experience from love to illness, from space to climate change, and so much more in between. One of the most celebrated poets and performers of the last two decades, Andrea Gibson's trademark honesty and vulnerability are on full display in You Better Be Lightning, welcoming and inviting readers to be just as they are.

Poetry. "Here are poems about papa and place. Poems about family history. Poems that rise from the casket with memories. The rooster turns its head to listen. There is something Dominican that is captured in the beak of each word as this woman moves among her people. She brings lines that are lush and filled with reminders. Yes -- 'Someone has set the cat among the pigeons.'"--E. Ethelbert Miller "The gods have bestowed a blessing on us in this radiant debut collection, LOVE LETTER TO AN AFTERLIFE. Above all else, these poems speak profoundly about survival and preservation of self and family, of language and culture, of memory and identity. These poems put in work, emboldening the many millions of us in the African diaspora in our determination to be, endure, and thrive in the new world. Ines P. Rivera Prosdocimi, we sing your name."--Jeffery Renard Allen

“Dear Ava, I loved your book.” —Award-winning actress Emma Watson For fans of Kathleen Glasgow and Amber Smith, Ava Dellaira writes about grief, love, and family with a haunting and often heartbreaking beauty in this emotionally stirring, critically acclaimed debut novel, Love Letters to the Dead. It begins as an assignment for English class: Write a letter to a dead person. Laurel chooses Kurt Cobain because her sister, May, loved him. And he died young, just like May did. Soon, Laurel has a notebook full of letters to people like Janis Joplin, Amy Winehouse, Amelia Earhart, Heath Ledger, and more—though she never gives a single one of them to her teacher. She writes about starting high school, navigating new friendships, falling in love for the first time, learning to live with her splintering family. And, finally, about the abuse she suffered while May was supposed to be looking out for her. Only then, once Laurel has written down the truth about what happened to herself, can she truly begin to accept what happened to May. And only when Laurel has begun to see her sister as the person she was—lovely and amazing and deeply flawed—can she begin to discover her own path.

When Lewis was 51 years old and long established at Magdalen College, Oxford, he wrote the first of this collection of letters to an American widow. She was described as a "very charming, gracious, southern aristocratic lady who loved to talk and speak well". In them are his antipathy to journalism, advertising, snobbery, psychoanalysis, and the petty practices that sap freedoms. They identify events in his life after 1950 including his marriage to Joy Davidman and her death three years later.

A father watches his teenage son step out the door on a hiking trip, not knowing that this is the last time he would see him.... A journal of grief, despair, and ultimately, hope, this book tells the story of every parent's nightmare--the sudden death of a child--and a father's search for meaning in a seemingly random world of psychics and skeptics. Expanding on territory covered in his 2008 memoir of his son's death Soul Shift, Messages from the Afterlife is both an account of Ireland's journey from indifference to belief and an overview of the resources available to the bereaved to help them receive messages from the afterlife. Mark Ireland, son of celebrated "psychic to the stars" Dr. Richard Ireland, was a successful marketing executive in Arizona with little interest in his father's colorful history. While his father held readings for Mae West and traveled the U.S. demonstrating his parapsychological powers, Mark Ireland took a more conventional route through life. But when his own teenage son Brandon suddenly dies while hiking in the mountains with friends, Ireland is forced to confront his resistance to all things spiritual and begins to explore the possibility that communication with the dead is real. In his search for conclusive evidence of life after death, he plunges into his father's world and meets an array of respected psychic-mediums who deliver unexpected messages not only from his son in the afterlife but also from many other souls seeking to communicate with the living. Fighting to retain a sense of critical thinking, Ireland also contacts scientists conducting research into the survival of consciousness after death. The book features detailed accounts of tests and experiments that various people have conducted to obtain proof of consciousness survival, including Ireland's own, involving a secret message left behind by his sister, Robin, who died of pancreatic cancer. The contents of this message were unknown to any living person and remained sealed in an envelope--untouched--until responses had been received from a group of qualified mediums who sought to "crack" the code. Messages from the Afterlife shows how spirit communication can be both undeniably accurate and frustratingly ambiguous, and above all demonstrates the value of having an open, receptive mind while maintaining faith in the indestructiblity of the human spirit.

Adam Silvera reminds us that there’s no life without death and no love without loss in this devastating yet uplifting story about two people whose lives change over the course of one unforgettable day. #1 New York Times bestseller * 4 starred reviews * A School Library Journal Best Book of the Year * A Kirkus Best Book of the Year * A Booklist Editors' Choice * A Bustle Best YA Novel * A Paste Magazine Best YA Book * A Book Riot Best Queer Book * A Buzzfeed Best YA Book of the Year * A BookPage Best YA Book of the Year On September 5, a little after midnight, Death-Cast calls Mateo Torrez and Rufus Emeterio to give them some bad news: They’re going to die today. Mateo and Rufus are total strangers, but, for different reasons, they’re both looking to make a new friend on their End Day. The good news: There’s an app for that. It’s called the Last Friend, and through it, Rufus and Mateo are about to meet up for one last great adventure—to live a lifetime in a single day. In the tradition of Before I Fall and If I Stay, They Both Die at the End is a tour de force from acclaimed author Adam Silvera, whose debut, More Happy Than Not, the New York Times called “profound.” Plus don't miss The First to Die at the End: #1 New York Times bestselling author Adam Silvera returns to the universe of international phenomenon They Both Die at the End in this prequel. New star-crossed lovers are put to the test on the first day of Death-Cast’s fateful calls.

A senior at East Fresno High School lives on as a ghost after his brutal murder in the restroom of a club where he had gone to dance.

The story of Chip Oney's ongoing after-life communications with his fiance Lyn Ragan after his violent murder.

A boy born of an adulterous affair, whose race and parentage are unclear . . . an obsessive journalist who feels alive only on the edge of danger . . . a beautiful but distracted young woman who seems ill-equipped for life—when these three mismatched people come together in London during the 1960s, their lives are changed forever. Stray Love is the unforgettable story of Marcel, an orphan growing up in postwar England. When his guardian, Oliver, is promoted to foreign correspondent and posted to Vietnam, Marcel is left in the care of the free-spirited Pippa. But just when it seems they will never be reunited, Marcel is sent to join Oliver in Vietnam. As the war escalates, Oliver is finally overwhelmed by emotions he can’t outrun—including his doomed love for Pippa. But Marcel, running through the streets of Saigon, or bonding with his Vietnamese nanny, Anh, is finally starting to feel at home in the world. Is this why Oliver suddenly decides to tell Marcel the truth about his life? And is it the “real” truth or simply Oliver’s version of it?