Though a dystopian novel hovering over the imminent collapse of American civilization at the hands of a techno-authoritarian state, "Love in the Time of the Apocalypse" is also a book about the triumph of love and humor over the fatal gravitas of life and death. It is part future nightmare part whimsical farce of the present. Love in the Time of the Apocalypse is a work of playful conspiritorial pop-delirium and pastiche full of lovable terrorists, state run breeding houses, Amish casinos, vulgar action scenes, the antichrist, tongue and cheek hyper-masculinity ("perhaps sit-ups can save the world") and a bourgeois love story to top it all. Readers who love Science Fiction, Dystopian Literature, and Conspiracy Theory will find this book chock full of fresh and clever fare. The speculative details are much more subtle than works on the post-apocalypse. The reader can feel both drawn into a bit of a future shock while at the same time remain anchored in a familiar, albeit, terrifying present. Blecha has a way of pulling from current trends of government suppression of freedoms and stretching them ever so softly to their possible conclusion. Thus, rather than a world of utter totalitarianism such at Orwell's 1984, we are presented with a more plausible, more friendly fascism that a society founded on consumerism and entertainment might bring about. Without coming across as a writer with an agenda, Gregory Blecha offers a strong but playful critique of State power, the smothering inefficiency and corruption of bureaucracy, and the role of the over-stimulated, under-critical herd of middle class consumers and middle managers of a collapsing North America. Tramps,plague victims, nihilists and nymphomaniacs along with the main character, a WASP drawn into their exciting world, make for the heroes of the story. The villains are the lifeless and systematic processes of the Federal Government, the Department of Health, the Department of Overpopulation, and the technological control systems of modern life, and yet even these are rendered with an air of playfulness that allows the reader to smile as the world comes crumbling down.

From the Poet Laureate of San Jose, these poems salvage memories from the wreckage of the Challenger disaster, drink shots with the poltergeist haunting the local dive bar, and resurrect the wisdom in the harsh words of departed lovers. In his debut poetry collection, Love in a Time of Robot Apocalypse, David Perez takes snapshots of a world under collapse to show us the parts worth saving. His images activate a new way of seeing. The mundane is no longer insignificant- the nightmare no longer insufferable. At times, Perez is terse and pragmatic. Love in a Time of Robot Apocalypse beckons us into dark corners in ways that let our eyes adjust, revealing a splendor we would have otherwise surely missed.

Though a dystopian novel hovering over the imminent collapse of American civilization at the hands of a techno-authoritarian state, "Love in the Time of the Apocalypse" is also a book about the triumph of love and humor over the fatal gravitas of life and death. It is part future nightmare part whimsical farce of the present. Love in the Time of the Apocalypse is a work of playful conspiritorial pop-delirium and pastiche full of lovable terrorists, state run breeding houses, Amish casinos, vulgar action scenes, the antichrist, tongue and cheek hyper-masculinity ("perhaps sit-ups can save the world") and a bourgeois love story to top it all. Readers who love Science Fiction, Dystopian Literature, and Conspiracy Theory will find this book chock full of fresh and clever fare. The speculative details are much more subtle than works on the post-apocalypse. The reader can feel both drawn into a bit of a future shock while at the same time remain anchored in a familiar, albeit, terrifying present. Blecha has a way of pulling from current trends of government suppression of freedoms and stretching them ever so softly to their possible conclusion. Thus, rather than a world of utter totalitarianism such at Orwell's 1984, we are presented with a more plausible, more friendly fascism that a society founded on consumerism and entertainment might bring about. Without coming across as a writer with an agenda, Gregory Blecha offers a strong but playful critique of State power, the smothering inefficiency and corruption of bureaucracy, and the role of the over-stimulated, under-critical herd of middle class consumers and middle managers of a collapsing North America. Tramps,plague victims, nihilists and nymphomaniacs along with the main character, a WASP drawn into their exciting world, make for the heroes of the story. The villains are the lifeless and systematic processes of the Federal Government, the Department of Health, the Department of Overpopulation, and the technological control systems of modern life, and yet even these are rendered with an air of playfulness that allows the reader to smile as the world comes crumbling down.

After finding her fianc� in a compromising position, Jane heads to a private island resort in Key West to clear her head. There she meets Austin, six years younger than she is and the exact opposite of her fianc� in every way, he seems like the perfect prescription to cure her heartbreak. But everything changes when the virus that had previously only been a minor nuisance morphs into a full-blown epidemic. Four miles from the mainland and surrounded by ocean, Austin and Jane believe they're safe from what's happening in the world, but a virus no knows borders and it isn't long before other guests start coming down with the illness. Zombie isn't a word that anyone likes to throw around, but it's the only explanation the couple can think of when one of the other hotel guests tries to eat Austin's face off. As things go from bad to worse and Jane leans on Austin more and more, she soon finds herself wondering if her little trip to Florida wasn't just the key to her survival, but also the key to finding a man who will love her the way she deserves.

Scotlyn Summerline was having a bad day even before the zombies attacked. Her diet was blown, her credit cards were all maxed out, and she was working the nightshift at a sleazy miniature golf course in Las Vegas. An army of the undead rampaging through the city is just the final proof that bad things happen to nice girls. Now Scotlyn is on the run with her irresponsible boss, trying to find a way out of town. Possibly, she's had a crush on Zeke since she first saw the incredibly gorgeous jerk. Possibly, he's spent his life until now squandering his potential on sci-fi movies and strippers. Also, possibly, he's a werewolf. But Zeke's still her best shot at survival.Ezekiel Macready is not a werewolf. He's a shape shifter. Zeke has always been different from the rest of his pack, living among the humans and studying ancient legends. Still, even he's shocked when zombies show up on his golf course. As walking corpses take over Vegas, Zeke's only thought is to protect Scotlyn. His beautiful, bossy secretary is the one person he can't live without. To keep Scotlyn safe from the zombies, Zeke knows he has to reconnect to his supernatural roots. Whether he likes it or not. Now, the two of them are stuck with Zeke's overprotective "brother," a wiseass vampire who likes nail polish, her megalomaniacal boyfriend/ kidnapper, and a shape shifter in a trucker hat. No matter what it takes, though, Zeke's determined to get Scotlyn to safety.... And convince her that he's exactly the kind of shape shifter a nice girl needs at the end of the world.

OF WHAT FUTURE ARE THESE THE WILD, EARLY DAYS? An exploration of the role that artists play in resisting authoritarianism with a sci-fi twist. In poetry, dialogue and visual art the book follows two wandering poets as they make their way from village to village, across a prison colony moon full of exiled rebels, robots, and storytellers. Part post-apocalyptic road journal, part alternate universe history of Hip Hop, and part “Letters to a Young Poet”-style toolkit for emerging poets and aspiring movement-builders, it's also a one-of-a-kind practitioners' take on poetry, power, and possibility. NOT A LOT OF REASONS TO SING is a: -post-apocalyptic road journal -alternate universe history of Hip Hop -“Letters to a Young Poet” -toolkit for emerging poets and aspiring movement-builders it's also a one-of-a-kind practitioners' take on poetry, power, and possibility.

After a devastating earthquake destroys the West Coast, causing seventeen-year-old Penelope to lose her home, her parents, and her ten-year-old brother, she navigates a dark world, holding hope and love in her hands and refusing to be defeated.

Influenza swept the planet. In months, two billion were dead. In the decimated United States, President Andrew Thomas signed an Executive Order to spray the national food and water supply with a flu vaccine. It spread and mutated up the food chain. The infected craved the flesh of the living and the undead walked the earth. Overnight, Emily Gray's privileged world was ripped away. From pampered trophy wife to sharpshooter zombie hunter. From an elite address in San Francisco to the outskirts of an East Bay farm town. You never know what event will define you. The apocalypse showed Emily what she was truly capable of doing to survive. Seth Ripley was a truck driver with simple dreams. Pay off his mortgage, not live paycheck to paycheck, and take care of his mom. The end of the world as he knew it stole all that away. His home and livelihood are gone and the only dream he has left is for his mother to awake from her diabetic coma brought on from the trials and tribulations of getting out of Oakland ahead of the horde of undead. When surviving day to day is all you ask of life, love seems an unrealistic dream. Who would ever think that something as terrible as the zombie apocalypse could bring Seth and Emily something as wonderful as their other half, their soul mate, their true love? Now all they have to do is survive death, destruction, and a madman who wants to control what is left of the world they knew.

Given the daunting, dire predicament in which we find ourselves on this planet, what is described by social critic James Howard Kunstler as a "Long Emergency" may in fact become a "Last Emergency" for humanity. Whether we encounter a "long" or a "last" emergency, Carolyn Baker seeks to offer inspiration and guidance for inhabiting our remaining days with passion, vitality, empathy, intimate contact with our emotions, kindness in our relationships with all species, gratitude, open-hearted receptivity, exquisite creations of beauty, and utilizing every occasion, even our demise, as an opportunity to invoke and "inflict" joy in our world. Love in the Age of Ecological Apolcalypse addresses an array of relationships in the Last Emergency and how one's relationship with oneself may enrich or impede interactions with all other beings. Drawing upon her deep experience as a life coach, Baker writes of the specific need to understand our key relationships in a society in collapse, and how to navigate through differing levels of acceptance of collapse, trauma, and grief. Key relationships include those with our partners, children, friends, neighbors, as well as relationships with our work, our bodies, our natural resources, food and eating, animals, future generations, Eros, and indeed, the powers of the universe. Baker's writing is engaging, inspiring, and often beautiful in its depth and candor. She introduces a variety of spiritual practices facilitate our developing a relationship with the deeper Self. With these practices and giving and receiving support from others who are walking a similar path, we begin to live more frequently from the deeper Self, or at least are able to access it more quickly when we find ourselves becoming embroiled in the ego. Table Of Contents • Introduction • Chapter 1: Living, Loving, and Preparing With A Reluctant Partner • Chapter 2: Children And Collapse • Chapter 3: Friends, Neighbors, and The Community • Chapter 4: Work and The Creative Soul • Chapter 5: Our Relationship With Resources • Chapter 6: Loving The Body As The World Falls Apart • Chapter 7: Our Relationship With Food: Mindful Eating As A Spiritual Practice • Chapter 8: Loving The Time Of Your Life • Chapter 9: What An Animal You Are! • Chapter 10: Darkness Matters • Chapter 11: Ensconsed In Eros, Bathed In Beauty • Chapter 12: Our Relationship With The Powers of The Universe • Chapter 13: Near-Term Extinction And Waking Up To Death • Chapter 14: Empire, I Wish I Knew How To Quit You • Chapter 15: Grief And Love In A Culture Of Congestive Heart Failure • Chapter 16: Our Relationship With Future Generations

"Love. A terrible, debilitating thing," he mused. "I've always been so repelled by the prospect of love and death, both of which I regard to be inherently mortal afflictions that must plague mankind." The clock is ticking to create a cure for the virus that currently grips the world. But as the deadline approaches a key mission is sabotaged and Mira Iliev, a government scientist, finds herself unwittingly allied with the most hated man in Eastern Europe. Demir Gudelj turns himself in after a very successful career as an international Drug Lord. But when his meticulously planned contract with the government goes awry, he finds not only his promised, full pardon, at risk but also his lifelong beliefs. What follows will test Demir's wits, his will to survive, and his heart. "Mira wonders if she could love Demir like she does if they were both on the same side. In the meantime, the war continues, and part of her is glad. Maybe he'd been correct? Maybe survival in times like these required more than peacetime morals? Maybe the meek did not have what it took to inherit the earth." A story of corruption, repentance, and forgiveness.