During the heyday of the late '80s indie underground, high school sweethearts Bela Koe-Krompecher and Jenny Mae Leffel moved together from small-town Ohio to the big city of Columbus to pursue education and a dream of something more. When they arrived, the two met Jerry Wick, a prickly malcontent and lead singer of the punk rock band Gaunt, and the trio quickly forged a contentious friendship that would be challenged for the next 20 years by addiction, mental illness, homelessness, divergent whims and tragic paths. They bonded over their obsessive love of music, especially the scrappy, welcoming world of independent labels and bands, where heroes could be a neighbor, a bartender or even a know-it-all behind the counter of a record store. Through the label Koe-Krompecher and Wick launched, and the music Leffel made, these three friends gained fans nationwide and garnered unexpected critical acclaim from The New York Times, Entertainment Weekly, SPIN and more while sharing the stage with bands like Superchunk, Mudhoney and Guided by Voices. At its heart, Love, Death & Photosynthesis is a story of the love between friends and the power of music to pull people together--often in spite of themselves--in the universal search for connection.

Mitochondria are tiny structures located inside our cells that carry out the essential task of producing energy for the cell. They are found in all complex living things, and in that sense, they are fundamental for driving complex life on the planet. But there is much more to them than that. Mitochondria have their own DNA, with their own small collection of genes, separate from those in the cell nucleus. It is thought that they were once bacteria living independent lives. Their enslavement within the larger cell was a turning point in the evolution of life, enabling the development of complex organisms and, closely related, the origin of two sexes. Unlike the DNA in the nucleus, mitochondrial DNA is passed down exclusively (or almost exclusively) via the female line. That's why it has been used by some researchers to trace human ancestry daughter-to-mother, to 'Mitochondrial Eve'. Mitochondria give us important information about our evolutionary history. And that's not all. Mitochondrial genes mutate much faster than those in the nucleus because of the free radicals produced in their energy-generating role. This high mutation rate lies behind our ageing and certain congenital diseases. The latest research suggests that mitochondria play a key role in degenerative diseases such as cancer, through their involvement in precipitating cell suicide. Mitochondria, then, are pivotal in power, sex, and suicide. In this fascinating and thought-provoking book, Nick Lane brings together the latest research findings in this exciting field to show how our growing understanding of mitochondria is shedding light on how complex life evolved, why sex arose (why don't we just bud?), and why we age and die. This understanding is of fundamental importance, both in understanding how we and all other complex life came to be, but also in order to be able to control our own illnesses, and delay our degeneration and death. 'An extraordinary account of groundbreaking modern science... The book abounds with interesting and important ideas.' Mark Ridley, Department of Zoology, University of Oxford

How Plants Work is a fascinating enquiry into, and celebration of, the rich complexity of plant life.

In its essence, science is a way of looking at and thinking about the world. In The Life of a Leaf, Steven Vogel illuminates this approach, using the humble leaf as a model. Whether plant or person, every organism must contend with its immediate physical environment, a world that both limits what organisms can do and offers innumerable opportunities for evolving fascinating ways of challenging those limits. Here, Vogel explains these interactions, examining through the example of the leaf the extraordinary designs that enable life to adapt to its physical world. In Vogel’s account, the leaf serves as a biological everyman, an ordinary and ubiquitous living thing that nonetheless speaks volumes about our environment as well as its own. Thus in exploring the leaf’s world, Vogel simultaneously explores our own. A companion website with demonstrations and teaching tools can be found here: http://www.press.uchicago.edu/sites/vogel/index.html

“Lakes is my favorite kind of natural history: meticulously researched, timely, comprehensive, and written with imagination and verve.”—Jerry Dennis, author of The Living Great Lakes Lakes might be the most misunderstood bodies of water on earth. And while they may seem commonplace, without lakes our world would never be the same. In this revealing look at these lifegiving treasures, John Richard Saylor shows us just how deep our connection to still waters run. Lakes is an illuminating tour through the most fascinating lakes around the world. Whether it’s Lake Vostok, located more than two miles beneath the surface of Antarctica, whose water was last exposed to the atmosphere perhaps a million years ago; Lake Baikal in southern Siberia, the world’s deepest and oldest lake formed by a rift in the earth’s crust; or Lake Nyos, the so-called Killer Lake that exploded in 1986, resulting in hundreds of deaths, Saylor reveals to us the wonder that exists in lakes found throughout the world. Along the way we learn all the many forms that lakes take—how they come to be and how they feed and support ecosystems—and what happens when lakes vanish.

Let trees teach you everything from how to branch out to how to stay rooted in this delightful blend of nonfiction and inspirational humor by author-illustrator Philip Bunting! What could we clever humans ever learn from trees? Find out when you take a stroll through the woods and learn a few life lessons from our foliaged friends in this truly special book filled with graphic illustrations. With humor and heart, readers will encounter a small forest of facts. They'll explore the brilliance of trees in creating one interconnected wood-wide web that enables their community to collaborate with each other, share resources, warn of threats, and survive and thrive together.

Liz Waldner's bold new collection takes its title and its inspiration from Definition 1 of Euclid's Elements of Geometry. Its six sections—point, line, circle, square, triangle, and point again—are explorations of various kinds of longing and loss—sex, death, exile, story, love, and time. Drawing from culture high and low—Eno and Aquinas, Lassie and Donne, Silicon Valley and Walden Pond—these poems offer proof of and proof against the “mortal right-lined circle” of memory and identity. The innocence and Keatsian beauty of Euclid's geometry become poignant from a perspective that encompasses all that is non-Euclidean as well as space, time, and the theory of matter. With rare wit and linguistic daring, Waldner opens resonant channels of communication that show there is indeed more than meets the eye—or the mind—in her poems. Hand to Mouth (Twist and Shout) Cold comes slow up out of the darkness among the leaves that smell so good when bruised Do you, too, recognize me god so soon? Her First Reckoning Pour wine into vessels the violet of woods, wine of the reddening stars. You are god, you can do it. Your lover calls you St. John the Conqueror. I have heard her. This is the name of a root. Asperge the thousands and thousands of rooms in which photosynthesis promises sun to the acolyte cells. Rain yourself on a leaf. Birch. The bark is malleable as mushroom flesh. Show that you know me. Scratch out my name with this tree. My name of trees. On the day I arrive at the door of my death, myself now hard to tell from the trees that had hid it from me, I will demand that you love me. You made me like this. Why did you make me like this? Transitive, Intransitive: Extemporary Measures Two crows above the marsh: sew. Stitch the seventeen sleek shades of blue to the shadow-patterned greens below. See fit to make me a suitable view who having nowhere to else to go might as well wear this world well. Llama necks periscope the view: yonder, across the water, you testing the air now a crow chases a redwing blackbird through. What can I show you who sees I don't believe? For now, what the eye of the needle sees: through through through: clouds, birds, me, trees; soon: in, out, with, to; something moving, something moved: a stitch in time's an avenue, future's sutures' revenue— “the shining hour” improved.

Today when we hear the word “craft,” a whole host of things come immediately to mind: microbreweries, artisanal cheeses, and an array of handmade objects. Craft has become so overused, that it can grate on our ears as pretentious and strain our credulity. But its overuse also reveals just how compelling craft has become in modern life. In The Shape of Craft, Ezra Shales explores some of the key questions of craft: who makes it, what do we mean when we think about a crafted object, where and when crafted objects are made, and what this all means to our understanding of craft. He argues that, beyond the clichés, craft still adds texture to sterile modern homes and it provides many people with a livelihood, not just a hobby. Along the way, Shales upends our definition of what is handcrafted or authentic, revealing the contradictions in our expectations of craft. Craft is—and isn’t—what we think.

A heartbreaking and heart-lifting story of loss. Paws is tired. He just wants to rest. And to dream about the days when he used to chase rabbits. He still walks with Edward to the park twice a day, but only because Edward needs the fresh air. Until one day, Paws decides he doesn’t want to go for another walk. He just wants to lie in Edward’s bed. And there, Paws falls asleep one last time, leaving Edward to dream of the days when Paws used to chase rabbits. Sure to move readers of every age. A beautiful, simply told story about love and the conclusion of a life well spent.

A page-turning novel that is also an exploration of the great philosophical concepts of Western thought, Jostein Gaarder's Sophie's World has fired the imagination of readers all over the world, with more than twenty million copies in print. One day fourteen-year-old Sophie Amundsen comes home from school to find in her mailbox two notes, with one question on each: "Who are you?" and "Where does the world come from?" From that irresistible beginning, Sophie becomes obsessed with questions that take her far beyond what she knows of her Norwegian village. Through those letters, she enrolls in a kind of correspondence course, covering Socrates to Sartre, with a mysterious philosopher, while receiving letters addressed to another girl. Who is Hilde? And why does her mail keep turning up? To unravel this riddle, Sophie must use the philosophy she is learning—but the truth turns out to be far more complicated than she could have imagined.