“Spiced with sexual mischief, political conflict and family tragedy . . . Her biography is nothing less than captivating, an engrossing read.”—Pittsburgh Post-Gazette Louisa Catherine Johnson Adams, wife and political partner of John Quincy Adams, became one of the most widely known women in America when her husband assumed office as sixth president in 1825. Shrewd, intellectual, and articulate, she was close to the center of American power over many decades, and extensive archives reveal her as an unparalleled observer of the politics, personalities, and issues of her day. Louisa left behind a trove of journals, essays, letters, and other writings, yet no biographer has mined these riches until now. Margery Heffron brings Louisa out of the shadows at last to offer the first full and nuanced portrait of an extraordinary first lady. The book begins with Louisa’s early life in London and Nantes, France, then details her excruciatingly awkward courtship and engagement to John Quincy, her famous diplomatic success in tsarist Russia, her life as a mother, years abroad as the wife of a distinguished diplomat, and finally the Washington, D.C., era when, as a legendary hostess, she made no small contribution to her husband’s successful bid for the White House. Louisa’s sharp insights as a tireless recorder provide a fresh view of early American democratic society, presidential politics and elections, and indeed every important political and social issue of her time. “[A] sparkling biography . . . [A] fascinating, if partial, portrait of an exceptional woman.”—The New York Times Book Review (cover review) “Superb . . . Heffron is a spirited, elegant writer.”—Open Letters Monthly

Louisa Catherine Adams was daughter-in-law and wife of presidents, assisted diplomat J. Q. Adams at three European capitals, and served as a D.C. hostess for three decades. Yet she is barely remembered today. A Traveled First Lady (with Foreword by Laura Bush) corrects this oversight, by sharing Adams's remarkable story in her own words.

Examines the women of the Adams family including Abigail and Louisa Adams, their sisters, and daughters, and describes how they lived and thought in the years between 1750 and 1850.

""It's a big thing,"" said Loveday Brooke, addressing Ebenezer Dyer, chief of the well-known detective agency in Lynch Court, Fleet Street; ""Lady Cathrow has lost £30,000 worth of jewellery, if the newspaper accounts are to be trusted."" ""They are fairly accurate this time. The robbery differs in few respects from the usual run of country-house robberies. The time chosen, of course, was the dinner-hour, when the family and guests were at table and the servants not on duty were amusing themselves in their own quarters. The fact of its being Christmas Eve would also of necessity add to the business and consequent distraction of the household. The entry to the house, however, in this case was not effected in the usual manner by a ladder to the dressing-room window, but through the window of a room on the ground floor - a small room with one window and two doors, one of which opens into the hall, and the other into a passage that leads by the back stairs to the bedroom floor....""

Early in 1815, Louisa Catherine Adams and her young son left St. Petersburg in a heavy Russian carriage and set out on a difficult journey to meet her husband, John Quincy Adams, in Paris. She traveled through the snows of eastern Europe, down the Baltic coast to Prussia, across the battlefields of Germany, and into a France then experiencing the tumultuous events of Napoleon's return from Elba. Along the way, she learned what the long years of Napoleon's wars had done to Europe, what her old friends in the royal court in Berlin had experienced during the French occupation, how it felt to have her life threatened by reckless soldiers, and how to manage fear. The journey was a metaphor for a life spent crossing borders: born in London in 1775, she had grown up partly in France, and in 1797 had married into the most famous of American political dynasties and become the daughter-in-law of John and Abigail Adams. The prizewinning historian Michael O'Brien reconstructs for the first time Louisa Adams's extraordinary passage. An evocative history of the experience of travel in the days of carriages and kings, Mrs. Adams in Winter offers a moving portrait of a lady, her difficult marriage, and her conflicted sense of what it meant to be a woman caught between worlds.

This volume affords a visual documentation of the most varied political career in American history and exemplifies the work of the principal American portraitists from the days of Copley and Stuart to the dawn of the Daguerrean era. Included in the 159 illustrations are all the known life portraits, busts, and silhouettes of John Quincy and Louisa Catherine Adams, along with important replicas, copies, engravings, and representative likenesses of their siblings. The book is organized into seven chapters which generally coincide with the major divisions of John Quincy Adams' political career. Within each chapter are discussed the artists, their relationships with the Adams's, and the provenance of each of their works. A chronology of John Quincy Adams' life for each period accompanies the chapter to which it pertains. Information about the size of each likeness, the inscriptions if any, the date executed, and present ownership where known is summarized in the List of Illustrations. The Adams's, as they watched themselves age over the years in the marble, ink, or oil of the artists who portrayed them, recorded much by way of commentary on the artistic talent and process at hand. The author makes use of the diaries and correspondence preserved in the Adams Papers, thus combining a learned appreciation with an intimate glimpse of Adams's as they saw themselves.

In the days before organized political parties, the social machine built by these early federal women helped to ease the transition from a failed republican experiment to a burgeoning democracy.

Originally published: New York: Free Press, 2012.

The whimsical, layered, incredibly chic, and livable interiors and the fresh and original insights of the coolest design duo fill every page of this treasure chest of a debut interiors book. Every Pierce & Ward home tells a story. Emily and Louisa believe that there is a beauty in the unfolding of a room that takes the eye dancing from one piece to the next, swirling over velvets of peach and gold, gliding over glass and marble, and stopping to take in the homeowner's precious sentimental favorites. As the designers for such Hollywood powerhouses, supermodels, and rock stars as Brie Larson, Leonardo DiCaprio, Dakota Johnson, Kate Hudson, and Karen Elson, Pierce & Ward artfully blend classic elements and fanciful touches, creating an irresistible kaleidoscope of patterns, textures, art, and objects. Stately striped wallpaper mixes with French florals. Brass-lion bookends sit beside trays inlaid with glinting mother-of-pearl. Milk-glass globes hang down hallways like glowing moons to guide one's path. Humble finds from eBay and lovingly worn textiles mix with museum-quality art and family photos. This book will teach readers about organized abundance and un-gaudy decadence, with a dash of restraint for good measure: it's an evocative and inspiring ode to the art of more.