Lost New Orleans is the latest in the series from Pavilion Books that traces the cherished places in a city that time, progress and fashion have swept aside before concerned citizens or the National Register of Historic Places could save them from the wrecker's ball.Organised chronologically, starting with the earliest losses and ending with the latest, the book features much-loved New Orleans insitutions that failed to stand the test of time. Grand buildings erected in the Victorian era that were too costly to be refurbished, or movie theaters that the age of television made redundant are featured. Alongside the city's iconic and much-missed buildings, Lost New Orleans also looks at the industries that have declined or left town.Sites include:Ursuline Convent Compound; St. Louis Hotel and Exchange; Horticultural Hall; Old French Opera House; New Orleans Cotton Exchange; Old Masonic Temple; Poydras Market; Chess, Checkers, and Whist Club; Charity Hospital; Olivier Plantation House; Washington Artillery Hall; Union Railroad Depot; New Orleans Public Library; Solari’s Delicatessen; Sugar and Rice Exchange; Godchaux’s; Tulane Stadium; Rivergate Exhibition Hall; Lower Ninth Ward; Le Beau House.

Though thirty years in the making, Phillip Collier's Missing New Orleans was almost another treasure lost to Hurricane Katrina. Final proof was due at the New Orleans printer August 31, 2005, just days after floodwaters breached the levees. To the principals of the book, "missing New Orleans" took on personal, devastating meanings. This pictorial history of New Orleans from the early 1700s to the present offers over 250 images as well as stories of places, entities, and events that were at one time a vital part of the city. Each lost gem tells a unique narrative: the Claiborne Avenue Oaks, the French Opera House, Pontchartrain and Lincoln Beaches, the Gypsy Tea Room, Tulane and Pelican Stadiums, Mr. Bingle, and D. H. Holmes. Images celebrate grand historic structures that once stood along New Orleans thoroughfares, including the St. Louis and St. Charles Hotels from the mid-nineteenth century and the five downtown railroad stations and the Rivergate from the twentieth century. Through the photographs, postcards, posters, maps, and line drawings gathered by New Orleans graphic designer Phillip Collier, those enamored of the Crescent City can explore a time when West End Park and Spanish Fort were lakefront resort destinations, when boxing and horse racing ruled the city's sporting world, when street vendors plied their wares, and steamboats packed the wharves.

One of the most scandalous books published in America at the time. "Reizenstein's peculiar vision of New Orleans is worth resurrecting precisely because it crossed the boundaries of acceptable taste in nineteenth-century German America and squatted firmly on the other side . . . This work makes us realize how limited our notions were of what could be conceived by a fertile American imagination in the middle of the nineteenth century."—from the Introduction by Steven Rowan A lost classic of America's neglected German-language literary tradition, The Mysteries of New Orleans by Baron Ludwig von Reizenstein first appeared as a serial in the Louisiana Staats-Zeitung, a New Orleans German-language newspaper, between 1854 and 1855. Inspired by the gothic "urban mysteries" serialized in France and Germany during this period, Reizenstein crafted a daring occult novel that stages a frontal assault on the ethos of the antebellum South. His plot imagines the coming of a bloody, retributive justice at the hands of Hiram the Freemason—a nightmarish, 200-year-old, proto-Nietzschean superman—for the sin of slavery. Heralded by the birth of a black messiah, the son of a mulatto prostitute and a decadent German aristocrat, this coming revolution is depicted in frankly apocalyptic terms. Yet, Reizenstein was equally concerned with setting and characters, from the mundane to the fantastic. The book is saturated with the atmosphere of nineteenth-century New Orleans, the amorous exploits of its main characters uncannily resembling those of New Orleans' leading citizens. Also of note is the author's progressively matter-of-fact portrait of the lesbian romance between his novel's only sympathetic characters, Claudine and Orleana. This edition marks the first time that The Mysteries of New Orleans has been translated into English and proves that 150 years later, this vast, strange, and important novel remains as compelling as ever.

Taking readers back to his acclaimed and much-loved Storyville series, award-winning author Fulmer marks a heart-pounding return to the streets of Detective Valentin St. Cyr's New Orleans.

From Café de Réfugiés, the city's first eatery that later became Antoine's, to Toney's Spaghetti House, Houlihan's, and Bali Hai, this guide recalls restaurants from New Orleans' past. Period photographs provide a glimpse into the history of New Orleans' famous and culturally diverse culinary scene. Recipes offer the reader a chance to try the dishes once served.

Tom Piazza's award-winning portrait of a city in crisis, with a new preface from the author, ten years after. Ten years ago, in the aftermath of Hurricane Katrina and the disaster that followed, promises were made, forgotten, and renewed. What would become of New Orleans in the years ahead? How would this city and its people recover—and what meaning would its story have, for America and the world? In Why New Orleans Matters, first published only months after the disaster, award-winning author and longtime New Orleans resident Tom Piazza illuminates the storied culture and still-evolving future of this great and vital American metropolis. Piazza evokes the sensuous textures of the city that gave us jazz music, Creole cooking, and a unique style of living; he examines the city's undercurrents of corruption and racism, and explains how its people endure and transcend them. And, perhaps most important, he bears witness to the city's spirit: its grace and beauty, resilience and soul. In the preface to this new edition, Piazza considers how far the city has come in the decade since Katrina, as well as the challenges it still faces—and reminds us that people in threatened communities across America have much to learn from New Orleans' disaster and astonishing recovery.

*Winner of the Chicago Review of Books Award for Fiction* A Heartland Booksellers Award Nominee An NPR Best Book of the Year A BookPage Best Book of the Year A Library Journal Best Winter/Spring Debut of 2020 A Most Anticipated Book of 2020 from the Boston Globe and The Millions A Best Book of February 2020 at Salon, The Millions, LitHub and Vol 1. Brooklyn “A stunner—equal parts epic and intimate, thrilling and elegiac.”—Laura Van den Berg, author of The Third Hotel The mesmerizing story of a Latin American science fiction writer and the lives her lost manuscript unites decades later in post-Katrina New Orleans In 1929 in New Orleans, a Dominican immigrant named Adana Moreau writes a science fiction novel. The novel earns rave reviews, and Adana begins a sequel. Then she falls gravely ill. Just before she dies, she destroys the only copy of the manuscript. Decades later in Chicago, Saul Drower is cleaning out his dead grandfather’s home when he discovers a mysterious manuscript written by none other than Adana Moreau. With the help of his friend Javier, Saul tracks down an address for Adana’s son in New Orleans, but as Hurricane Katrina strikes they must head to the storm-ravaged city for answers. What results is a brilliantly layered masterpiece—an ode to home, storytelling and the possibility of parallel worlds.

Katty Stewart, Elizabeth (Moosie) White, Walker Ellis and Walter Stauffer were socialites born in New Orleans around the turn of the 20th century. Among their ancestors were Confederate soldiers, plantation owners, self-made millionaires and even a U.S. President. This book tells the story of four flawed, socially connected people who used newspaper society columns to craft highly curated images of themselves. But the newspapers of the time did not include the more salacious, messy, complicated and secretive details of their lives. This is also a social history of New Orleans during the Jazz Age, including descriptions of queer culture, the French Quarter, European travel, and life in the social circles of Kay Francis, Zelda and F. Scott Fitzgerald, Waldo Peirce, Caresse and Harry Crosby, Gerald and Sara Murphy and many others. Full of humorous anecdotes, drama, romance and tragedy, this book is an insightful chronicle of a fascinating time in New Orleans' LGBTQ history.

A selection of writings from the author who created America's notion of New Orleans as an exotic and mysterious place