In this book Stanghellini argues that to be human means to be in dialogue with alterity, that mental pathology is the outcome of a crisis of one's dialogue with alterity, and that care is a method wherein dialogues take place whose aim is to re-enact interrupted dialogue with alterity within oneself and with the external world.

Mary Louise Gill presents a bold new explanation of the fact that the dialogue which Plato promised to write on the Philosopher, complementing the Sophist and the Statesman, is missing. Gill argues that he left it unwritten in order to stimulate his readers and encourage them to work out, for themselves, the portrait it would have contained.

Captivate the hearts and minds of young adult readers! Writing for young adult (YA) and middle grade (MG) audiences isn't just "kid's stuff" anymore--it's kidlit! The YA and MG book markets are healthier and more robust than ever, and that means the competition is fiercer, too. In Writing Irresistible Kidlit, literary agent Mary Kole shares her expertise on writing novels for young adult and middle grade readers and teaches you how to: • Recognize the differences between middle grade and young adult audiences and how it impacts your writing. • Tailor your manuscript's tone, length, and content to your readership. • Avoid common mistakes and cliches that are prevalent in YA and MG fiction, in respect to characters, story ideas, plot structure and more. • Develop themes and ideas in your novel that will strike emotional chords. Mary Kole's candid commentary and insightful observations, as well as a collection of book excerpts and personal insights from bestselling authors and editors who specialize in the children's book market, are invaluable tools for your kidlit career. If you want the skills, techniques, and know-how you need to craft memorable stories for teens and tweens, Writing Irresistible Kidlit can give them to you.

Discover the enduring legacy and ancient hagiographical method used to recover the missing life and voice of St. Scholastica of Nursia. In The "Lost" Dialogue of Gregory the Great, Carmel Posa, SGS, applies a “disciplined imagination” and the ancient hagiographical method to recover the missing life and voice of St. Scholastica of Nursia. Drawing on a wide range of scholarship, including Gregory the Great’s four famous dialogues, biblical models, and the Rule of Benedict, Posa follows a technique similarly used by Saint Gregory himself to create an engaging and credible account of Scholastica’s life. In The "Lost" Dialogue of Gregory the Great, Posa’s use of the hagiographical method as a “disciplined imagination” serves as a tool for the repositioning of women’s lives in history. By presenting a “lost life” of Scholastica into the hagiographic record of Christianity, she gifts the Church for today with the story of a beloved saint that will not only inspire readers but encourage them to ponder more searchingly the sources of the wisdom contained in Benedict’s remarkable Rule. Carmel’s careful methodology also offers readers an image of Scholastica that has a spiritual standing apart from her famous and holy brother. She retrieves the enduring legacy of Scholastica from the margins and places her into the center of monastic history, in particular and church history, in general. Oblates, Benedictines, and those interested in monastic spirituality will also be challenged to reconsider those women whose voices have been erased, devalued, or ignored over the centuries and inspired to “listen carefully” to the whispered words and wisdom of women as we mark our journey together into a future full of hope, with Christ and his Gospel for our guide.

In Volume One of the Authors' Snarkopaedia, sentences have been painstakingly crafted together using nouns, verbs and other words, bringing you paragraphs of text. These paragraphs flow into pages of expert tips, advice and insight for authors at all levels of the publication food chain. Any book can claim to offer this type of information, but they can't give you what sets the Indies Unlimited Authors' Snarkopaedia above the rest: the "je ne sais squat" of the high decorated staff of the Snarkology Department at the Indies Unlimited Online Academy. Their groundbreaking and empirical research over the years sheds new and snarkified light on subjects ranging from book publishing and marketing to the nuts and bolts of writing and technology. If you like information to grab you by the throat and smack you in the face, the Indies Unlimited Authors' Snarkopaedia is the reference book for you.

This “melodious” mix of music, history, and travelogue “reveals a story inextricably linked to the drama of Russia itself . . . These pages sing like a symphony.” —The Wall Street Journal Siberia’s story is traditionally one of exiles, penal colonies, and unmarked graves. Yet there is another tale to tell. Dotted throughout this remote land are pianos—grand instruments created during the boom years of the nineteenth century, as well as humble Soviet-made uprights that found their way into equally modest homes. They tell the story of how, ever since entering Russian culture under the westernizing influence of Catherine the Great, piano music has run through the country like blood. How these pianos traveled into this snowbound wilderness in the first place is testament to noble acts of fortitude by governors, adventurers, and exiles. Siberian pianos have accomplished extraordinary feats, from the instrument that Maria Volkonsky, wife of an exiled Decembrist revolutionary, used to spread music east of the Urals, to those that brought reprieve to the Soviet Gulag. That these instruments might still exist in such a hostile landscape is remarkable. That they are still capable of making music in far-flung villages is nothing less than a miracle. The Lost Pianos of Siberia follows Roberts on a three-year adventure as she tracks a number of instruments to find one whose history is definitively Siberian. Her journey reveals a desolate land inhabited by wild tigers and deeply shaped by its dark history, yet one that is also profoundly beautiful—and peppered with pianos. “An elegant and nuanced journey through literature, through history, through music, murder and incarceration and revolution, through snow and ice and remoteness, to discover the human face of Siberia. I loved this book.” —Paul Theroux

Faced with the challenges of transitioning from a Hard of Hearing School to a Hearing high school, Maya has more than a learning curve. But what if she has more to learn about herself and how far she is willing to push for what she believes in? Perfect for contemporary fiction fans, The Silence Between Us is a novel that doesn’t shy away from the real-life struggles of high school, heart break, and d/Deaf culture. Schneider Family Book Award, Best Teen Honor Book 2020 Torn from her Hard of Hearing school when her mother's job takes them across the country, Deaf teen Maya must attend a hearing school for the first time since her hearing loss. As if that wasn’t hard enough, she also has to adjust to the hearing culture, which she finds frustrating. When her new friends and classmates start pushing into Maya’s thoughts about what it means to be Deaf, it clashes with her idea of self-worth and values. Looking past graduation towards a future medical career, Maya knows nothing, not even an unexpected romance, will derail her pursuits or cause her to question her integrity. Wattpad sensation Alison Gervais writes a stunning portrayal of the Deaf and Hard of Hearing culture in this clean YA contemporary romance. Drawing from her own deaf experience and relationship with the HoH community, Gervais provides a personal interview and commentary on cochlear implants. The Silence Between Us mixes lighthearted romance with deeper social issues facing minority groups. “The Silence Between Us?is eminently un-put-down-able.” (NPR) “Gervais deftly renders both the nuanced, everyday realities of life with disability and Maya’s fierce pride in her Deafness, delivering a vibrant story that will resonate with Deaf and hearing audiences alike.” –?Booklist “A solid addition to middle/high school fiction that allows for deep discussion about stereotypes concerning disabilities.”?School Library Journal “This is a great YA contemporary (clean) romance that follows Maya as she navigates a new school and plans for her future. The addition of representation by a Deaf character was really beautifully done. Highly recommend for people looking for a sweet, engaging, and educational romantic read.” (YA and Kids Book Central)

Preliminary Material -- Chapter One: A 'Dreaming Kronos' in a lost work by Aristotle -- Chapter Two: The Multiformity of the mythical tradition about Kronos -- Chapter Three: J. H. Waszink on the figure of the 'Dreaming Kronos' -- Chapter Four: Kronos as an Oracular God in Plutarch's De facie in orbe lunae -- Chapter Five: A Dreaming or Sleeping God Kronos in the Corpus Hermeticum and other Hellenistic texts -- Chapter Six: Further analysis of the myth in Plutarch, De facie in orbe lunae -- Chapter Seven: The origin of the views voiced in the De facie -- Chapter Eight: Aristotelian elements in the myth of Plutarch's De facie -- Chapter Nine: Aristotle's 'Kronology': an attempt at Reconstruction -- Chapter Ten: The Relation between Aristotle's lost writings and the surviving Corpus Aristotelicum -- Chapter Eleven: Exoterikoi Logoi and Enkyklioi Logoi in the Corpus Aristotelicum and the origin of the idea of the Enkyklios Paideia -- Chapter Twelve: Manteia in Aristotle, De Caelo 2.1 -- Chapter Thirteen: Aristotle on 'People in a cave' De Philosophia Fr.l3A Ross -- Chapter Fourteen: A Double Theology in Aristotle De Philosophia Fr.26 Ross -- Chapter Fifteen: Is the 'Greek King' in Aristotle, Eudemus Fr.11 (Ross) Endymion of Elis? -- Bibliography -- Indices.

Suppose you could ask God any question and get an answer. What would it be? Young people all over the world have been asking those questions. So Neale Donald Walsch, author of the internationally bestselling Conversations with God series had another conversation. Conversations with God for Teens is a simple, clear, straight-to-the-point dialogue that answers teens questions about God, money, sex, love, and more. Conversations with God for Teens reads like a rap session at a church youth group, where teenagers discuss everything they ever wanted to know about life but were too afraid to ask God. Walsch acts as the verbal conduit, showing teenagers how easy it is to converse with the divine. When Claudia, age 16, from Perth, Australia, asks, "Why can't I just have sex with everybody? What's the big deal?", the answer God offers her is: "Nothing you do will ever be okay with everybody. 'Everybody' is a large word. The real question is can you have sex and have it be okay with you?" There's no doubt that the casual question-and-answer format will help make God feel welcoming and accessible to teens. Conversations with God for Teens is the perfect gift purchase for parents, grandparents, and anyone else who wants to provide accessible spiritual content for the teen(s) in their lives.