In this informative and beautifully illustrated book, Carol Foreman traces Glasgow's history through buildings which have been demolished, but which once played a central part in the life of the city. Beginning with the medieval age, she goes on to look at a massive selection of buildings right through to the 1930s. The result is a fascinating picture of how the city evolved and how major events over the centuries affected its trade, people and environment. Churches, banks, hospitals, theatres, cinemas as well as domestic buildings all feature in this illuminating journey through Glasgow's rich architectural past.

Glasgow is unique among British cities in that it has the largest rail network outside of London, and there was once a time when the city had four very grand stations - Central, Queen Street, St Enoch's and Buchanan Street. Two of these have gone and with them the heyday of the city's railways. Those times are captured for us in this collection of fifty-two photographs, accompanied by a history of each of the city's lines. The neighbouring region of Dunbartonshire is also covered and was itself unique in that Milngavie was the home of one of the world's first monorail systems. Stations featured in the book - many of them long gone - include Cowlairs, Possilpark, Eglinton Street, Buchanan Street, Dalmuir Riverside, Stobcross, Bellahouston, Summerston, Maryhill Central, St Enoch's, Partick West, Cumberland Street, the Singer Terminal (Clydebank), Rutherglen and Strathbungo.

A collection of Chicago Tribune articles detailing the case and trial of the infamous police officer convicted of murdering his third wife, Kathleen Savio. In 2004, Kathleen Savio, the third wife of Bolingbrook, Illinois, police officer Drew Peterson, was discovered dead in a bathtub from an apparent drowning. Her death was deemed accidental—at first. In 2007, following the disappearance of Peterson’s fourth wife, Stacy, officials reopened the Savio case with Drew as the primary suspect. Drew Peterson: The Tribune Files is a true-crime ebook comprising actual Chicago Tribune articles. By compiling years of original reporting in chronological order, this book preserves the shock of each sordid twist in real time as the story grew from a local curiosity into a national phenomenon (complete with a made-for-TV Lifetime movie starring Rob Lowe). This book captures every detail of the murders and the surrounding media circus, from Peterson’s bizarre reality TV stint as a celebrity criminal, to the chilling courtroom testimony of Peterson’s brother as he unwittingly assisted with the disposal of a human body. Special attention is paid to the trial itself, which broke legal ground when hearsay testimony from Peterson’s fourth wife, recorded before her disappearance, was allowed as evidence. The Chicago Tribune’s award-winning staff possesses the unique perspective of having covered this case from beginning to end, and the most fascinating pieces have finally been curated into a single collection of the gruesome facts.

Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.

In the wake of Glasgow’s transformation in the nineteenth-century into an industrial powerhouse — the "Second City of the Empire" — a substantial part of the old town of Adam Smith degenerated into an overcrowded and disease-ridden slum. The Old Closes and Streets of Glasgow, Thomas Annan’s photographic record of this central section of the city prior to its demolition in accordance with the City of Glasgow Improvements Act of 1866, is widely recognized as a classic of nineteenth-century documentary photography. Annan’s achievement as a photographer of paintings, portraits and landscapes is less widely known. Thomas Annan of Glasgow: Pioneer of the Documentary Photograph offers a handy, comprehensive and copiously illustrated overview of the full range of the photographer’s work. The book opens with a brief account of the immediate context of Annan’s career as a photographer: the astonishing florescence of photography in Victorian Scotland. Successive chapters deal with each of the main fields of his activity, touching along the way on issues such as the nineteenth-century debate over the status of photography — a mechanical practice or an artistic one? — and the still ongoing controversies surrounding the documentary photograph in particular. While the text itself is intended for the general reader, extensive endnotes amplify particular themes and offer guidance to readers interested in pursuing them further.