"Nicolai the Vampire was renowned for his virility, but in a twist of fate "The Dark Seducer" had become a sex slave in the kingdom of Delfina--stripped of his precious timepiece and his memory. ... In her dreams, a wanton vampire called to Jane Parker, drawing her to his dark sexuality and his magical realm. But for a human, all was not a fairy tale in Delfina. Jane was the key to Nicolai's memory--but exploiting her meant dooming the only mortal he craved"--Page 4 of cover

After the death of his half brother, Stefan, at the hands of Vlad Tsepesh--also known as Dracula--and after the destruction of his vampire father, Arkady, also at the hands of Vlad, Abraham van Helsing has traveled the world slaying many vampires. With every vampire he destroys, Bram becomes stronger and Vlad weaker, and soon Bram hopes he will be able to finally kill the fearsome vampire who has kept the Tsepesh family enslaved through a centuries-old blood ritual. But a desperate Vlad and his vampire great-niece, Zsuzanna, summon help from the most powerful, brutal, and beautiful vampire of all--Countess Elizabeth of Bathory. Bram learns of their plot to destroy him, and makes his own move to strike out at Vlad before Vlad can put him to death. He teams up with a courageous band of humans as he hunts Vlad--including Mina Harker and John Seward--and they finally succeed in killing the head of the Tsepesh clan, just as Bram Stoker foretold in Dracula. But the terror does not end with the death of Vlad, for there is another force that drives Vlad, Zsuzanna, Elizabeth and all the vampires, an ancient entity more evil than anything Bram has ever encountered: the Lord of the Vampires. And for Bram to defeat this dark lord, he must once again risk losing his very soul, to save not only his family, but humanity as well. In her final book in The Diaries of the Family Dracul trilogy, Jeanne Kalogridis brilliantly melds her own fascinating story of the Tsepesh family with that of Bram Stoker's classic, Dracula. Told in diary form like the first two books and Stoker's own chilling tale, LORD OF THE VAMPIRES reveals the dark, startling truths behind the original Dracula.

Primary work is Lord of the vampires -- The other three titles are short stories related to the series.

Once upon a time…the Blood Sorcerer vanquished the kingdom of Elden. To save their children, the queen scattered them to safety and the king filled them with vengeance. Only a magical timepiece connects the four royal heirs…and time is running out…. Nicolai the Vampire was renowned for his virility, but in a twist of fate "The Dark Seducer" had become a sex slave in the kingdom of Delfina—stripped of his precious timepiece and his memory. All that remained was a primal need for freedom, revenge—and the only woman who could help him. In her dreams, a wanton vampire called to Jane Parker, drawing her to his dark sexuality and his magical realm. But for a human, all was not a fairy tale in Delfina. Jane was the key to Nicolai's memory…but exploiting her meant dooming the only mortal he craved.

She wants security. He wants freedom. Together their love could destroy the world. Ten years after the Outbreak of the V2000 virus turns the majority of humans into a mutated Vampire sub-species, the last remaining pure humans are the world's hottest commodity. In this new world, it's The Vampires that rule. Independent Danika Chekov refuses to let her father's legacy die. Being the only female Vampire Lord in America isn't easy. Being thrust into the role of CEO of the world's largest synthetic blood company is even harder. But after she's almost murdered, she's forced to purchase a guardian from the slave markets - Mason. Mason is human, or so the Vampires think. Determined to protect his secret at all costs, his plans of escape are thwarted when the beautiful and strong-willed Danika buys him to protect her from an unknown enemy. Their desires threaten everything they both want most. But their passion sparks a love that could change them both forever. Fans of J.R. Ward's Black Dagger Brotherhood and Lara Adrian's Midnight Breed series will love this Hot Vampire Series. Scroll up to One Click now and begin your next Steamy Vampire Romance. Note: This is a Paranormal Romance which includes steamy sex, violence, adult themes.

Monsters and shape-shifters have always held a special fascination in mythologies, legends, and folklore the world over. From ancient customs to famous cases of beasts and vampires and their reflections in popular culture, 600 entries provide definitions, explanations, and lists of suggested further reading.

Preliminary Material --Introduction /Peter Day --Legend of the Vampire --Getting to know the Un-dead: Bram Stoker, Vampires and Dracula /Elizabeth Miller --"One for Ever": Desire, Subjectivity and the Threat of the Abject in Sheridan Le Fanu's Carmilla /Hyun-Jung Lee --Sex, Death, and Ecstacy: The Art of Transgression /Lois Drawmer --The Name of the Vampire: Some Reflections on Current Linguistic Theories on the Etymology of the Word Vampire /Peter Mario Kreuter --The Discourse of the Vampire in First World War Writing /Terry Phillips --"Dead Man Walking": The Historical Context of Vampire Beliefs /Darren Oldridge --Vampire Dogs and Marsupial Hyenas: Fear, Myth, and the Tasmanian Tiger's Extinction /Phil Bagust --Vampires for the Modern Mind --Vampire Subcultures /Meg Barker --Embracing the Metropolis: Urban Vampires in American Cinema of the 1980s and 90s /Stacey Abbott --Piercing the Corporate Veil - With a Stake? Vampire Imagery and the Law /Sharon Sutherland --The Vampire and the Cyborg Embrace: Affect Beyond Fantasy in Virtual Materialism /James Tobias --Looking in the Mirror: Vampires, the Symbolic, and the Thing /Fiona Peters --"Death to Vampires!": The Vampire Body and the Meaning of Mutilation /Elizabeth McCarthy --The Un-dead: To be Feared or/and Pitied /Nursel Icoz --"You're Whining Again Louis": Anne Rice's Vampires as Indices of the Depressive Self /Pete Remington.

A look at the forgotten ancestors of the modern-day vampire, many of which have very different characteristics • Looks at the many ancestoral forms of the modern vampire, including shroud eaters, appesarts, and stafi • Presents evidence for the reality of this phenomenon from pre-19th-century newspaper articles and judicial records Of all forms taken by the undead, the vampire wields the most powerful pull on the modern imagination. But the countless movies and books inspired by this child of the night who has a predilection for human blood are based on incidents recorded as fact in newspapers and judicial archives in the centuries preceding the works of Bram Stoker and other writers. Digging through these forgotten records, Claude Lecouteux unearths a very different figure of the vampire in the many accounts of individuals who reportedly would return from their graves to attack the living. These ancestors of the modern vampire were not all blood suckers; they included shroud eaters, appesarts, nightmares, and the curious figure of the stafia, whose origin is a result of masons secretly interring the shadow of a living human being in the wall of a building under construction. As Lecouteux shows, the belief in vampires predates ancient Roman times, which abounded with lamia, stirges, and ghouls. Discarding the tacked together explanations of modern science for these inexplicable phenomena, the author looks back to another folk belief that has come down through the centuries like that of the undead: the existence of multiple souls in every individual, not all of which are able to move on to the next world after death.

Book 1: SOULLESS Alexia Tarabotti is laboring under a great many social tribulations. First, she has no soul. Second, she's a spinster whose father is both Italian and dead. Third, she was rudely attacked by a vampire, breaking all standards of social etiquette. Where to go from there? From bad to worse apparently, for Alexia accidentally kills the vampire -- and then the appalling Lord Maccon (loud, messy, gorgeous, and werewolf) is sent by Queen Victoria to investigate. With unexpected vampires appearing and expected vampires disappearing, everyone seems to believe Alexia responsible. Can she figure out what is actually happening to London's high society? Will her soulless ability to negate supernatural powers prove useful or just plain embarrassing? Finally, who is the real enemy, and do they have treacle tart? SOULLESS is a comedy of manners set in Victorian London: full of werewolves, vampires, dirigibles, and tea-drinking. Book 2: CHANGELESS Alexia Tarabotti, the Lady Woolsey, awakens in the wee hours of the mid-afternoon to find her husband, who should be decently asleep like any normal werewolf, yelling at the top of his lungs. Then he disappears - leaving her to deal with a regiment of supernatural soldiers encamped on her doorstep, a plethora of exorcised ghosts, and an angry Queen Victoria. But Alexia is armed with her trusty parasol, the latest fashions, and an arsenal of biting civility. Even when her investigations take her to Scotland, the backwater of ugly waistcoats, she is prepared: upending werewolf pack dynamics as only the soulless can. She might even find time to track down her wayward husband, if she feels like it. Book 3: BLAMELESS Quitting her husband's house and moving back in with her horrible family, Lady Maccon becomes the scandal of the London season. Queen Victoria dismisses her from the Shadow Council, and the only person who can explain anything, Lord Akeldama, unexpectedly leaves town. To top it all off, Alexia is attacked by homicidal mechanical ladybugs, indicating, as only ladybugs can, the fact that all of London's vampires are now very much interested in seeing Alexia quite thoroughly dead. While Lord Maccon elects to get progressively more inebriated and Professor Lyall desperately tries to hold the Woolsey werewolf pack together, Alexia flees England for Italy in search of the mysterious Templars. Only they know enough about the preternatural to explain her increasingly inconvenient condition, but they may be worse than the vampires -- and they're armed with pesto.