"The Great Depression of the 1930s was a golden age for advertising, as corporate America sought to retain its customer base in the wake of the Crash of '29. For a struggling paper manufacturer in Cloquet, Minnesota, the times were all the more difficult because it had recently invested in costly new machinery. In desperation, the executives of Northwest Paper called in an ad agent from Chicago to boost sales and save the company. Together, they created an ad campaign that would be one of the longest-running and best-known in American commercial history. The name of the firm and its location in the north woods of Minnesota provided the inspiration for a series of story-ads featuring the adventures of the North West Mounted Police of Canada." "The sixteen artists who worked on the Mountie series between 1931 and 1970 were among the most famous commercial illustrators of their day. The first of these was Hal Foster, who later created the Prince Valiant comic strip. Another, the most prolific "Mountie" artist, was Arnold Friberg, who stayed with the project for thirty-three years. Friberg's Mounted Police pictures are much sought-after by collectors and are still in circulation in the form of calendars, pamphlets, and other printed materials."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

A classic of northern exploration and adventure, LAST PLACES is Lawrence Millman's marvelously told account of his journey along the ancient Viking sea routes that extend from Norway to Newfoundland. Traveling through landscapes of transcendent desolation, Millman wandered by way of the Shetland Islands, the Faeroes, Iceland, Greenland, and Labrador. His way was marked by surprising human encounters--with a convicted murderer in Reykjavik, an Inuit hermit in Greenland, an Icelandic guide who leads him to a place called Hell, and a Newfoundlander who warns him about the local variant of the Abominable Snowman. By turns earthy and lyrical, LAST PLACES is an ebullient celebration of the exotic North.

Investigating areas as diverse as travel literature, fiction, dialect, the stage, radio, television, feature film, music and sport, this book assesses the portrayal of the North of England within the national culture and how this has impacted upon attitudes to the region and its place within notions of Englishness. The relationship between these cultural forms and the construction of regional identity has received only limited consideration and this fascinating work provides not only much new information, but also a map for future writers. The North, although seen ultimately as other and the subject of much critical comment, is also shown here as capable of stimulating the creative imagination and invigorating English culture in sometimes surprising ways.

In this remarkable memoir, Dorfman describes an extraordinary life, torn between the United States, South America, and his Jewish heritage, between English and Spanish, between revolution and repression. Interwoven with the story of how Dorfman switched languages and countries--not once, but three times--is a day-to-day account of his multiple escapes from death during Pinochet's military takeover of Chile in 1973. Combining eight vignettes of his life before 1973 with eight scenes from the coup, Dorfman filters these events through an engaging, hybrid consciousness.A beautifully written and deeply moving auto-biography by one of the "greatest living Latin American writers" (Newsweek), Heading South, Looking North is at once a vivid account of a life as complex and mysterious as the fictional characters Dorfman has created, and an enthralling search for a permanent home, a political cause, and a cultural identity.

"Faces of the North established Ragnar 'RAX' Axelsson as one of the leading documentary photographers of our time. This long-awaited second edition--the result of more than 30 years of documenting the lives of hunters, fishermen, and farmers in the North--doubles the original selection with previously unpublished photographs from RAX's collection, alongside personal accounts of the journeys which led to their creation. The result is a rare testament to cultures across Iceland, the Faroes, and Greenland; to worlds and ways of life that, if not for the photographs, have all but vanished. Raised on an isolated farm in southern Iceland, Ragnar Axelsson (born 1958) became captivated early on by the brutal beauty of the North Atlantic and the delicate interactions between its inhabitants and their environment. Born of that fascination, Faces of the North, first published in 2004, established Axelsson as one of the leading documentary photographers of our time. Long out of print, Faces of the North is now republished in an edition that echoes the format of Axelsson's latest publications, Last Days of the Arctic and Behind the Mountains. In the 2004 edition of Faces of the North, Axelsson collected the images of farmers, hunters and fishermen in the Arctic and the Atlantic that he became best known for; in the 2016 edition, his oeuvre comes full circle, as he looks back upon the foundation of his photographic passion and career."--Publisher's website.

Covering 92 million acres from Virginia to Texas, the longleaf pine ecosystem was, in its prime, one of the most extensive and biologically diverse ecosystems in North America. Today these magnificent forests have declined to a fraction of their original extent, threatening such species as the gopher tortoise, the red-cockaded woodpecker, and the Venus fly-trap. Lawrence S. Earley explores the history of these forests and the astonishing biodiversity within them, drawing on extensive research and telling the story through first-person travel accounts and interviews with foresters, ecologists, biologists, botanists, and landowners. The compelling story Earley tells here offers hope that with continued human commitment, the longleaf pine might not just survive, but once again thrive.

Fifty-five years after its founding at the dawn of the cold war, North Korea remains a land of illusions. Isolated and anachronistic, the country and its culture seem to be dominated exclusively by the official ideology of Juche, which emphasizes national self-reliance, independence, and worship of the supreme leader, General Kim Jong Il. Yet this socialist utopian ideal is pursued with the calculations of international power politics. Kim has transformed North Korea into a militarized state, whose nuclear weapons, ballistic missiles, and continued threat to South Korea have raised alarm worldwide. This paradoxical combination of cultural isolation and military-first policy has left the North Korean people woefully deprived of the opportunity to advance socially and politically. The socialist economy, guided by political principles and bereft of international support, has collapsed. Thousands, perhaps millions, have died of starvation. Foreign trade has declined and the country's gross domestic product has recorded negative growth every year for a decade. Yet rather than initiate the sort of market reforms that were implemented by other communist governments, North Korean leaders have reverted to the economic policies of the 1950s: mass mobilization, concentration on heavy industry, and increased ideological indoctrination. Although members of the political elite in Pyongyang are acutely aware of their nation's domestic and foreign problems, they are plagued by fear and policy paralysis. North Korea Through the Looking Glass sheds new light on this remote and peculiar country. Drawing on more than ten years of research—including interviews with two dozen North Koreans who made the painful decision to defect from their homeland—Kongdan Oh and Ralph C. Hassig explore what the leadership and the masses believe about their current predicament. Through dual themes of persistence and illusion, they explore North Korea's stubborn adherence to policies that have

American territorial borders have undergone significant and unparalleled changes in the last decade. They serve as a powerful and emotionally charged locus for American national identity that correlates with the historical idea of the frontier. But the concept of the frontier, so central to American identity throughout modern history, has all but disappeared in contemporary representation while the border has served to uncomfortably fill the void left in the spatial imagination of American culture. This book focuses on the shifting relationship between borders and frontiers in North America, specifically the ways in which they have been imaged and imagined since their formation in the 19th century and how tropes of visuality are central to their production and meaning. Rodney links ongoing discussions in political geography and visual culture in new ways to demonstrate how contemporary American borders exhibit security as a display strategy that is resisted and undermined through a variety of cultural practices.

A note on the sources:p.213-9.