The real story behind the murder of a Manhattan schoolteacher that became a symbol of the dangers of casual sex: “A first-rate achievement” (Truman Capote). In 1973, Roseann Quinn, an Irish-Catholic teacher at a school for deaf children, was killed in New York City after bringing a man home to her apartment from an Upper West Side pub. The crime made headlines and the ensuing case quickly evolved into a cultural phenomenon, spawning both a #1 New York Times–bestselling novel and a film adaptation starring Diane Keaton and Richard Gere, and sparking debates about the sexual revolution and the perils of the “pickup scene” at what were popularly known as singles bars. In this groundbreaking true crime tale, Lacey Fosburgh, the New York Times reporter first assigned to the story, utilizes an inventive dramatization technique, in which she gives the victim a different name, to veer between the chilling, suspenseful personal interactions leading up to the brutal stabbing and the gritty details of its aftermath, including the NYPD investigation and the arrest of John Wayne Wilson. An Edgar Award finalist for Best Fact Crime, this classic of the genre is “more riveting, and more tragic, than the Judith Rossner novel—and 1977 movie Looking for Mr. Goodbar” (Men’s Journal).

From the New York Times bestselling author of Looking for Mr. Goodbar—a haunting tale of forbidden love set against the backdrop of the American industrial revolution. This is the story of Emmeline Mosher, who, before her fourteenth birthday, was sent from her home on a farm in Maine to support her family by working in a cotton mill in Massachusetts. So begins the sixth novel by the author of Looking for Mr. Goodbar. But nothing Judith Rossner has written can prepare the reader for this haunting love story of a young girl thrust into one of America’s early industrial towns, then drawn into a love affair for which she is far from ready. In Emmeline, Rossner brings us the intensity, grasp of character, and storytelling ability that have distinguished her novels of modern women.

From the New York Times bestselling author of Looking for Mr. Goodbar— the epic family saga of four very different sisters and their Hollywood producer father. A spellbinding saga of the four daughters of larger-than-life Hollywood producer, Sam Pearlstein, and the fallout that occurs when one sister writes a bestselling novel and a man she swears she’s never known brings a libel suit against her. Through these four women, Rossner brilliantly explores what it means to be a sister and a daughter.

From the New York Times bestselling author of Looking for Mr. Goodbar—the troubling story of a mother and daughter whose hostility and co-dependence may result in their deaths. In Perfidia, Maddy yearns desperately for the approval and love of her glamorous and wild mother, Anita. But Anita is more interested in men, alcohol, and her new baby boy. When Anita’s most recent boyfriend dies of a drug overdose, their Santa Fe home becomes a deadly war zone.

Called “God’s angry man” for his unyielding demands in pursuit of personal and artistic freedom, Oscar-winning filmmaker Richard Brooks brought us some of the mid-twentieth century’s most iconic films, including Blackboard Jungle, Cat on a Hot Tin Roof, Elmer Gantry, In Cold Blood, and Looking for Mr. Goodbar. “The important thing,” he once remarked, “is to write your story, to make it believable, to make it live.” His own life story has never been fully chronicled, until now. Tough as Nails: The Life and Films of Richard Brooks restores to importance the career of a prickly iconoclast who sought realism and truth in his films. Douglass K. Daniel explores how the writer-director made it from the slums of Philadelphia to the heights of the Hollywood elite, working with the top stars of the day, among them Humphrey Bogart, Cary Grant, Elizabeth Taylor, Jean Simmons, Sidney Poitier, Sean Connery, Gene Hackman, and Diane Keaton. Brooks dramatized social issues and depicted characters in conflict with their own values, winning an Academy Award for his Elmer Gantry screenplay and earning nominations for another seven Oscars for directing and screenwriting. Tough as Nails offers illuminating insights into Brooks’s life, drawing on unpublished studio memos and documents and interviews from stars and colleagues, including Poitier, director Paul Mazursky, and Simmons, who was married to Brooks for twenty years. Daniel takes readers behind the scenes of Brooks’s major films and sheds light on their making, their compromises, and their common threads. Tough as Nails celebrates Brooks’s vision while adding to the critical understanding of his works, their flaws as well as their merits, and depicting the tumults and trends in the life of a man who always kept his own compass. Best Books for General Audiences, selected by the American Association of School Librarians Outstanding Book, selected by the Public Library Reviewers

Own it, snowflakes: you've lost everything you claim to hold dear. White is Bret Easton Ellis's first work of nonfiction. Already the bad boy of American literature, from Less Than Zero to American Psycho, Ellis has also earned the wrath of right-thinking people everywhere with his provocations on social media, and here he escalates his admonishment of received truths as expressed by today's version of "the left." Eschewing convention, he embraces views that will make many in literary and media communities cringe, as he takes aim at the relentless anti-Trump fixation, coastal elites, corporate censorship, Hollywood, identity politics, Generation Wuss, "woke" cultural watchdogs, the obfuscation of ideals once both cherished and clear, and the fugue state of American democracy. In a young century marked by hysterical correctness and obsessive fervency on both sides of an aisle that's taken on the scale of the Grand Canyon, White is a clarion call for freedom of speech and artistic freedom. "The central tension in Ellis's art—or his life, for that matter—is that while [his] aesthetic is the cool reserve of his native California, detachment over ideology, he can't stop generating heat.... He's hard-wired to break furniture."—Karen Heller, The Washington Post "Sweating with rage . . . humming with paranoia."—Anna Leszkiewicz, The Guardian "Snowflakes on both coasts in withdrawal from Rachel Maddow's nightly Kremlinology lesson can purchase a whole book to inspire paroxysms of rage . . . a veritable thirst trap for the easily microaggressed. It's all here. Rants about Trump derangement syndrome; MSNBC; #MeToo; safe spaces."—Bari Weiss, The New York Times

From the New York Times bestselling author of Looking for Mr. Goodbar, comes the story of two sisters as their lives are turned upside down. Beautiful sisters, Mimi and Beth grew up alone in the glamorous, desolate mansion in Welford Heights called Yiytzo. Now, both in their thirties, the two women’s comfortable, co-dependant lives are overturned when their father decides to sell a large portion of his estate and Mimi discovers that after fifteen years of marriage that she’s pregnant.

Music to My Years is the story of the ever-changing world of professional entertainment, told by an artist whose talents helped to define the transformative era. This memoir will delight and inform lovers of music, fans of Hollywood culture and films, and devotees of TV shows of the last five decades and resonate with anyone who has pursued a dream or struggled to find true love--Amazon.com.

A collection of True Crime stories...When does an enjoyment of varied interests become a double life? That is a question pertinent to the tragic and strange tale of Roseann Quinn. Many will be familiar with this name, even though her death dates back three and a half decades. That is because the case of Roseann Quinn is the one behind the well known 1977 film, 'Looking for Mr Goodbar', which starred Diane Keaton.It is also the inspiration for Judith Rossner's slightly less well known but still best selling novel of the same name, and the account by the New York Times journalist, Lacey Fosburgh (called 'Closing Time: The True Story of the Goodbar Murder.')Sometimes, it can be tricky to understand why some crimes make their way to the eye of popular culture and other, equally tragic, events fail to do so. Although, of course, every death is a tragedy for someone. But in the case of Roseann, the answer is clear to see.