Revealing, entertaining window on the music of the ’50s and ’60s

A memoir of what it was like to be a teenager in a tumultuous era, from the New York Times–bestselling author of The Best of Us. Joyce Maynard was eighteen years old when her 1972 New York Times Magazine cover story catapulted her to national prominence. Published one year later, Looking Back is her remarkable follow-up—part memoir, part cultural history, and part social critique. She wrote about diving under her desk for air-raid practice during the Cuban Missile Crisis, the Beatles’ first appearance on The Ed Sullivan Show, and catching the first glimpse (on the cover of Life magazine) of a human fetus in utero. Extraordinarily frank, sincere, and opinionated, Maynard seemed unafraid to take on any subject—including herself. But as she reveals in a poignant and candid new foreword, she carefully kept her inner life off the page. She didn’t write about her difficult relationship with her mother, or her father’s alcoholism, or the fact that her best friend at college had struggled with the knowledge that he was gay. And she did not mention the most important part of her life at the time she was writing this book: her relationship with reclusive author J. D. Salinger, who read and corrected every page, even as he condemned her for writing it. In this special anniversary edition, Maynard’s candid introductory reflections on the girl behind the girl who wrote Looking Back lend a new dimension to this iconic analysis of a generation. This ebook features an illustrated biography of Joyce Maynard including rare photos from the author’s personal collection.

In over sixty years of involvement in social work—as practitioner, supervisor, teacher, consultant, and author—Helen Harris Perlman has become all but a legend. She has served on national policy committees, lectured around the world, and participated in pioneering social work programs and research. Her wide-ranging experiences enrich her vision of the social work profession: typically she is able to see the forest and the trees. Grounded in psychodynamic and social theory, lucid, forthright, and compassionate, her writings serve to inspire and guide experienced practitioners, teachers, and present-day students. Looking Back to See Ahead offers pieces chosen for their centrality to Perlman's thinking on some of the major problems of social work practice and education. To each essay she has added her current, informal comments. Refreshingly original is the section "After Hours," in which she captures, in sketches and verse, the humor and heartache that are inevitable in any profession that deals with hurt and troubled people.

Mania Salinger was born in Radom, Poland and enjoyed a childhood blessed with love, friends, and good luck until horrors unleashed by Nazi invasion changed her life forever. Many of her friends and family perished during the Holocaust, but Mania survived those horrific years working in multiple Nazi camps, including Auschwitz and Bergen Belsen. Her optimistic spirit, shrewd instincts, and fierce determination to believe that life, and humanity, must prevail over evil helped her to endure.

Using family photographs and quotes from her books, the author provides glimpses into her life.

In over sixty years of involvement in social work—as practitioner, supervisor, teacher, consultant, and author—Helen Harris Perlman has become all but a legend. She has served on national policy committees, lectured around the world, and participated in pioneering social work programs and research. Her wide-ranging experiences enrich her vision of the social work profession: typically she is able to see the forest and the trees. Grounded in psychodynamic and social theory, lucid, forthright, and compassionate, her writings serve to inspire and guide experienced practitioners, teachers, and present-day students. Looking Back to See Ahead offers pieces chosen for their centrality to Perlman's thinking on some of the major problems of social work practice and education. To each essay she has added her current, informal comments. Refreshingly original is the section "After Hours," in which she captures, in sketches and verse, the humor and heartache that are inevitable in any profession that deals with hurt and troubled people.

Looking Back on the End of the World raises provocative questions about the possibilities of critical knowledge in social systems that seem to have surpassed history. First published in 1989, Looking Back on the End of the World raises provocative questions about the possibilities of critical knowledge in social systems that seem to have surpassed history. Unlike recent works that make history end with the consumer, or project the conflict between the capitalist and the oppressed into the future, the writers in these essays perform a much more basic task: they argue that we can now think through the end of the world. The idea of a unified world, they claim, has given way to new sensibilities about history. The essays evaluate current negative obsessions such as apocalypse and the elimination of difference, and offer positive approaches to the gamble of thinking required in a society without traditional subjects and institutions. Capitalism, the book argues, has changed all the rules of the game, and any nostalgia for starting from the familiar in terms of intellectual critique is doomed. Collectively, the authors sketch the unfamiliarity of the new, those moments when our categories dissolve in the face of connections and relations that announce all sorts of ends. And other things besides. Contributors: Jean Baudrillard, Gunter Gebauer, Dieter Lenzen, Edgar Morin, Gerburg Treusch-Dieter, Paul Virilio

Two-time Newbery Medalist Lois Lowry offers an intimate look at pivotal moments that affected her life, inspired her writing, and often evolved into her rich novels.

Marcel Proust offered the twentieth century a new psychology of memory and seeing. His novel In Search of Lost Time was written in the modern age of photography and art history. In Looking Back One Learns to See: Marcel Proust and Photography is an intellectual adventure that brings to light Proust’s visual imagination, his visual metaphors, and his photographic resources and imaginings. The book features over 90 illustrations. Mary Bergstein highlights various kinds of photography: daguerreotypes, stereoscopic cards, cartes-de-visite, postcards, book illustrations, and other photographic mediums. Portraiture, medical photography, spirit photography, architectural photography, Orientalism, ethnographic photography, and fin-de-siècle studies of Botticelli, Leonardo, and Vermeer, are considered in terms of Proust’s life and work. The net is cast wide, and each image under discussion has been researched with subtle attention to art, literature, and cultural history. This scholarly study in literature and visual culture will be a delight, too, for general readers who love photography or Proust. Mary Bergstein is professor of History of Art and Visual Culture at the Rhode Island School of Design. She won the 2012 “Courage to Dream” book prize from the American Psychoanalytic Association for, Mirrors of Memory: Freud, Photography, and the History of Art (Cornell 2010). She has published numerous books and articles on art and visual culture from Italian Renaissance sculpture to contemporary photography.