An inspiring English translation of stories and commentary from the Yalkut Lekach Tov series on coping with misfortune from a Torah perspective.

Recently turned from human to vampire, Kylie wants nothing to do with her new life or with the clan that claims her. She certainly wants nothing to do with her mother, Belle, who is completely infatuated with her vampire wife and clan leader. To escape her unwanted existence, Kylie befriends a human, Olivia, who has been abandoned by her family. But unknown to Kylie, someone is watching her. An enemy has targeted her as the perfect way to destroy her clan. While battling this enemy, Kylie also grapples with the surprising desires she feels for the human. Desires that she'd once seen as wicked and wrong. Fighting for her life, Kylie must confront both the assassins and the beast within her that would do anything to keep her loved ones safe.

The Drama is good, its also good fun, particularly in scenes at the theatre, and the engaging protagonists are easy to root for. Kirkus review In a small Ukrainian village they dance, two beautiful girls from poverty-stricken families. They dont dance for joy or happiness. They dance to supplement their parents meager earnings. Joy seems very far away. These two beautiful young women cant dance in public without attracting attention, sometimes of the worst kind. Trapped in a web of deceit, sex, and tyranny, the two friends flee, seeking a new life in England, where they settle in Londons notorious Soho district. London in the twentieth century proves fertile ground for the two young women. Finally they succeed in their endeavors and reach the heights of success that they could only dream of upon arriving in a new country. Success comes with a price, with both women exposed to setbacks, cunning adversaries, and tragedy. The happiness and love they deserve threatens to elude them. Will they ever dance for joy?

Poetry. Women's Studies. Eroticism tinged with elegy, gratitude knit with doubt; MEET ME HERE AT DAWN contains an unmistakably open voice. Sophie Klahr's debut poetry collection careens from hunger to hunger. With lyric energy and narrative determination, the poems are missives sent back from a threshold, chronicling disease, the unspoken pains of family, the fabric of an extra-marital affair. "What aperture makes a woman?" Klahr asks in "One Slaughter." In MEET ME HERE AT DAWN, even the unanswerable is unfaltering, every question brightly wrought and necessary. "Sophie Klahr moves through the chambers of the mind and heart like an expert escape artist, keys hidden in the body's coverts are revealed in a 'rush of knowing, ' the body's 'first breaking and entering' that feels both clandestine and disclosive. This is poetry of immense vulnerability and fierce mettle; determined, convincing and heroically alive with courage of every kind."--D.A. Powell

This classic series has inspired nearly 2 million readers. Both loyal fans and new readers will want the latest edition of this beloved series. This edition includes a foreword from the publisher, a preface from Francine Rivers and discussion questions suitable for personal and group use. #3 As Sure As the Dawn: Atretes. German warrior. Revered gladiator. He won his freedom through his fierceness . . . But his life is about to change forever.

"Longing is the core of mystery. Longing itself brings the cure." Rumi In every tradition, saints and poets speak of the soul's search for the beloved, the seeker's yearning for the divine. This holy longing, a secret feeling with many disguises, leads us to pursue religious discipleship, spiritual practice, romantic union, or an ideal community. It guides us to timeless wisdom and transcendent experience. But it also can go awry, when we misplace it onto objects, such as food, alcohol, drugs, or sex, believing that they will satisfy our craving. Or when we misplace it onto an authoritarian personality, believing that he or she will meet our unmet needs. If this teacher or priest abuses power, we encounter the shadow side of spiritual life. Whether the abuse is sexual, financial, or emotional coercion, we may feel forsaken and lose faith, even in God. The Holy Longing tells the stories of teachers in many traditions Sufi poet Rumi, Hindu master Ramakrishna, Christian saint Catherine of Siena whose lives unfolded as they followed their longing. And it tells the tales of many ordinary people Catholic believers, students of Zen and TM, followers of Trungpa Rinpoche and Rajneesh and their encounters with spiritual shadow. Finally, it offers wise counsel for rekindling the flame of faith-moving through the shadow to the light by reclaiming sacred parts of the self that were lost along the way.

Set against the backdrop of 1830s Singapore where piracy, crime, triads, and tigers are commonplace, this historical romance follows the struggle of two lovers: Zhen, a Chinese coolie and triad member, and Charlotte, an 18-year-old Scots woman and sister of Singapore’s Head of Police. Two cultures bound together by the invisible threads of fate yet separated by cultural diversity.

Longing for the Bomb traces the unusual story of the first atomic city and the emergence of American nuclear culture. Tucked into the folds of Appalachia and kept off all commercial maps, Oak Ridge, Tennessee, was created for the Manhattan Project by the U.S. government in the 1940s. Its workers labored at a breakneck pace, most aware only that their jobs were helping "the war effort." The city has experienced the entire lifespan of the Atomic Age, from the fevered wartime enrichment of the uranium that fueled Little Boy, through a brief period of atomic utopianism after World War II when it began to brand itself as "The Atomic City," to the anxieties of the Cold War, to the contradictory contemporary period of nuclear unease and atomic nostalgia. Oak Ridge's story deepens our understanding of the complex relationship between America and its bombs. Blending historiography and ethnography, Lindsey Freeman shows how a once-secret city is visibly caught in an uncertain present, no longer what it was historically yet still clinging to the hope of a nuclear future. It is a place where history, memory, and myth compete and conspire to tell the story of America's atomic past and to explain the nuclear present.

In this sequel to "The Red Thread", the sexy Regency-style romance set in the exotic East, Charlotte Macleod is nineteen, pregnant, and alone in 1842. She is fleeing a scandalous liaison with her married Chinese lover, a liaison which would bring ruin on him, herself, and her brother, Robert, the police chief of Singapore. When Tigran Manouk, forty, and the richest merchant in Batavia, capital of the Dutch East Indies, asks for her hand in marriage, the choice is no choice. Through loss and pain, Charlotte will find a way to make a life with a man she does not love in a town she does not understand. Until she returns to Singapore, to the town where the man she loves waits for her, to face the hardest decision of her life. This is Vol.2 in "The Straits Quartet".