Long Ago Tomorrow is a time-travel about a young woman named Amy. She thinks she is happy in her modern life, that is until she meets a cowboy named Jake who just happens to be living in 1899. She never thought about all the modern conveniences that were at her disposal all day, every day until she had to do without them. Life in 1899 can be as scary to a city girl and for Jake, a crazy woman swearing she is from the future is a bit unsettling. Jake has the patience of a saint but that is pushed to the limits as Amy drags him into more trouble than he ever encountered before in his life. She thought he lived in the 'wild west', he thought life was pretty tame until she came along. A tale of a couple battling their way through life's trials and tribulations and each other. Will they get together? Only time will tell.

In the time of the Troubles, when bombs blew through the night and soldiers prowled down the roads, Henry Glassie came to the Irish borderland to learn how country people endure through history. He settled into the farming community of Ballymenone, beside Lough Erne in the County Fermanagh, and listened to the old people. For a decade he heard and recorded the stories and songs in which they outlined their culture, recounted their history, and pictured their world. In their view, their world was one of love, defeat, and uncertainty, demanding the virtues of endurance: faith, bravery, and wit. Glassie's task in this book is to set the scene, to sketch the backdrop and clear the stage, so that Hugh Nolan and Michael Boyle, Peter Flanagan, Ellen Cutler, and their neighbors can tell their own tale, which explains their conditions and converts them into a tragedy of conflict and a comedy of the absurd. It gathers the saints and warriors, and celebrates the stars whose wit enabled endurance in days of violence and deprivation. With patience and respect, Glassie describes life in a time and a place exactly like no other, and yet Ballymenone is like a thousand other places where people work on the land during the day and tell their own tales at night, forgotten, while the men of power fill the newspapers and history books by sending poor boys out to be killed. The Stars of Ballymenone is an integrated analysis of the complete repertory of verbal art from a rural community where storytelling and singing of quality remained a part of daily life.

In the four provinces of Ireland there are thirty-two counties. Each county and its people have their own traditions, beliefs and folklore – and each one is also inhabited by the Sidhe: an ancient and magical race. Some believe they are descended from fallen angels, whilst others say they are the progeny of Celtic deities. They go by many names: the good folk, the wee folk, the gentle people and the fey, but are most commonly known as ‘the fairies’. These are not the whimsical fairies of Victorian and Edwardian picture books. They are feared and revered in equal measure, and even in the twenty-first century are spoken of in hushed tones. The fairies are always listening. Storyteller Steve Lally and his wife singer-songwriter Paula Flynn Lally have compiled this magnificent collection of magical fairy stories from every county in Ireland. Filled with unique illustrations that bring these tales to life, Irish Gothic Fairy Stories will both enthral and terrify readers for generations to come.

"Arranged chronologically by decade, from the 1890s to the 1990s, each decade is divided into two different types of writing: critical/documentary and imaginative writing, and is accompanied by a headnote which situates it thematically and chronologically. The Reader is also structured for thematic study by listing all the pieces included under a series of topic headings. The wide range of material encompasses writings of well-known figures in the Irish canon and neglected writers alike. This will appeal to the general reader, but also makes Irish Writing in the Twentieth Century ideal as a core text, providing a unique focus for detailed study in a single volume."--BOOK JACKET.

Are you a holy terror? Are you a go-boy? Could you live on the skin of a rasher? Or are you so hungry that you eat a farmer's arse through a hedge? When you're on the razz, do you get so buckled, crippled and scuttered that you can't get your back outa the scratcher in the morning? Never mind the answers: if you understand the questions you are in Slanguage country. If you don't, you need to be. This is the dictionary that glosses the words that real Irish people use in the streets each day, every day. Slang is elusive. Some words and phrases are always there. Others slip in and out of usage according to the whims of fashion. This expanded edition of the standard dictionary of Irish slang includes many entries not in the 1997 edition. It has dropped a few that have fallen out of favour and has revised others. In all, this edition is 25 per cent longer than its predecessor. It will confirm Bernard Share's invaluable book in its position as the major work of its kind, combining scholarship and a keen sense of fun. "Slanguage" does justice to it by taking it seriously, but not too seriously.

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This work is a selection of over 100 pieces of prose and verse by native Clare writers and visitors to the county. A mixture of fact and fiction, the material covers various aspects of the county's past including sport, folklore, politics and romance. Subdivided into nine sections, this anthology ranges over many subject areas such as Swift in Sixmilebridge, The Ghost of Hag's Head, The Races of Ballycoree and The Spanish Armada.