A collection of thirty short crime stories set in Texas by a variety of writers, including Kinky Friedman, Mary Willis Walker, and Carolyn Hart.

Andy Kendricks is back in the third sassy and irresistible installment in Susan McBride's Debutante Dropout series … and this time she's teaming up with her high-society mama to catch a killer who's targeting rich, lonely widows. Wealthy Texas widows need loving too … which is why Bebe Kent joined a dating service for "discriminating" seniors soon after relocating to the swanky Belle Meade retirement community. Unfortunately, Bebe didn't even live long enough to meet "Mr. Right." And though doctors declared her death totally natural, extravagant blue-blooded Dallas socialite Cissy Blevins Kendricks believes her old friend's demise was hastened—and she's ready to check herself into Belle Meade incognito to prove it. Cissy's rebellious, sometimes-sleuthing daughter, Andrea, wants no part of her mother's crazy schemes—yet she's anything but pleased that Cissy is going off on her own, playing a highbrow Miss Marple. So she has no choice but to join her mom in search of the truth—especially when more well-heeled widows start turning up dead …

It's 1955, and Edna Ferber is basking in the success of her blockbuster novel Giant. Headed to Los Angeles, where director George Stevens and Warner Brothers Studio are in the final days of filming her Texas oil epic, she is looking forward to meeting Rock Hudson, Liz Taylor, and especially the young James Dean. But there is trouble brewing. Dean, the new box-office sensation and teen heartthrob, has been accused of fathering a child with an unstable (and recently fired) extra named Carisa Krausse. The studio fears the negative publicity will jeopardize the release of the movie. Then the actress is murdered, and James Dean is the prime suspect. He was seen at her apartment moments before Carisa's death. The police are ready to arrest him. With actress Mercedes McCambridge as her sympathetic sidekick, Edna investigates, determined to clear Dean's name. Soon Edna finds herself exploring the troubled lives of Dean's circle of disparate friends. As she delves into Hollywood's dark side she discovers a powerful studio obsessed with a cover-up and a solution she doesn't want to accept - a solution that she, in fact, dreads.

"If you like deadbeat, wisecracking humour, there's no one better." Sunday Express.

From the author of "Celestial Sleuth" (2014), yet more mysteries in art, history, and literature are solved by calculating phases of the Moon, determining the positions of the planets and stars, and identifying celestial objects in paintings. In addition to helping to crack difficult cases, these studies spark our imagination and provide a better understanding of the skies. Weather archives, vintage maps, tides, historical letters and diaries, military records and the assistance of experts in related fields help with this work. For each historical event influenced by astronomy, there is a different kind of mystery to be solved. How did the changing tides affect an army's battle plans? How did the phases of the moon affect how an artist painted a landscape? Follow these exciting investigations with a master “celestial sleuth” as he tracks down the truth and helps unravel mysteries as far back as the Middle Ages and as recent as the iconic 1945 photograph of a kiss in Times Square on VJ Day. Topics or "cases" pursued were chosen for their wide public recognition and intrigue and involve artists such as Vincent van Gogh and Claude Monet; historical events such as the campaigns of Braveheart in Scotland and battles in World War II and the Korean War; and literary authors such as Chaucer, Cervantes, Shakespeare, Byron, and Edgar Allan Poe.

A collection of fifteen essays which cover Indians, Mexican Americans, African Americans, women, religion, war on the homefront, music, literature, film, art, sports, philanthropy, education, the environment, and science and technology in twentieth-century Texas.

From Eudora Welty's memoir of childhood to May Sarton's reflections on her seventieth year, writers' journals offer an irresistible opportunity to join a creative thinker in musing on the events—whether in daily life or on a global scale—that shape our lives. In An Extraordinary Year of Ordinary Days, best-selling mystery novelist Susan Wittig Albert invites us to revisit one of the most tumultuous years in recent memory, 2008, through the lens of 365 ordinary days in which her reading, writing, and thinking about issues in the wider world—from wars and economic recession to climate change—caused her to reconsider and reshape daily practices in her personal life. Albert's journal provides an engaging account of how the business of being a successful working writer blends with her rural life in the Texas Hill Country and the Sangre de Cristo Mountains of New Mexico. As her eclectic daily reading ranges across topics from economics, food production, and oil and energy policy to poetry, place, and the writing life, Albert becomes increasingly concerned about the natural world and the threats facing it, especially climate change and resource depletion. Asking herself, "What does it mean? And what ought I do about it?", she determines practical steps to take, such as growing more food in her garden, and also helps us as readers make sense of these issues and consider what our own responses might be.

From the author of books about women police officers and a retired editor who’s now a volunteer cop in small town America, Food, Drink, and the Female Sleuth gathers together the best food scenes in mainstream detective fiction. Over 140 flavorful contributors, over 250 slurpy excerpts, 23 rich chapters with titles like “Undercover Grub and Stakeout Takeout,” “Junk Food on the Run,” “A Dozen Ways to Feed Your Lover,” “Bribing with Food,” and “The Last Bite.” Like us, PIs, cops, and amateur sleuths ARE what they eat. Also they are known by how they eat, where they eat, why they eat, and by who does the cooking. What better way to flesh out a sleuth’s work partner than “Let’s Have A Drink,” or spell out social class with humor in “Upper and Lower Crusts”? What better way to get a plot underway than breakfast? Or stir in suspense and foreshadow events in “Let’s Do Lunch”? This book is for anyone whose shelves are stacked with really good detective novels and really good food. Face it, if you like to eat, put Food, Drink on your table.

The conflation of the hard-boiled style and war experience has influenced many contemporary crime writers, particularly in the traumatic aftermath of the Vietnam War. Yet, earlier writers in the genre, such as Raymond Chandler, remain overlooked when it comes to examining how their war experience affected their writing. Sarah Trott corrects this oversight by examining Chandler alongside the World War I writers of the Lost Generation as well as highlighting a melding of very different styles in Chandler's work. Based on Chandler's experience in combat, Trott explains that the writer created detective Philip Marlowe not as the idealization of heroic individualism, as is commonly perceived, but instead as an authentic individual subjected to very real psychological frailties from trauma during the First World War. Inspecting Chandler's work and correspondence indicates that the characterization of the fictional Marlowe goes beyond the traditional chivalric readings and can instead be interpreted as a genuine representation of a traumatized veteran in American society. Substituting the horror of the trenches for the corruption of the city, Chandler formed a disillusioned protagonist in an uncaring America. Chandler did so with the sophistication necessary to straddle genre fiction and canonical literature. The sum of this work offers a new understanding of how Chandler uses his war trauma, how that experience established the traditional archetype of detective fiction, and how this reading of his fiction enables Chandler to transcend generic limitations and be recognized as a key twentieth-century literary figure.