The summer of 1976 through the summer of 1977 was the most significant year in British rock history. This collection of memories of concerts and cultural flash points focuses on what was happening on the streets and in the clubs.

Part of a series that covers a range of genres from adventure, humour and fairy tale to fantasy, mystery and science fiction. Each story in this series runs to approximately 2,000 words, broken into 7 or 8 chapters and illustrated in full colour in a range of artwork styles, with one or two images per spread.

Provides a reading of the popular fiction of London historicized in its political and cultural contexts.

Suitable for National Curriculum Key Stage 2, a title in the SPARKS series which provides a dramatic account of the Great Fire of London. Includes a fact section which provides extra background information. With humorous line illustrations by Jamie Smith, this title was first published in hardback in 1997.

1976 Punk, Cricket and London's Burning is the story of the rise of punk as both a genre of rock and a cultural movement. In divided 1970s Britain, resentment to the establishment and old order was growing with yearnings for a new beginning. Despair and anger for the working-class young was everywhere. They were being sold a version of no hope Britain that was grey, bleak, bankrupt and unemployed with no future. Britain seemed broken and at the same time, the music was remote, insipid and uninspiring. Added to this misery was the ugly and repulsive spectre of the far-right rising in influence, sowing racial tensions and clashes in opposition to rising immigration. Yet hope was brewing. Punk was becoming the voice of young people, disgruntled with how things were! At last, there was energy and excitement. Billy Idol, Siouxsie Sioux and the Bromley Contingent were creating a new scene. The Clash and Joe Strummer were going to save the young. But they needed help and the spirit of Gene Vincent was on hand. Meanwhile, on the other hand, the people still looked to the great game of cricket. The West Indies team were touring England. They had a rising star called Viv Richards who looked special, very special. The West Indians, living in Britain, needed a hero. Viv needed a mentor, and WG Grace was there for him. 1976 would be the summer of Viv Richards scoring boundaries endlessly and the searing pace of Michael Holding sending Tony Greig's stumps into orbit blowing in the winds of redemption. The fires of Babylon were burning bright. The summer of 1976 ends with the Notting Hill riots where cricket, punk and Don Letts come together to save the day. 1976 Punk, Cricket and London's Burning is a nuanced and original look at these hard times for Britain - the perspective of icons since passed, looking on at the brewing trouble, and hoping to share their wisdom to mend it.

"Fundamentally alters the received wisdom that tends to award Paris a far more central place in the making of Joyce the modernist."--John McCourt, author of The Years of Bloom: James Joyce in Trieste 1904-1920 "In readings equally attentive to text, avant-text, and context, this book shows us how many roads in Joyce's life and work led to London. Yet the first city of the British Empire is also decentered here, enmeshed by Joyce with Dublin through the place names, cartographies, and imperial history the two cities shared. Loukopoulou has written the atlas of their entanglement, a Londub A to Z."--Paul K. Saint-Amour, author of Tense Future: Modernism, Total War, Encyclopedic Form The effect of Dublin--and other cities such as Trieste, Zurich, and Paris--on James Joyce and his works has been studied extensively, but few Joyceans have explored the impact of London on the trajectory of his literary career. In Up to Maughty London, Eleni Loukopoulou offers the first sustained account of Joyce's engagement with the imperial metropolis. She considers both London's status as a matrix for political and cultural formations and how the city is reimagined in Joyce’s work. Loukopoulou examines newly discovered or largely neglected material, including newspaper and magazine articles, anthology contributions, radio broadcasts, sound recordings, and other writings published and unpublished. She also assesses the promotion of Joyce's work in London’s literary marketplace. London emerges not just as a setting for his writings but as a key cultural and publishing vector for the composition and dissemination of his work. Eleni Loukopoulou is an independent scholar living in London. A volume in the Florida James Joyce Series, edited by Sebastian D. G. Knowles

Burning Daylight by Jack London, first published in 1910, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.

Shakespeare on the Ecological Surface uses the concept of the ‘surface’ to examine the relationship between contemporary performance and ecocriticism. Each section looks, in turn, at the 'surfaces' of slick, smoke, sky, steam, soil, slime, snail, silk, skin and stage to build connections between ecocriticism, activism, critical theory, Shakespeare and performance. While the word ‘surface’ was never used in Shakespeare’s works, Liz Oakley-Brown shows how thinking about Shakespearean surfaces helps readers explore the politics of Elizabethan and Jacobean culture. She also draws surprising parallels with our current political and ecological concerns. The book explores how Shakespeare uses ecological surfaces to help understand other types of surfaces in his plays and poems: characters’ public-facing selves; contact zones between characters and the natural world; surfaces upon which words are written; and physical surfaces upon which plays are staged. This book will be an illuminating read for anyone studying Shakespeare, early modern culture, ecocriticism, performance and activism.

This is the first-ever critical work on Jack Rosenthal, the award-winning British television dramatist. His career began with Coronation Street in the 1960s and he became famous for his popular sitcoms, including The Lovers and The Dustbinmen. During what is often known as the golden age of British television drama, Rosenthal wrote such plays as The Knowledge, The Chain, Spend, Spend, Spend and Ptang, Yang, Kipperbang, as well as the pilot for the series London's Burning. This study offers a close analysis of all Rosenthal's best-known works, drawing on archival material as well as interviews with his collaborators and cast members. It traces the events that informed his writing, ranging from his comic take on the permissive society; of the 1960s, through to recession in the 1970s and Thatcherism in the 1980s. Rosenthal's distinctive brand of humour and its everyday surrealism is contrasted throughout with the work of his contemporaries, including Dennis Potter, Alan Bleasdale and Johnny Speight, and his influence on contemporary television and film is analysed. Rosenthal is not usually placed in the canon of Anglo-Jewish writing but the book argues this case by focusing on his prize-winning Plays for Today The Evacuees and Bar Mitzvah Boy. This book will appeal to students and researchers in Television, Film and Cultural Studies, as well as those interested in contemporary drama and Jewish Studies.