Zilrita was at the top of her game, managing the most successful record label in Europe, London Harmony. There was nothing that could derail the squid hugging goth woman, except the smile of the woman she secretly longed for, their receptionist, Jennifer. After an emergency calls her back to Denver after being away for thirteen years, Zilrita is forced to re-examine her life and face some truths she has hidden herself away from. Jennifer has faced difficulties, discrimination and bigotry, trying to be the person she has felt she was her entire life. She feels she was blessed the day that a certain smiling and happy goth stepped into her life. Will the women open their eyes and admit their feelings, or will they let misunderstandings and assumptions pull them apart? (The London Harmony series is a spinoff of the Music of the Soul books.)

The Gloss of Harmony focuses on agencies of the United Nations, examining the paradox of entrusting relatively powerless and under-funded organisations with the responsibility of tackling some of the essential problems of our time. The book shows how international organisations shape the world in often unexpected and unpredictable ways. The authors of this collection look not only at the official objectives and unintended consequences of international governance but also at how international organisations involve collective and individual actors in policy making, absorb critique, attempt to neutralise political conflict and create new political fields with local actors and national governments. The Gloss of Harmony identifies the micro-social processes and complexities within multilateral organisations which have, up to now, been largely invisible. This book will have wide appeal not only to students and academics in anthropology, business studies and sociology but also to all practioners concerned with international governance.

Eliza Montrose lives an unorthodox life. backpacking through Europe with a string bass, Audrey, on her back. She plays her doghouse bass in jazz clubs in every port in her wanderings, she doesn't need anyone but herself and her Audrey. On the last leg of her journey, she finds herself in London to try to get a chance to play in the last two venues on her list before going back to the lonesome life she left behind in Seattle all those years ago. She resorts to some creative financing whenever funds get low. She never would have believed how her life would change when she accidentally pickpockets the wrong person... June Harris-West. In her attempt to get back something taken from her by the elusive Scratch, Eliza finds herself falling for the last person she would have believed. A person that was so contrary and frustratingly annoying to her, the person she dubs the gatekeeper, who keeps her away from her goal. (London Harmony is a spinoff of the Music of the Soul books.)

'It's not our bank balance, looks, social status or popularity that determines how happy, free and fulfilled we are in life. Finally, what really counts is our state of mind. Subhuti helps us to identify what's going on in our mind, and see clearly what's helpful and what will end in tears.' Vessantara. 'This is a refreshing approach to the classical Abhidharma material, relentlessly experiential and eminently practical.' Andrew Olendzki

Combining new musicology trends, formal musical analysis, and literary feminist recovery work, Leslie Ritchie examines rare poetic, didactic, fictional, and musical texts written by women in late eighteenth-century Britain. She finds instances of and resistance to contemporary perceptions of music as a form of social control in works by Maria Barth?mon, Harriett Abrams, Mary Worgan, Susanna Rowson, Hannah Cowley, and Amelia Opie, among others. Relating women's musical compositions and writings about music to theories of music's function in the formation of female subjectivities during the latter half of the eighteenth century, Ritchie draws on the work of cultural theorists and cultural historians, as well as feminist scholars who have explored the connection between femininity and performance. Whether crafting works consonant with societal ideals of charitable, natural, and national order, or re-imagining their participation in these musical aids to social harmony, women contributed significantly to the formation of British cultural identity. Ritchie's interdisciplinary book will interest scholars working in a range of fields, including gender studies, musicology, eighteenth-century British literature, and cultural studies.

Originally published in 1919, this book examines the junction between music and psychology, particularly harmony. Watt discusses the roots of key features of music, such as consecutive fifths, pitch and musical aesthetics. This book will be of value to anyone with an interest in music and the theories underlying its construction and reception.

(Berklee Guide). Learn jazz harmony, as taught at Berklee College of Music. This text provides a strong foundation in harmonic principles, supporting further study in jazz composition, arranging, and improvisation. It covers basic chord types and their tensions, with practical demonstrations of how they are used in characteristic jazz contexts and an accompanying recording that lets you hear how they can be applied.