London: City of the Dead is a groundbreaking account of London's dealing with death, covering the afterlife, execution, bodysnatching, murder, fatal disease, spiritualism, bizarre deaths and cemeteries. Taking the reader from Roman London to the 'glorious dead' of the First World War, this is the first systematic look at London's culture of death, with analysis of its customs and superstitions, rituals and representations. The authors of the celebrated London: The Executioner's City (Sutton, 2006) weave their way through the streets of London once again, this time combining some of the capital's most curious features, such as London's Necropolis Railway and Brookwood Cemetery, with the culture of death exposed in the works of great writers such as Dickens. The book captures for the first time a side of the city that has always been every bit as fascinating and colourful as other better known aspects of the metropolis. It shows London in all its moods - serious, comic, tragic and heroic-and celebrates its robust acceptance of the only certainty in life.

In the early eighteenth century, a delegation of Iroquois visited Britain, exciting the imagination of the London crowds with images of the “feathered people” and warlike “Mohocks.” Today, performing in a popular Afrodiasporic tradition, “Mardi Gras Indians” or “Black Masking Indians” take to the streets of New Orleans at carnival time and for weeks thereafter, parading in handmade “suits” resplendent with beadwork and feathers. What do these seemingly disparate strands of culture share over three centuries and several thousand miles of ocean? Interweaving theatrical, musical, and ritual performance along the Atlantic rim from the eighteenth century to the present, Cities of the Dead explores a rich continuum of cultural exchange that imaginatively reinvents, recreates, and restores history. Joseph Roach reveals how performance can revise the unwritten past, comparing patterns of remembrance and forgetting in how communities forge their identities and imagine their futures. He examines the syncretic performance traditions of Europe, Africa, and the Americas in the urban sites of London and New Orleans, through social events ranging from burials to sacrifices, auctions to parades, encompassing traditions as diverse as Haitian Voudon and British funerals. Considering processes of substitution, or surrogation, as enacted in performance, Roach demonstrates the ways in which people and cultures fill the voids left by death and departure. The twenty-fifth anniversary edition of this classic work features a new preface reflecting on the relevance of its arguments to the politics of performance and performance in contemporary politics.

From Roman burial rites to the horrors of the plague, from the founding of the great Victorian cemeteries to the development of cremation and the current approach of metropolitan society towards death and bereavement -- including more recent trends to displays of collective grief and the cult of mourning, such as that surrounding the death of Diana, Princess of Wales -- NECROPOLIS: LONDON AND ITS DEAD offers a vivid historical narrative of this great city's attitude to going the way of all flesh. As layer upon layer of London soil reveals burials from pre-historic and medieval times, the city is revealed as one giant grave, filled with the remains of previous eras -- pagan, Roman, medieval, Victorian. This fascinating blend of archaeology, architecture and anecdote includes such phenomena as the rise of the undertaking trade and the pageantry of state funerals; public executions and bodysnatching. Ghoulishly entertaining and full of fascinating nuggets of information, Necropolis leaves no headstone unturned in its exploration of our changing attitudes to the deceased among us. Both anecdotal history and cultural commentary, Necropolis will take its place alongside classics of the city such as Peter Ackroyd's LONDON.

What is there is only a limited amount of sanity in the world and the real reason people go mad is because somebody has to? What if a mysterious tribe in the Amazon rainforest turn out to be the most boring people on earth? What if the afterlife is nothing more than a London suburb, where the dead get new flats, new jobs, and their own telephone directory? These are the sort of truths that emerge in this collection of stories by one of England's most gifted writers. In The Quantity Theory of Insanity, Will Self tips over the banal surfaces of everyday existence to uncover the hideous, the hilarious, and the bizarre. Psychiatry, anthropology, theology—and literature—will never be the same.

This is London in the eyes of its beggars, bankers, coppers, gangsters, carers, witch-doctors and sex workers. This is London in the voices of Arabs, Afghans, Nigerians, Poles, Romanians and Russians. This is London as you've never seen it before. Longlisted for the Baillie Gifford Prize for Non-fiction 2016 Shortlisted for the Ryszard Kapuscinski Award for Literary Reportage 2019 'An eye-opening investigation into the hidden immigrant life of the city' Sunday Times 'Full of nuggets of unexpected information about the lives of others . . . It recalls the journalism of Orwell' Financial Times 'Ben Judah grabs hold of London and shakes out its secrets' The Economist

In 1970s New York, a forensic pathologist must use his professional skills to save his own daughter in this “harrowing” award-winning crime novel (The New York Times). In the gritty seventies, Manhattan is a dark, dangerous, and threatening place. One of the bright spots in this decaying metropolis is Paul Konig. As the city’s chief medical examiner, he has developed an impressive reputation for his skills in forensic pathology—skills that will be put to the ultimate test when a dangerous psychopath kidnaps Konig’s daughter. Awakened by phone calls featuring his daughter’s desperate screams each night, Konig finds his life unraveling, not only personally but professionally. Between the case of a serial killer who leaves a trail of severed body parts in his wake, an investigation into the forensic work on an alleged prison suicide, and a nakedly ambitious deputy medical examiner, he is at the end of his rope, and it will take every ounce of his strength to save his own life—as well as his family’s. Perfect for fans of Patricia Cornwell or Kathy Reichs, City of the Dead is a chilling thriller by the author of Crawlspace and a winner of the Grand Prix de Littérature Policière, featuring “a massive amount of authoritative detail” about the life of a coroner (Kirkus Reviews).

When hackers target locations all over London, Kat leads the City Spies in testing security for the British Museum where a secret message leads them to Egypt and the ancient City of the Dead.

A fascinating history of Undercliffe Victorian Cemetery - 'works of art', created as much for the living as they were for the dead.

The Dead City unearths meanings from such depictions of ruination and decay, looking at representations of both thriving cities and ones which are struggling, abandoned or simply in transition. It reveals that ruination presents a complex opportunity to envision new futures for a city, whether that is by rewriting its past or throwing off old assumptions and proposing radical change. Seen in a certain light, for example, urban ruin and decay are a challenge to capitalist narratives of unbounded progress. They can equally imply that power structures thought to be deeply ingrained are temporary, contingent and even fragile. Examining ruins in Chernobyl, Detroit, London, Manchester and Varosha, this book demonstrates that how we discuss and depict urban decline is intimately connected to the histories, economic forces, power structures and communities of a given city, as well as to conflicting visions for its future.

Welcome to the real, unauthorised London: the disappeared, the unapproved, the unvoiced, the mythical and the all-but forgotten.