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CURIOUS, IF TRUE: Strange Tales is a collection of five dark Victorian tales of suspense, horror, mood and mystery by Elizabeth Gaskell, published variously between 1852 and 1861. Includes "The Old Nurse's Story," "The Poor Clare," "Lois The Witch," "The Grey Woman," and "Curious, If True."

Cousin Phillis (1864) is a novel by Elizabeth Gaskell. It was published in four parts, though a fifth and sixth part were planned. The story is about 19-year-old Paul Manning, [A 1] who moves to the country and befriends his mother's family and his (second) cousin Phillis Holman, who is confused by her own placement at the edge of adolescence. Most critics agree that Cousin Phillis is Gaskell's crowning achievement in the short novel. The story is uncomplicated; its virtues are in the manner of its development and telling. Cousin Phillis is also recognized as a fitting prelude for Gaskell's final and most widely acclaimed novel, Wives and Daughters, which ran in Cornhill Magazine from August 1864 to January 1866. Characters: Paul Manning (the narrator, Phillis's cousin) Mr Manning (Paul's father) Mr Edward Holdsworth Mr Holman (independent church minister) Mrs Holman Miss Phillis Holman Mr Ellison (Mr Manning's business partner) Miss Lucille Ventadur (at last Mr Holdsworth's wife) Betty (the servant at Holman house) Elizabeth Cleghorn Gaskell, (nee Stevenson; 29 September 1810 - 12 November 1865), often referred to as Mrs Gaskell, was an English novelist and short story writer. Her novels offer a detailed portrait of the lives of many strata of Victorian society, including the very poor, and are of interest to social historians as well as lovers of literature. Her first novel, Mary Barton, was published in 1848. Gaskell's The Life of Charlotte Bronte, published in 1857, was the first biography of Bronte. Some of Gaskell's best known novels are Cranford (1851-53), North and South (1854-55), and Wives and Daughters (1865). Gaskell was born Elizabeth Cleghorn Stevenson on 29 September 1810 in Lindsey Row, Chelsea, at the house which is now 93 Cheyne Walk. She was the youngest of eight children; only she and her brother John survived infancy. Her father, William Stevenson, a Unitarian from Berwick-upon-Tweed, was minister at Failsworth, Lancashire, but resigned his orders on conscientious grounds and moved to London in 1806 with the intention of going to India after he was appointed private secretary to the Earl of Lauderdale, who was to become Governor General of India. That position did not materialise, however, and instead Stevenson was nominated Keeper of the Treasury Records. His wife, Elizabeth Holland, came from a family from the English Midlands that was connected with other prominent Unitarian families, including the Wedgwoods, the Martineaus, the Turners and the Darwins. When she died 13 months after giving birth to her youngest daughter, she left a bewildered husband who saw no alternative for Elizabeth but to be sent to live with her mother's sister, Hannah Lumb, in Knutsford, Cheshire. While she was growing up, Elizabeth's future was uncertain, as she had no personal wealth and no firm home, though she was a permanent guest at her aunt and grandparents' house. Her father married Catherine Thomson in 1814 and they had a son, William (born 1815), and a daughter, Catherine (born 1816). Although Elizabeth spent several years without seeing her father, to whom she was devoted, her older brother John often visited her in Knutsford. John was destined for the Royal Navy from an early age, like his grandfathers and uncles, but he had no entry and had to join the Merchant Navy with the East India Company's fleet. John went missing in 1827 during an expedition to India.......

Published in 1913, this revised popular biography of Elizabeth Gaskell represents a comprehensive exploration of the novelist's life and work.

This study argues against vague interpretations of fantasy as mere escapism and seeks to define it as a distinct kind of narrative. A general theoretical section introduces recent work on fantasy, notably Tzventan Todorov's The Fantastic: A Structural Approach to a Literary Genre (1973). Dr Jackson, however, extends Todorov's ideas to include aspects of psychoanalytical theory. Seeing fantasy as primarily an expression of unconscious drives, she stresses the importance of the writings of Freud and subsequent theorists when analysing recurrent themes, such as doubling or multiplying selves, mirror images, metamorphosis and bodily disintegration.^l Gothic fiction, classic Victorian fantasies, the 'fantastic realism' of Dickens and Dostoevsky, tales by Mary Shelley, James Hogg, E.T.A. Hoffmann, George Eliot, Henry James, Joseph Conrad, R.L. Stevenson, Franz Kafka, Mervyn Peake and Thomas Pynchon are among the texts covered. Through a reading of these frequently disquieting works, Dr Jackson moves towards a definition of fantasy expressing cultural unease. These issues are discussed in relation to a wide range of fantasies with varying images of desire and disenchantment.