A startlingly original, delightfully eerie tale for 9+ readers, with stunning illustrations by a renowned and multi-award-winning artist Lily just wants things to go back to the way they were: before she got sick, before her parents decided to have another baby. So when she’s sent away to stay with her grandmother while her mum has the baby, Lily is determined to go home. But she doesn’t expect to find people in her house – people who look like her parents, but definitely aren’t… Together with some unlikely animal companions, Lily must face her fears and summon the courage to break into her own house, and defeat ‘The Replacements’ before the night is out." Allegorical and atmospheric, this is a modern classic to treasure, perfect for fans of Coraline and A Monster Calls. 'A book of such wit and flair and delight: the kind of book you finish and immediately begin again, so that you can live again alongside the characters.’ - Katherine Rundell, bestselling author of Rooftoppers

Ghost story master Mary Downing Hahn unrolls the suspenseful, spine-chilling yarn of a girl imprisoned for more than a century, the terrifying events that put her there, and a friendship that crosses the boundary between past and present. A family moves into an old, abandoned house. Jules's parents love the house, but Jules is frightened and feels a sense of foreboding. When she sees a pale face in an upstairs window, though, she can't stop wondering about the eerie presence on the top floor—in a room with a locked door. Could it be someone who lived in the house a century earlier? Her fear replaced by fascination, Jules is determined to make contact with the mysterious figure and help unlock the door. Past and present intersect as she and her ghostly friend discover—and change—the fate of the family who lived in the house all those many years ago. A thrilling and unputdownable spinetingling ghost story from a bestselling master of the genre!

When Agnes Headey is washed up by a storm at the gates of the Netherfield estate, her first impression of it is one of faded elegance. When she learns that the Master's sister Lily is not dead as all had presumed, she begins secretly visiting the gentle but troubled woman. Soon Agnes would rather travel the miles to Netherfield than fend off the advances of her suitor, the ardent James Thornton. Lily Netherfield accepts her imprisonment, for her own good. Her sickness has caused enough grief and loss in her family. But the sound of light laughter, a kind word and a sweet smile brings it all back, and this time Lily does not want to be cured. With social convention pressuring Agnes to marry for the security of her own future, only unwanted journeys lie ahead, and none of the roads lead to where her heart has finally found a home. In this richly detailed story of Victorian and Regency England, debut author Elizabeth Hart asks the tantalizing question: What if Jane Eyre had lost her heart not to Rochester, but to the woman in the tower?

"I am going to find my parents... if I don't track them down I'll be one of the unlucky ones." So writes seventeen-year-old Lily Myers, for whom, adopted at birth, there are so many unanswered questions. Who are her biological parents? Does she have brothers and sisters? Where else might she have lived had if she not been given away? Most pressing is the simplest question of all: "Why was I given up?" In Lily's case there is refuge in melody. It's in the dub venues of the north of England, in the fizzing bass lines, the buzz of static. Here is the volume to quell the doubts, the fears, even the truth. Yet these melodies have the power to suggest possibilities of their own - not least when coupled with Ayahuasca, a visionary plant used by Amazonian shamans as a vehicle to commune with the spirit world, a world where there can be no secrets. Hitherto Lily's quest has been confined to this psychic plane, transcending space and time to communicate with spirits so real they are real, gathering from them clues about her past, her people. It has been at perilous cost to her mental health. Now, at eighteen, her birth certificate and adoption file are hers for the taking. But will the journey end there? Indeed can she ever come to understand the true significance of 'finding my parents'? Praise for Matthew Yorke's previous novel The March Fence: This is a novel which throbs with life and wonder at the manifold varieties of experience... The talent for writing novels may be hard to define, yet it is unmistakable when encountered... is the real thing... the best first novel that I have read in a long time. Alan Massie. A most impresseive debut. Elaine Feinstein, The Times. Distinctive, energetic...the narrative takes a real grip. Hilary Mantel. Daily Telegraph.

WASHINGTON POST TOP 50 NON-FICTION BOOK 'Extremely compelling' - The Guardian 'Searing... funny, eloquent and honest' - Psychologies 'Remarkable... I hope this book finds a wide readership' - Washington Post __________________________________________ As a child, Lily Bailey knew she was bad. By the age of 13, she had killed someone with a thought, spread untold disease, and spied upon her classmates. Only by performing a series of secret routines could she correct her wrongdoing. But it was never enough. She had a severe case of Obsessive Compulsive Disorder, and it came with a bizarre twist. This true story is from a startling new voice in non-fiction. It lights up the workings of the mind like Mark Haddon or Matt Haig. Anyone who wants to know about OCD, and how to fight back, should read this book. Immerse yourself in a new world. Reviews Model and journalist Bailey offers an authentic and stunning account of her struggle with Obsessive Compulsive Disorder in this beautifully-rendered memoir. - Publishers Weekly I laughed, I cried. I could not put this book down. Intensely moving with flashes of black humour, Because We Are Bad is the compelling account of one young woman's experience of Obsessive Compulsive Disorder. - Rosanna Greenstreet writes for The Guardian Often as chilling as Sylvia Plath's The Bell Jar, but also full of so much inner and external turbulence that it reminded me at times of The Bourne Identity and Memento.Because We Are Bad is an intense heart-rending roller coaster of a book... - Will Black, Huffpost UK A harrowingly honest memoir of profound psychological struggle. In her courageous book, the author offers compelling insight into the pain and destructive power of OCD as well as the resilience of a young woman determined to beat the odds. - Kirkus Reviews A fascinating read. It's brilliantly written; I felt inside your head - Ray D'Arcy Show, RTE Radio 1 Because We Are Bad is an emotional, challenging read. Lily takes us deep into the heart of the illness but she is also a deft writer, and even the darkest moments are peppered with wit and wry observations. - James Lloyd, OCD-UK Remarkable. She writes with literary poise and a gift for mordant observation and self-deprecating humor that belie her youth. I hope this book finds a wide readership. - Scott Stossel, Washington Post It's a fascinating read... Buy the book! Buy the book! - Jo Good, BBC Radio London

Lilly and Ceily Carney are only seven and twelve when their mother is cruelly taken from them, leaving them at the mercy of the Church and the authorities. This is a terrifying prospect in 1950s Dublin, where it is likely that the girls will end up in one of Ireland’s notorious Magdalen laundries – a fate they are determined to escape. When Father Flitters and the ‘Cruelty’ people arrive to take the children into care, Lilly and Ceily resist, and a riot breaks out. The girls are helped by kind Mister Mullins and his daughter Delia, but events lead to further tragedy and Lilly is left to fend for herself on the dangerous streets. Heartbroken, hungry and vulnerable, she looks like easy prey and it seems there will be no safe haven for her to find.

In this “brave and heartbreaking novel that digs its claws into you and doesn’t let go, long after you’ve finished it” (Anna Todd, New York Times bestselling author) from the #1 New York Times bestselling author of All Your Perfects, a workaholic with a too-good-to-be-true romance can’t stop thinking about her first love. Lily hasn’t always had it easy, but that’s never stopped her from working hard for the life she wants. She’s come a long way from the small town where she grew up—she graduated from college, moved to Boston, and started her own business. And when she feels a spark with a gorgeous neurosurgeon named Ryle Kincaid, everything in Lily’s life seems too good to be true. Ryle is assertive, stubborn, maybe even a little arrogant. He’s also sensitive, brilliant, and has a total soft spot for Lily. And the way he looks in scrubs certainly doesn’t hurt. Lily can’t get him out of her head. But Ryle’s complete aversion to relationships is disturbing. Even as Lily finds herself becoming the exception to his “no dating” rule, she can’t help but wonder what made him that way in the first place. As questions about her new relationship overwhelm her, so do thoughts of Atlas Corrigan—her first love and a link to the past she left behind. He was her kindred spirit, her protector. When Atlas suddenly reappears, everything Lily has built with Ryle is threatened. An honest, evocative, and tender novel, It Ends with Us is “a glorious and touching read, a forever keeper. The kind of book that gets handed down” (USA TODAY).

In a city full of giants, can one tiny girl find her way home? She is a girl three inches tall with eyes like drops of dew. Her clothes are cut from handkerchiefs and stitched with spider silk. For half her life, she has been suspended in a birdcage while Gulliver, her giant kidnapper, sits below her, writing in a leather-bound book the size of a house. Her name is Lily, and tonight she is planning her 35th escape attempt. She is going to find a way to get home. To Lilliput. Inspired by Gulliver's Travels, Lilliput is an exhilarating and imaginative adventure filled with cunning escape plans, evil clock makers, and talkative parrots. Join Lily as she travels through eighteenth-century London—over rooftops, down chimneys, and into chocolate shops—on a journey to find the one place in the world where she belongs...home.

A standalone romance from the New York Times bestselling author of Archer's Voice. Holden Scott is the prince of professional football. At least he was before he lost it all . . . or more to the point, before he threw it all away. Now he's out of a job, out of the public's good graces, and perhaps just a little out of his mind. So when a friend offers up his remote lodge in the wilds of Colorado, giving Holden some time away to get his life back on track, he can hardly say no. The last thing he expects is to see a beautiful girl in the woods—one wearing a white, lace dress who appears in the moonlight, and leaves no footprints behind. Is she a dream? A ghost? A product of his muddled imagination? Or something entirely different? Midnight Lily is the haunting love story of two lost souls reaching for each other in the dark. A tale of healing, acceptance, and the worlds we create to protect our own hearts. It is a story of being lost, of being found, and of being in the place between. THIS IS A STAND-ALONE SIGN OF LOVE NOVEL, INSPIRED BY VIRGO. Non-Paranormal, New Adult Contemporary Romance: Due to strong language and sexual content, this book is not intended for readers under the age of 18.

The further adventures of Lily: life as a maid in Lissadell House is always interesting, but with her friendship with Maeve under strain, a war in Europe starting and uncertainly about her future, she needs all her wits about her! This latest installment in the popular series also sees Lily finally on her way to realising her dream of becoming a teacher. Nellie's older sister, Johanna, starts walking out with Harry the footman, and is extremely worried when he enlists and goes off to fight in World War I. He send letters to the girls from the front and tells them all about the Christmas Day truce in 1914 ... but then a telegram comes. Harry is missing, presumed dead. Will he return to Lissadell, safe and sound? Meanwhile, when Isabelle, the children's nurse, becomes unwell Lady Mary asks Lily to work with the Michael and Hugh Gore Booth in the afternoons until they are ready to go away to boarding school. On a visit home, Lily meets the Master, who tells her that Miss O'Brien is courting a young man – and if she marries, there will be an opening for a Junior Assistant Mistress in the school. He assures her that her current level of education will be enough, and that once she is old enough, he'd be happy to appoint her.