When Delia Balmer entered into a relationship with the attentive John Sweeney, she had no idea he was a serial killer. At first he was caring but over the course of their relationship he became violent and controlling. On more than one occasion he held Delia hostage and tortured her. Chillingly, he also confessed to the murder of his previous girlfriend. After one serious assault, Sweeney was released on bail, and left her in the utmost fear knowing that he would return to finish her off. After a final frenzied attack leaving Delia on the brink of death, Sweeney went on the run. Astonishingly, it would take the police six years to capture and convict Sweeney of multiple murders. This is her compelling memoir.

In this provocative cultural study, the serial killer emerges as a central figure in what Mark Seltzer calls 'America's wound culture'. From the traumas displayed by talk show guests and political candidates, to the violent entertainment of Crash or The Alienist, to the latest terrible report of mass murder, we are surrounded by the accident from which we cannot avert our eyes. Bringing depth and shadow to our collective portrait of what a serial killer must be, Mark Seltzer draws upon popular sources, scholarly analyses, and the language of psychoanalysis to explore the genesis of this uniquely modern phenomenon. Revealed is a fascination with machines and technological reproduction, with the singular and the mass, with definitions of self, other, and intimacy. What emerges is a disturbing picture of how contemporary culture is haunted by technology and the instability of identity.

Catch Me: The Life Ruiner Serial Killer. (“Ruiner” is a colloquial expression employed by my character.) The protagonist is a serial killer named Jamal Stone, aka “Roc”, who was set up on a drug deal by one of his closest friends, Tanya Spencer. He served 10 years in prison due to this betrayal. Roc comes home after serving his time, and through a series of adventures locates Tanya, and avenges himself by killing her. Through this experience of chase and revenge, Roc becomes a vigilante exacting justice by killing people who have ruined other people’s lives. What drives Roc is the intriguing combination of a sense of justice and the thrill of violence. The FBI gets on the trail of “The Life Ruiner Serial Killer”, trying to put a stop to the murder spree. Even though a pattern emerges that this murderous spree is partly motivated by the wish to do good, Jamal plays a dangerous game. He has everything to lose but loves the thrill of trying to see if they can..... CATCH ME!

A comprehensive examination into the frightening true crime history of serial homicide—including information on America’s most prolific serial killers such as: Jeffrey Dahmer • Ted Bundy • “Co-ed Killer” Ed Kemper • The BTK Killer • “Highway Stalker” Henry Lee Lucas • Monte Ralph Rissell • “Shoe Fetish Slayer” Jerry Brudos • “Night Stalker” Richard Ramirez • “Unabomber” Ted Kaczynski • Ed Gein “The Butcher of Plainfield” • “Killer Clown” John Wayne Gacy • Andrew Cunanan • And more... In this unique book, Peter Vronsky documents the psychological, investigative, and cultural aspects of serial murder, beginning with its first recorded instance in Ancient Rome through fifteenth-century France on to such notorious contemporary cases as cannibal/necrophile Ed Kemper, the BTK killer, Henry Lee Lucas, Monte Ralph Rissell, Jerry Brudos, Richard Ramirez, “Unabomber” Ted Kaczynski, Ed Gein, John Wayne Gacy, Ted Bundy, Jeffrey Dahmer, and the emergence of what he classifies as the “serial rampage killer” such as Andrew Cunanan, who murdered fashion designer Gianni Versace. Vronsky not only offers sound theories on what makes a serial killer but also makes concrete suggestions on how to survive an encounter with one—from recognizing verbal warning signs to physical confrontational resistance. Exhaustively researched with transcripts of interviews with killers, and featuring up-to-date information on the apprehension and conviction of the Green River killer and the Beltway Snipers, Vronsky’s one-of-a-kind book covers every conceivable aspect of an endlessly riveting true crime phenomenon. INCLUDES PHOTOGRAPHS

Publisher Description

Winner, Prix Littéraire Paris-Liège 2021 Winner, French Voices Award for Excellence in Publication and Translation When we speak of mass killers, we may speak of radicalized ideologues, mediocrities who only obey orders, or bloodthirsty monsters. Who are these men who kill on a mass scale? What is their consciousness? Do they not feel horror or compassion? Richard Rechtman’s Living in Death offers new answers to a question that has haunted us at least since the Holocaust. For Rechtman, it is not ideologies that kill, but people. This book descends into the ordinary life of people who execute hundreds every day, the same way others go to the office. Bringing philosophical sophistication to the ordinary, the book constitutes an anthropology of mass killers. Turning away from existing psychological and philosophical accounts of genocide’s perpetrators, Rechtman instead explores the conditions under which administering death becomes a job like any other. Considering Cambodia, Rwanda, and other mass killings, Living in Death draws on a vast array of archival research, psychological theory, and anecdotes from the author’s clinical work with refugees and former participants in genocide. Rechtman mounts a compelling case for reframing and refocusing our attempts to explain—and preempt—acts of mass torture, rape, killing, and extermination. What we must see, Rechtman argues, is that for genocidaires (those who carry out acts that are or approach genocide), there is nothing extraordinary, unusual, or world-historical about their actions. On the contrary, they are preoccupied with the same mundane things that characterize any other job: interactions with colleagues, living conditions, a drink and a laugh at the end of the day. To understand this is to understand how things came to be the way they are—and how they might be different.

He looks like the boy next door. He could be the young man dating your daughter or sister. He could be the boy who cuts your lawn. He considers himself an artist, creating twisted art using human canvases. Leaving a trail of once beautiful, but now shattered female bodies in his wake, he always stays one step ahead of the police. He is highly organized. He is highly motivated. He has been operating with impunity for years. He does not believe he can be caught. And the body count is rising…

"A true account of homicidal insanity"--Jacket subtitle.

Annaka is a pregnant homeless person that faces tough challenges through her life being pregnant and homeless.

In this fascinating book, Peter Vronsky exposes and investigates the phenomenon of women who kill—and the political, economic, social and sexual implications buried with each victim. How many of us are even remotely prepared to imagine our mothers, daughters, sisters or grandmothers as fiendish killers? For centuries we have been conditioned to think of serial murderers and psychopathic predators as men—with women registering low on our paranoia radar. Perhaps that’s why so many trusting husbands, lovers, family friends, and children have fallen prey to “the female monster.” From history’s earliest recorded cases of homicidal females to Irma Grese, the Nazi Beast of Belsen, from Britain’s notorious child-slayer Myra Hindley to ‘Honeymoon Killer’ Martha Beck to the sensational cult of Aileen Wournos—the first female serial killer-as-celebrity—to cult killers, homicidal missionaries, and our pop-culture fascination with the sexy femme fatale, Vronsky not only challenges our ordinary standards of good and evil but also defies our basic accepted perceptions of gender role and identity. INCLUDES PHOTOGRAPHS