The Littlepage Manuscripts follow three generations of a Dutch-originated family settling in America, beginning in the mid-eighteenth century. The trilogy is a fictional biography of the Littlepage family which explores the 18th century colony of New York. Novels focus mainly on issues of land ownership and the displacement of American Indians as the United States moves westward. Critical to the trilogy of these novels, is the sense of expansion through the measuring and acquisition of land by civilization. Narratives in these fictional manuscripts reveal a lot about the mentality of the people at that point in history. Satanstoe is the first novel of the trilogy with Mr. Cornelius Littlepage as the main narrator. His writings and descriptions paint the idyllic picture of the life of Dutch colonists. The Chainbearer is the second book in a trilogy, narrated by Mordaunt Littlepage. The title represents the man who carries the chains in measuring the land, helping civilization to grow from the wilderness. Here is described cultural lack of understanding Native Americans had for European concepts of land ownership. The Redskins is the final part of the trilogy with Mr. Hugh Roger Littlepage as narrator. This book closes the series of the Littlepage Manuscripts, which have been given to the world as containing a fair account of the comparative sacrifices of time, money, and labor, made respectively by the landlord and the tenants, on a New York estate. James Fenimore Cooper (1789-1851) was a prolific and popular American writer of the early 19th century. His historical romances of frontier and Indian life created a unique form of American literature. His best-known works are five historical novels of the frontier period known as the Leatherstocking Tales.

The Littlepage Manuscripts follow three generations of a Dutch-originated family settling in America, beginning in the mid-eighteenth century. The trilogy is a fictional biography of the Littlepage family which explores the 18th century colony of New York. Novels focus mainly on issues of land ownership and the displacement of American Indians as the United States moves westward. Critical to the trilogy of these novels, is the sense of expansion through the measuring and acquisition of land by civilization. Narratives in these fictional manuscripts reveal a lot about the mentality of the people at that point in history. Satanstoe is the first novel of the trilogy with Mr. Cornelius Littlepage as the main narrator. His writings and descriptions paint the idyllic picture of the life of Dutch colonists. The Chainbearer is the second book in a trilogy, narrated by Mordaunt Littlepage. The title represents the man who carries the chains in measuring the land, helping civilization to grow from the wilderness. Here is described cultural lack of understanding Native Americans had for European concepts of land ownership. The Redskins is the final part of the trilogy with Mr. Hugh Roger Littlepage as narrator. This book closes the series of the Littlepage Manuscripts, which have been given to the world as containing a fair account of the comparative sacrifices of time, money, and labor, made respectively by the landlord and the tenants, on a New York estate. James Fenimore Cooper (1789-1851) was a prolific and popular American writer of the early 19th century. His historical romances of frontier and Indian life created a unique form of American literature. His best-known works are five historical novels of the frontier period known as the Leatherstocking Tales.

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The plot has thickened in the few short months that have intervened since the appearance of the first portion of our Manuscripts, and bloodshed has come to deepen the stain left on the country by the wide-spread and bold assertion of false principles. This must long since have been foreseen; and it is perhaps a subject of just felicitation, that the violence which has occurred was limited to the loss of a single life, when the chances were, and still are, that it will extend to civil war. That portions of the community have behaved nobly under this sudden outbreak of a lawless and unprincipled combination to rob, is undeniable, and ought to be dwelt on with gratitude and an honest pride; that the sense of right of much the larger portion of the country has been deeply wounded, is equally true; that justice has been aroused, and is at this moment speaking in tones of authority to the offenders, is beyond contradiction; but, while all this is admitted, and admitted not altogether without hope, yet are there grounds for fear, so reasonable and strong, that no writer who is faithful to the real interests of his country ought, for a single moment, to lose sight of them. High authority, in one sense, or that of political power, has pronounced the tenure of a durable lease to be opposed to the spirit of the institutions! Yet these tenures existed when the institutions were formed, and one of the provisions of the institutions themselves guarantees the observance of the covenants under which the tenures exist. It would have been far wiser, and much nearer to the truth, had those who coveted their neighbors' goods been told that, in their attempts to subvert and destroy the tenures in question, they were opposing a solemn and fundamental provision of law, and in so much opposing the institutions. The capital error is becoming prevalent, which holds the pernicious doctrine that this is a government of men, instead of one of principles.

Though Satanstoe has been too much neglected by readers of Cooper's time and ours, it is one of his most interesting books, combining nostalgic autobiographical recollections, pictures of manners, action and adventure, and social philosophy in one of the author's happiest experiments in fiction. Ostensibly, it gives a comprehensive view of colonial life and society in New York State in the middle of the eighteenth century, blending all these elements with the narrative skill for which the author has always been famous.

"Satanstoe; Or, the Littlepage Manuscripts. A Tale of the Colony" by James Fenimore Cooper is a fictional autobiography which explores the 18th-century colony of New York. Through Cooper's way of mixing fact and fiction, readers are able to get an idea of what life was like for the earliest colonists in the United States. Harsh conditions, mistreatment from the British soldiers, and the risk of being unable to survive come together to create a slow-burn book that truly captures the fortitude of early-American life.