Andy Warhol made him famous. The underground films,made him a sexual icon. Hos body made him a,legend. The enigmatic and sexy superstar of the,60's and 70's underground film movement at last,talks - in detail- about his life and career.,Named as one of the most photogenic men in world,by Francesco Scavullo, Joe Dallesandro has,developed a legion of fans worldwide, including a,substantial gay following that are eager to,purchase the first book written about this film,legend.

The story of Warhol’s greatest superstar The renowned photographer Francesco Scavullo has called Joe Dallesandro “one of the ten most photogenic men in the world.” Springing to fame at the beginning of the sexual revolution in films such as Flesh, Trash, and Heat, Dallesandro, with the help of his mentor, Paul Morrissey, and pop artist Andy Warhol, became a male sex symbol in the film world unlike any before him. His casual nakedness and characteristic cool in the Warhol Factory’s irreverent, now-classic films earned attention that crossed gender lines and liberated the male nude as an object of beauty in the cinema. In this biofilmography, an update and revision of Little Joe, Superstar, Michael Ferguson explores not only Dallesandro’s Warhol years, but his troubled childhood on the streets of New York, in juvenile detention, as physique model, and on the run. Ferguson examines all of Dallesandro’s films: the eight made with Warhol and Morrissey, including the X-rated Frankenstein and Dracula, the post-Factory career in both art-world and low-budget films abroad, and his works as character actor upon his return to America. Including new interviews with Dallesandro, photographs from the actor’s personal collection, and an extensive biographical section, Joe Dallesandro is the ultimate guide to an underground film icon who, according to Andy Warhol, “everyone was in love with.”

Don’t miss the JOE PICKETT series—now streaming on Paramount+ In this New York Times bestseller, Wyoming game warden Joe Pickett is determined to find out who put his daughter’s life in danger—even if it kills him. Joe Pickett had good reason to dislike Dallas Cates, and now he has even more—Joe’s eighteen-year-old daughter, April, has run off with him. And then comes even worse news: She has been found in a ditch along the highway—alive, but just barely, the victim of blunt force trauma. Cates denies having anything to do with it, but Joe knows in his gut who’s responsible. What he doesn’t know is the kind of danger he’s about to encounter. Cates is bad enough, but Cates’s family is like none Joe has ever met.

In the heyday of Andy Warhol's legendary hub of art, subculture, and insanity known as the Factory, one performer made his mark like no other: Jackie Curtis. A wildly creative, avant-garde performer, poet, playwright, and longtime friend and collaborator of Warhol's, Curtis was well known as a cross-dressing phenom whose personal life went even further and was even wilder than anything onstage and onscreen. In this loving, dazzling, and, above all else, shocking memorial to Curtis-who died tragically of a drug overdose in 1985-filmmaker Craig Highberger delivers a fascinating oral biography of the drag queen, including interviews with such counterculture luminaries as Holly Woodlawn, Joe Dallesandro, Paul Morrissey, and Michael Musto. DVD INCLUDES: Producer/director Highberger's award-winning documentary film "Superstar in a Housedress," narrated by Lily Tomlin.

A collection of photographs by Laurence Parent which profile the beauty of the Texas mountains.

"From mansions to trap houses, office buildings to strip clubs, Atlanta is defined by its rap music. But this flashy and fast-paced world is rarely seen below surface-level as a collection not of superheroes and villains, cartoons and caricatures, but of flawed and inspired individuals all trying to get a piece of what everyone else seems to have. In artistic, commercial, and human terms, Atlanta rap represents the most consequential musical ecosystem of this century so far. Rap Capital tells the dramatic stories of the people who make it tick, and the city that made them that way."--

Gennemgang af en række rockmusikeres "guitarsounds" med anvisninger på, hvordan lyden frembringes gennem effektbokse

From New Yorker staff writer and Harvard historian Jill Lepore, the dark, spellbinding tale of her restless search for the long-lost, longest book ever written, a century-old manuscript called “The Oral History of Our Time.” Joe Gould, a madman, believed he was the most brilliant historian of the twentieth century. So did some of his friends, a group of modernist writers and artists that included E. E. Cummings, Marianne Moore, William Carlos Williams, John Dos Passos, and Ezra Pound. Gould began his life’s work before the First World War, announcing that he intended to write down nearly everything anyone ever said to him. “I am trying to preserve as much detail as I can about the normal life of every day people,” he explained, because “as a rule, history does not deal with such small fry.” By 1942, when The New Yorker published a profile of Gould written by the reporter Joseph Mitchell, Gould’s manuscript had grown to more than nine million words. But when Gould died in 1957, in a mental hospital, the manuscript was nowhere to be found. Then, in 1964, in “Joe Gould’s Secret,” a second profile, Mitchell claimed that “The Oral History of Our Time” had been, all along, merely a figment of Gould’s imagination. Lepore, unpersuaded, decided to find out. Joe Gould’s Teeth is a Poe-like tale of detection, madness, and invention. Digging through archives all over the country, Lepore unearthed evidence that “The Oral History of Our Time” did in fact once exist. Relying on letters, scraps, and Gould’s own diaries and notebooks—including volumes of his lost manuscript—Lepore argues that Joe Gould’s real secret had to do with sex and the color line, with modernists’ relationship to the Harlem Renaissance, and, above all, with Gould’s terrifying obsession with the African American sculptor Augusta Savage. In ways that even Gould himself could not have imagined, what Gould wrote down really is a history of our time: unsettling and ferocious.

Looks at the life, career, and charitable efforts of the quarterback for the Baltimore Ravens, who volunteers for the Special Olympics in Maryland and for a local no-kill animal shelter.

South Texas music roots - self-taught musicians playing music.